Let’s Put It This Way…Fuck 2016

For anyone who has been around a good length of time, there are years that are remembered more fondly than others. For myself, there’s 2006, when I met my lovely wife; 2008, when we were married, and 20xx when we had our son. Then there are those years that are better left unsaid (mine was 1988 and let’s not get into why except to say that I came out of it a better person). With all of this said, there’s only one way to put the latest ‘trip around the sun’ and that is…fuck 2016.

There were two main areas that were ravaged over the past 365 days (and we’ve yet to actually reach New Year’s Eve, for fuck’s sake). One was the entertainment industry and, in particular, the music industry. When the year kicked off with the death of David Bowie (January 10) from liver cancer, it caught everyone by surprise simply because the very private Bowie had not informed the world he was in failing health.

A little more than a week later, another stunning death occurred. The Eagles’ Glenn Frey would pass away on January 18 following intestinal surgery and, by the end of the month, a band’s history was decimated by the death of two former members. Oddly enough on the same day – January 28 – Signe Toly Anderson, the original vocalist for Jefferson Airplane, and the former lead guitarist for the band, Paul Kantner, both passed away at the age of 74.

Arguably the most surprising death of the calendar year was the passing of Prince in April. “The Purple One” was found unresponsive in the elevator of his Paisley Park home on April 21, ending a charade that had been going on apparently for years. Bedeviled by pain from his strenuous and acrobatic performances over the last 30-plus years, Prince was found to have been using the painkiller fentanyl and overdosed on the powerful drug.

Prince3

The sheer number of deaths of legendary figures of the music world continued to mount throughout the entire year. Maurice White of Earth, Wind and Fire (February 4); Merle Haggard (April 6); Leonard Cohen (November 7); Sharon Jones, a fiery soul singer often called the “female James Brown” (November 18); two members of one band in Keith Emerson (March 11) and Greg Lake (December 7)…the legends that left had many music aficionados stunned into silence. To administer the coup de grace for the year, former Wham! front man and solo sensation George Michael passed on Christmas Day.

Add these in with the deaths of such acting icons as Alan Rickman (January 14), Abe Vigoda (January 26), Garry Shandling (March 24), Patty Duke (March 29), Gene Wilder (August 28), Florence Henderson (November 24) and Alan Thicke (December 13), sports legends like Muhammad Ali (June 3), Gordie Howe (June 10), Arnold Palmer (September 25) and former Tennessee women’s basketball coach Pat Summitt (June 28) and political figures such as Nancy Reagan (March 6), Elie Wiesel (July 2), Fidel Castro (November 25) and John Glenn (December 8), and even the hardest of souls would have to say that this has been a pretty devastating year (and we’ve barely scratched the surface of those who passed in 2016 – the awards shows this spring are going to be pretty somber affairs when it comes to the “In Memoriam” segment).

It is often asked why people get emotional over the death of entertainment figures, sports heroes or even politicians. It is because it is usually a link to our youth that has been snatched away from us by the talons of the Grim Reaper. Along with that past link, there is also the wealth of work that we will never hear or see those people perform again. In some cases, yes, the person has lived a full life…it still doesn’t make it easier on those who consider themselves fans of the person or their achievements in life to recognize the passing of the body but not the soul.

The other area that was particularly screwed up in 2016 was the world of politics (sorry if you were looking for something else). At the start of the year, it seemed that there were legitimate candidates on both sides of the aisle that would provide for a good choice for the citizens of the States of America. Then a narcissistic, xenophobic racist fascist stepped to the fore.

The man who would eventually become the GOP nominee was not challenged by his own party, partly because they thought he was a joke (and he is) but also because they thought that he had no chance to win. They also didn’t want to offend the “base” that flocked to him like lemmings off a cliff because that “base” was something they had taken a long time to create through their actions of the past 16 years. By pushing them away too hard, they would threaten their own chances when the GOP nominee fell out of favor.

The only problem with that was he never did. Instead of falling from favor, more members of the Ignorati came along for the ride. And because they could not coalesce behind an alternative member – one wasn’t conservative enough, another was too conservative, another’s family had been there before, another was too young, etc. – they allowed a travesty to take over their party. In fact, many of those stayed on the sidelines EVEN WHEN THEY NOMINATED HIM and thought that the Democratic nominee for President, Hillary Clinton, would be the one to take him down.

