“Conservatives,” It’s Time to Get Off Your Ass and Reclaim The GOP

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Even though we’re in the infancy of the 2020 Presidential Campaign, we’ve already been hearing plenty about the candidate that the Democratic Party should choose. Some on the left have advocated for extreme left wing, progressive philosophies that harken to a socialist democrat state in Scandinavia. Then there’s those in the moderate/center left branch – and even some moderate “Republicans” – that are advocating for a more mainstream, middle of the road candidate. Instead of doing these things – because with 24 candidates to choose from, there’s going to be a process until it is decided who are the serious contenders – how about “conservatives” actually get off their ass and reclaim the “GOP” from the POT?

Currently the most divisive president in the history of this country is sitting in the WH, and don’t even open your yaps about “but Obama…” Obama was NOT a racist son of a bitch. He was NOT a xenophobic asshole. He was NOT a misogynistic, narcissistic bastard. He didn’t constantly feed red meat to other racist motherfuckers with his verbiage, his actions or his policies. This IS ON THE “CONSERVATIVES,” on them – if they believe that they have a future – to reclaim the party they sacrificed in 2016 when they nominated this asshole to the Republican Party.

So, you say he’s not a racist? THE FEDERAL GOVERNMENT sued and won a case regarding his discrimination against blacks in housing. He tells FOUR AMERICAN CITIZENS – three of whom are BORN IN THIS COUNTRY – to “return to the country they came from,” a racist dog whistle that blows loud from every racist motherfucker knuckle-dragging their way to the redneck bar. He says white supremacists are “fine people.” He sidles up and has warm, wet kisses with fascists, despots and dictators. You NEED MORE to demonstrate his racism? Try this…and this…and this. You don’t get the NAACP Man of the Year award if you’ve got this many issues. In fact, he’s NEVER won an “award” from the NAACP. (And before anyone pipes up about the Ellis Island Award, he got that the old fashioned way, the same way he got his star of the Hollywood Walk of Fame – he bought the fucker.)

Anyway, back to the gist. For all the “conservatives” trying to advise the Democrats on who they should nominate, they should perhaps look in the mirror and into their own souls. You continually say that this isn’t “indicative of the party” or “indicative of what we believe.” Yet you continually support the policies promoted by this fascist bastard and DON’T STOP HIM AT ALL.

But the stock market’s doing SO GOOD!

But my 401k looks GREAT!

The unemployment rate is down!

All bullshit statements.

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If you are willing to sell your souls for a few extra dollars in a retirement account that will sit there until you too goddamn old to be able to use it for anything fun, then what would it take for you to actually throw the switch on a gas chamber and kill some “illegal” immigrants? Two percentage points growth in the GDP? A few more hundred points on the stock market? If this is your rationale for accepting the idiocy that you see, then that says a great deal about your character and your soul.

If you are REALLY against what Orange Foolius is doing, then actually DO SOMETHING ABOUT IT. 2020 is around the corner. VOTE AGAINST HIM and get him out of the office. If you are as concerned as you say you are about “the United States of America,” then this embarrassment in the history books must be corrected. And you CAN vote against him, you don’t have to support every iota of inanity that he does. Because when you do, you become COMPLICIT in what he is doing. Do not ever let me hear a “Republican” or a “conservative” EVER talk about morality, upholding the law or “religious freedom” ever again, because you have sacrificed any position or moral stance with your support for your “Dear Leader.”

It is up to you, “conservatives.” If you say this person isn’t representative of you, that the racist fucks that exist in this country aren’t reflective of your “base,” it is time to goddamn prove it. Vote against him – and yes, I know you love stealing Supreme Court seats and gerrymandering voting districts, but this isn’t a coffee klatch we’re talking about…this is the future of this country. Sometimes you must admit you were wrong, “conservatives,” and this was a big one. You want to reclaim the GOP and have a future…exorcise this past. Otherwise you will wander the deserts as the POT (the “Party of T***p) dies a cruel death.