Through the mechanizations of many parts, Election Day instead resembled “The Purge” as the Ignorati worked such an unlikelihood that no one considered it possible. To win, the GOP nominee had to sweep at least four states – some combination of Wisconsin, Michigan, Pennsylvania, Ohio, Virginia, North Carolina, and Florida – to be able to win the presidency. The GOP nominee took six of the seven, with Virginia the only holdout. The margin of victory in those states amounted to around 100,000 votes and the GOP nominee would actually lose the popular vote to Clinton.

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Now we enter a world that, with Twitler in charge, is a much darker place. He continues to threaten different agencies, looking for the names of those scientists who have done research on climate change or women who have worked to advance women’s rights in foreign countries. He continues to harp on developing a registry for Muslims, threatening to enrage a religion that is the second largest in the world with 1.6 BILLION devotees. He also threatens to take us back to the era where a simple error – lost contact with command and control, a “broken arrow” of a stolen or misplaced nuke or a simple regime change in a country – could bring us to the brink of thermonuclear disaster.

The only way to stop such a despot is to fight on every corner, for every fiber and inch of earth that is possible. It will be more difficult in 2017 as the GOP has complete command of the government, but they now also have no fucking excuses when (and it will be when) things go FUBAR. There may be those who say wait for a couple of years to change the narrative, but the time is now to stop any forward momentum that the GOP nominee may think he has (which he is highly mistaken – there is no “mandate” as many members of the Ignorati have been claiming).

These were just the two jewels of the crappy crown that topped the Year 2016. With hope, we can put this year behind us and find better things going on in the New Year. Let’s blow the horns, rev up the noisemakers and tip the bottle of champagne…fuck 2016! It’s done! And let’s hope that 2017 brings us better circumstances than the previous 365 days has.

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2016 Rock & Roll Hall of Fame Nominations: Who Gets In?

It seems that there is a “Hall of Fame” for virtually every aspect of human existence. If you are into clowns, there is the International Clown Hall of Fame in Milwaukee, WI, that is in actuality a serious look at a funny industry. On the lighter side, there is a Recreational Vehicle and Manufactured Housing Hall of Fame in Elkhart, IN, the “Pig Hill Hall of Fame” in East Elijay, GA and the International Hamburger Hall of Fame in Daytona Beach, FL (look these up, you’ll enjoy the laugh). Whereas some of these exist with their tongue firmly planted in cheek, there are those that have the gravitas deserving of a memorial to excellence.

Where the Rock & Roll Hall of Fame in Cleveland, OH, lands is something that is debatable among Halls of Fame and music aficionados. In my opinion, it does honor, cherish and memorialize the greatest musicians and performers that have come through the genre. On the other hand you have my friend Mark, who believes that the Hall “is a totally lost cause and deserves to be burned to the ground…then the ground itself sewn with salt and dumped into Lake Erie.” As you can tell, just a little difference of opinion there.

Created in 1983 by a contingent of music biggest names (then-Atlantic Records founder and chairman Ahmet Ertegun, Rolling Stone founder Jann Wenner and several other prominent music executives), the Rock & Roll Hall of Fame didn’t get around to inducting members until 1986, when the inaugural class consisting of such luminaries as Chuck Berry, James Brown, Ray Charles, Fats Domino, The Everly Brothers, DJ Alan Freed, Buddy Holly, Jerry Lee Lewis and many others (here’s the list) were voted in as the inaugural class. Even after they started inducting members into the “Hall,” they lacked a physical location to properly acknowledge the inductees.

Although several cities with extensive ties to U. S. music history and the foundations of rock music, including Memphis, Detroit, Cincinnati and New York City were considered for the location, it was Cleveland that came up as the big winner in being named the home city of the Rock & Roll Hall of Fame in 1986 (Wenner was disappointed that New York didn’t get the Hall). Why did Cleveland, of all places, get the Hall? As it is with most things, it was money; Cleveland ponied up $65 million in public funding and more than 600,000 residents demonstrated their desire in signing a petition to bring the Hall to “America’s North Coast.”

Even with the money and the people in place, it would take another decade before the physical Rock & Roll Hall of Fame was built. In 1995, the I. M. Pei-designed building opened amid the fanfare of a huge concert that featured such rock luminaries as Bob Dylan, Aretha Franklin, Bruce Springsteen and Iggy Pop. Since then, it is estimated that more than 9 million visitors have made the trek to the Rock & Roll Hall of Fame to pay their respects to the legends of the industry.

Now in its 33rd year of existence, the Rock & Roll Hall of Fame has caused its share of controversy as well as celebration. For every rock legend like a Buddy Holly or Chuck Berry ensconced in rock music’s Mount Olympus, there are those such as Dinah Washington (1993), Earth, Wind and Fire (2000), Grandmaster Flash and the Furious Five (2007) and many others who aren’t exactly what you would think of when mentioning “rock music.” In particular, there is the Rock Hall’s recent moves toward recognizing “pop” music in its rolls (Madonna in 2008 and ABBA in 2010, to be precise) that seems to have angered rock “purists” beyond belief.

In my opinion, “rock music” is a wide encompassing umbrella. While some may not believe that the legendary bluesman Robert Johnson (an original inductee in 1986) had an influence on the genre, his exclusion from the Hall would be laughable for an organization looking to honor those who created “rock music.” Even such artists as Grandmaster Flash, one of the groundbreaking musicians in the rap genre, deserves induction into the Hall for his contributions to, yes, “rock music.” While I might have some personal preference issues with some of those in the Hall (especially Madonna), I’m more of the line that they are worthy of their inclusion in the institution due to their overall contributions to music in general and sometimes even rock music.

The list of nominees for induction in 2016 to the Rock & Roll Hall of Fame once again reach across the decades and the genres. So who will have the best chance to get in this year? I’ve broken it down into three categories:  Shouldn’t Even Be Considered, Borderline Excellence and Sure Shot Legends.

Shouldn’t Even Be Considered

Chaka Khan – A long career in the industry best identified by her work with the seminal R&B group Rufus, but not exactly what I would call an indispensable musical artist. Without the ability to actually cite someone that she has had an extreme influence on – perhaps Nora Jones, maybe Alicia Keys? – Khan loses points on the “legend” scale. Add in the lack of longevity to her career and I’d have to say Khan shouldn’t be considered.

Chic – If this were a question as to voting in two of the members of the band – guitarist/producer Nile Rodgers and drummer Tony Thompson – then I’d be more than willing to welcome them into the Rock & Roll Hall of Fame. The problems are that Chic didn’t last all that long – they were one of the powerhouses of the Disco Era – but both Rodgers and Thompson’s greatest work came outside of their Chic days. Rodgers has been an outstanding producer across the entirety of the musical spectrum and Thompson laid down some of his best work with the rock super group Power Station. To put the entire band in when it was really Rodgers and Thompson who are deserving of the honor is a bit much.

Los Lobos – There is more than enough room in the Rock & Roll Hall of Fame to look at how different cultures had an impact on the formation of the genre. For their part, Los Lobos is one of those artists or groups that would have to be considered. Unfortunately, they fall short on several aspects, including influence on later artists and general impact in the history of rock. Their only #1 song in the U. S. was a remake of “La Bamba,” for crying out loud. Los Lobos, unfortunately, shouldn’t have even made this list.

Steve Miller – The thing about ANY “Hall of Fame” is that it isn’t a “Hall of the Pretty Good.” That same “level” of excellence needs to be used here with Steve Miller. Although Fly Like an Eagle was a legendary album and certain songs he created are very memorable, I don’t hear any artist over the past 20 years or so admitting how much of an influence Miller was on their careers. I can’t put someone in the Hall that was simply good at doing their job, as Miller was, thus he falls into this category.

The Spinners – Once again, a case of pretty good but not legendary. The Spinners actually should be praising those legendary R&B groups before them (The Temptations, The Four Tops, etc.) as there aren’t many that note them as a seminal influence in their formation. Also not very long-lived as a group.

The Smiths – This is one of those that is on the border between getting out of this ranking and into the “Borderline Excellence” grouping. The group has had a huge influence on many other rock acts following it, but to say it had a huge degree of success might be stretching the term. Morrissey probably had more of an effect as a solo artist than the band did as a whole and longevity has to be called into question.

Borderline Excellence

Cheap Trick – As a longtime fan of the band – they were a constant on radio stations and at parties when I was growing up – I’d like to give Cheap Trick more love than I believe the Hall voters are going to give them. The band was a regional act – highly successful in the Midwest – but didn’t exactly have the staying power as the 80s closed. They are also hugely overrated by VH1, who put them in at #25 of the Greatest Artists of Hard Rock. In fact, Cheap Trick has the potential to go from this category down to the previous one.