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Turning Back the Clock with New Releases from Bruce Springsteen, Prince

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If it seems like you’ve stepped into the DeLorean from the movie Back to the Future when you look at the Billboard Album charts, you would be correct. Later this week, Madonna’s new record Madame X will ascend to the top of the charts. Likewise, veteran rocker Bruce Springsteen will be there in the second slot with a collection of western swing and acoustic tunes on his album Western Stars. Finally, the late Prince will make his own appearance as his estate releases his Originals CD, a collection of demos that the Purple One performed and gave to other artists for their own success.

All three of these artists were highly influential on the development of MTV – you know, that channel that used to show music videos before it devolved into a reality show hub of hedonistic and oversexed muscle heads from New Jersey and knocked up teenagers before they head to porn to make a living. And Madge and “The Boss” have been in this position before – in 1985, with her Like a Virgin album taking down his Born in the U.S.A. in February of that year. Since I’ve never had a great affection for Madge, however, we’re going to focus on the two men in this look back in time, Prince and Springsteen, and what they bring to the table.

PrinceOriginals

For better or worse, the late Prince’s estate is continuing to release materials from “The Vault,” which supposedly contained thousands of Prince’s outtakes from studio sessions that either he never felt should be released, that he didn’t consider good enough for release or that he felt he could still work on and improve. Last year, The Prince Estate released Piano and a Microphone 1983, a stark piece of work that showed Prince’s creative process but also highly early drafts of songs he could have made better. Reviews for that were mixed because of these facts and those arguments will be revived for his new CD.

On Originals, The Prince Estate has cobbled together 15 songs that Prince originally wrote and put down on tape, but then did the unexpected. Whether he planned on it (and, with some of the songs, it was planned) or whether it was out of the blue, Prince gave the songs and, perhaps most importantly, the credit for creation to other artists. This is unheard of in the industry; the most valuable right that an artist can have is the songwriting credit, which gives a lifetime of royalties for performance and playback.

The CD begins with two songs that were readily recognizable as Prince songs but were made famous by others. “Sex Shooter” (done in the move Purple Rain by Apollonia 6) and “Jungle Love” (performed OUTSTANDINGLY by Morris Day and the Time in the same film) sound as if they could have come off the movie soundtrack. While “Sex Shooter” sounds more come hither with Apollonia and her backing singers, Prince does give the structure of the song. The same can be said for “Jungle Love,” but it is arguable that Day and Jesse Johnson, the guitarist on the song, provided the swagger that it would eventually earn.

The third song on the CD is arguably the most noteworthy of the songs on the collection and shows how artists collaborate well. “Manic Monday,” which an infatuated Prince gave to Susanna Hoffs of the Bangles, is a powerful piece of pop craftsmanship in the hands of the Purple One. All Hoffs and the Bangles had to do was fill in some blanks, changing some of the piano tracks and adding in the four-part harmonies that they were famous for.

What are the jewels of Originals, however, are the lesser-known tracks. Tunes that were recorded by Vanity 6 (“Make-Up”), Mazarati (“100MPH”) and – believe it or not – Kenny Rogers (“You’re My Love”) could have used a little support from their Creator, but he was happy to just be able to try to help his proteges/friends. And, to finish off the record, the simply amazing recording of his version of the song he would give not only to Sinead O’Connor (and would make her an international superstar) but also to The Family, “Nothing Compares 2 U” closes the album with a smash.

Even though I am an unabashed Prince fan, I STILL feel a sense that we aren’t supposed to be hearing these pieces, however. Much like when Microphone came out last year, it almost seems as if you’re infringing on the private thoughts and noodling of an artist in a creative process, not someone who was laying down a track for the public to hear. On these songs, Prince was giving the framework to the performers who would later make them smashes. He WASN’T doing it for himself and he probably never intended for them to be heard, content in staying in the shadows and allowing his friends to shine on their own.

Does this mean I am going to stop purchasing the new releases when The Prince Estate puts them out? HELL NO! Originals is an outstanding piece of musical history and, arguably, should have been released last year instead of Microphone. It shows that Prince was quite altruistic with his creative output (for whatever reason that may be) and it did help some artists become big and big artists become huge because of his involvement. It also shows that he could have made these songs hits on his own, but he decided they were better in the hands of others – truly a man who knew his boundaries.