The Cars – Another one of those “great, but not immortal” bands that came out of the 1980s. Unless you count singer Ric Ocasek’s ability to pick up a stunning bride (model Paulina Porizkova), The Cars weren’t outstanding in any area. They showed up, they did the job and they took home the supermodels. There are many other people who are more deserving of a seat in the Rock & Roll Hall of Fame over this band.

Janet Jackson – This was a problematic one for me. Ask three different people where she should be, according to the rankings that we have here, and each of those three different people would probably put her in each category. She didn’t exactly blaze a trail – her brothers did that for her – and her music wasn’t exactly groundbreaking or influential. For a period there in the 80s, however, it was either her or Madonna reigning as the dominant female artist on the charts. For me, she falls into this category and perhaps one day might sway me to having her in the Hall.

Nine Inch Nails – Here we have another band that is thisclose to ticking over into the “Sure Shot Legends” group. Trent Reznor’s pet project for well over two decades, the band pushed the “industrial” rock movement forward and was the catalyst for a band such as Rammstein and much of the EDM movement today. Reznor is a talented musician who has won an Oscar for his score of the film The Social Network and is the recipient of other major awards; a couple more achievements like that and Nine Inch Nails will get in if not Reznor by himself.

Sure Shot Legends

Chicago – One of those bands that you say to yourself, “You mean they aren’t already in?” Chicago pioneered the jazz fusion rock that seemed to come out of the late 60s/early 70s, something that is still heard today in some of the music (Michael Buble or Adele comes to mind). For much of the 1970s and even the early 1980s, Chicago was a dominant force on the music scene. We’ll have to cut them some slack for the Peter Cetera Years, but it is high time that Chicago was a part of the biggest club in rock music.

Deep Purple – One of the most egregious errors ever committed by the Rock & Roll Hall of Fame has been the omission of this band from its rolls. The originators of “hard rock” or “heavy metal,” the band lasted from the late 60s into the 21st century, churning out bombastic rock all the way to the end. They also inspired many hard rock and metal bands that came out of the latter half of the 20th century. The only problem with putting Deep Purple in the Hall is which “Mark” do you put in? My vote goes to Deep Purple Mark II, which featured Ian Gillan, Jon Lord, Roger Glover, Ian Paice and Ritchie Blackmore as the members of the band and originators of such classics as “Smoke on the Water” and “Highway Star.”

The J.B.’s – If you’re going to have the singer for the group – legendary R&B performer James Brown – in the Rock & Roll Hall of Fame, you’ve got to have the band that backed him up. While Brown was renowned for the incendiary performances that he would leave on stage, somebody had to keep up with him on the musical side of the equation. The J.B.’s did exactly that, with saxophonist Maceo Parker and the Collins BrothersWilliam “Bootsy” and Phelps “Catfish” – eventually moving on to another landmark group, Parliament/Funkadelic in later years.

N.W.A. – This is probably my most controversial selection for election into the Hall. The originators of “gangsta rap,” N.W.A. still has their imprints on the music scene today. When they came out in the late 80s, their fist-to-the-face depiction of life in the inner city served as a reminder of what music can do when used as a tool for social change. It may be arguable whether “gangsta rap” effected that change at all, but it wasn’t for a lack of trying from N.W.A. and others. Add in the influence that the group had on other artists and N.W.A. should have been in the Hall long ago; they’ll probably get in this year on the steam generated from the film Straight Outta Compton.

Yes – Much like Chicago, “They aren’t in already?” The two bands are quite similar in that Yes was one of the first bands to push the “progressive rock” (or “prog rock”) sound that incorporated a great deal of keyboards and operatic flourishes. Yes was a “jam band” before jam bands were cool, often putting out individual songs that seemed as long as some artists’ albums. “I’ve Seen All Good People,” “Roundabout,” “Owner of a Lonely Heart” – the band was a critical and commercial success across the ages and, as such, deserves to be in the Hall.

The Rock & Roll Hall of Fame will allow for fans to vote on their website and that “fan vote” will be tabulated alongside ballots from other musical dignitaries to determine the final five or six who will walk through the doors in Cleveland to further rock immortality come April next year. Who will earn the honors? We’ll find out at the beginning of 2016.

Who should have been nominated? That, my friends, is a subject for another time…