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Another performer also known for letting other artists make hits out of his songs is Bruce Springsteen. Such artists as Patti Smith and 10,000 Maniacs (“Because the Night”), Manfred Mann’s Earth Band (“Blinded By the Light”), the Pointer Sisters (“Fire”) and even the late Natalie Cole (“Pink Cadillac”) have recorded his songs, entrenching him as one of the great songwriters of our time. But artists are going to have a hard time remaking anything from “The Boss’” most recent work.

Western Stars is a love letter from Springsteen to the “California sound” of music from the 70s that fused country and rock into a softer sound. To be honest, though, it misses the mark in that area. It isn’t an ode to the sounds of Fleetwood Mac, Jackson Browne, the Eagles and Linda Ronstadt; in fact, it’s difficult to determine just WHAT sound Springsteen is going for on the CD.

Springsteen uses way too much orchestration for it to be a “country rock” album in the vein of those 70s artists. But it doesn’t quite reach all the way to country music nor western swing music. There seems to be but one reason for the CD to be in existence…Springsteen’s gravitas as an artist.

It isn’t like Springsteen hasn’t done some off the beaten path material in the past. After the success of The River, people were expecting a massive smash from “The Boss.” Instead, Springsteen gave them a stark, four-track album of acoustic material that was artistically outstanding in Nebraska. He would repeat this style of acoustic music a little more than a decade later on The Ghost of Tom Joad (the title an homage to John Steinbeck’s novel The Grapes of Wrath about the western dust bowls of the 1930s).

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But this effort from Springsteen lacks something. On both Nebraska and Tom Joad, there was a heart and a passion to the music that made it sound like Springsteen was invested in the work. With Western Stars, it sounds like Springsteen is going through the motions, not really putting his all into the music and content to tread the same musical boards he’s walked before.

This isn’t to say that there aren’t some good pieces among the 13 tracks on the CD. “The Wayfarer,” “Drive Fast (The Stuntman)” and “Chasin’ Wild Horses” evoke some of what Springsteen might have been attempting to do with the album. The rest, though, have an overdone quality, especially with the sweeping orchestral arrangements that you never heard on a Jackson Browne or Warren Zevon (another troubadour responsible for the “California sound”) song.

At 69, Springsteen has earned the right to do whatever the fuck he wants to do when it comes to his music. And, if you’re like me, you’ll be there to pick it up when he puts it out for the public. But for those who were looking at Western Stars as an album in the strain of the Eagles or some other stalwart of the “California sound,” you’ll be a bit disappointed.

The Clown Car Loads for a Second Run

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2016 was the year that a megaton of TNT was tossed into the political process. Not only were there the rumors of the “rigging” of the process in the Democratic Party (unfounded since one candidate racked up FOUR MILLION VOTES more than the runner-up) but there was the shitshow that was the GOP primary. At one point during the primaries, 17 people were running from the Republican Party for the nomination. Only a scant two years later, it seems that we’ve learned nothing from the past as the clown car loads up for a second run, this time on the Democratic side.

The 2020 race began literally on Inauguration Day 2017. In arguably one of the earliest ever announcements of intent to run, Orange Foolius opened his 2020 reelection campaign THE DAY HE SAT DOWN IN THE WHITE HOUSE. No previous president had EVER taken this unfathomable step, simply because it is a ludicrous idea from the start (what is did was allow Orange Foolius and his sycophants in the “conservative” GOP the ability to worship their god – money and donations from billionaires). The Democrats haven’t done much better, however, they just simply waited until after the 2018 midterms – and the drubbing the Democrats handed to the “conservatives” of the GOP – before they put the makeup, clown shoes and squeaky horns into practice.

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More than 18 months prior to Election Day 2020, the Democratic Clown Car is loading up with buffoons, pretenders and a few contenders. As of today, 20 potential contenders from the Democratic Party have said they are tossing their hat in the ring, with Massachusetts Representative Seth Moulton becoming the latest candidate. This isn’t counting former Vice President Joe Biden, who is supposed to announce some time this week his intentions, or the ghastly specter of Hillary Clinton that keeps hovering in the background waiting for attention. By Memorial Day, it is possible that there could be maybe 25 candidates that have announced for the Democrats.

It has literally become comical watching the Democrats scramble to find footing in the race. What isn’t comical, however, is the pressure it puts on the voters to find a viable candidate. On CNN on Monday, FIVE of these candidates – Minnesota Senator Amy Klobuchar, Massachusetts Senator Elizabeth Warren, Vermont Senator Bernie Sanders, California Senator Kamala Harris and South Bend, IN, mayor Pete Buttigieg – will have hour-long “Town Hall” meetings that will “break them out of the crowd.” The reason that is in parenthesis is that the only reason they’re doing it is for 1) filling programming time on CNN, and 2) trying to get people to like them.

One of the things about politics is that there are USUALLY protocols that are set in place and for a good reason. Newcomers to any political faction – be it a political party or an elected body on a local, state or national level – usually start out in a what was derogatorily called the “back bench,” waiting their time and learning as they help to advance the party and their platform and positions. But, in the 21st century, that has been thrown out the window, first by the GOP and now by the Dems.

It is a complete waste of time to have anything beyond 10 candidates FOR ANYTHING, let alone leadership of the free world and one of the most prosperous countries on the planet. It is arguable that the GOP process in 2016, which didn’t allow people to coalesce around a candidate that was, you know, a functioning adult with an education beyond a five-year-old, contributed to who they eventually nominated. The 16-person GOP Clown Car allowed for the party to be usurped by a fascist fuck with massive personality disorders and a Twitter fix that constantly must be fed along with his bloated ego.

The same thing could very well happen to the Democrats come 2020. Without the ability to actually focus on a small group – let’s say five to six candidates – there may be either a candidate that isn’t qualified or an extremist to sneak through the cracks and earn the nomination. Then the Dems would become no better than the current “conservatives” who suckle at the teat of Orange Foolius – afraid to offend the person lest they lose their support and unable to operate because of the outlandishness of what the person wants to do.

At this point – and there is a LONG fucking way to go, people – these are the top three candidates that are the MOST VIABLE from the Democratic Party:

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Joe Biden – Has the gravitas of a statesman, can cooperate with the middle and some “conservatives” and regain the respect the country once had before the jackass that’s sitting in the chair now (and I’ll say this now…when he leaves, I can guaran-fucking-tee there’s not going to be the traditional letter than the preceding President leaves for his successor). Cons: his age, some of his past stances on subjects like prison reform, the Anita Hill case and corporate involvement in elections.

BernieSanders

Bernie Sanders – Although I don’t personally like him, he has been able to build a strong coalition that sometimes outthinks themselves. Really, folks…do you think you’re going to get any action on what you want with a “conservative” in the office (then VOTE BLUE, you stupid fucks!)? Cons: not very convincing in how he’s going to pay for all the progressive programs he wants to enact, his past socialist stance (only recently has he moved to “democratic socialist”), his non-Democrat status (you want to run for the leadership of the party but you discard them when they aren’t useful to you?), his age, his professorial tone…do I need to keep going?

Beto O' Rourke

Beto O’Rourke – Beto’s been losing some steam of late – that’s going to happen in a 25-person race. But he’s captured people much like Barack Obama did. That’s also part of his cons: he is inexperienced, he hasn’t provided any substance to what he stands for and it isn’t known how well he works outside of TX.

Going beyond these three and it gets a bit murky. Harris is a solid, middle of the road Democrat that could be a viable contender but would probably make a much better VP or Attorney General. Buttigieg is the “wild card” in the field, gaining ground right now but with little known about him (and seriously, his best elected office is mayor of a small Midwestern town? The biggest things South Bend is known for is being home to the University of Notre Dame, not exactly giving you foreign policy gravitas despite his ability to learn foreign languages). And, if I had to pick a sixth, I’d go with New Jersey Senator Cory Booker, who has just enough experience to be viable and to make him dangerous if he were to win.

The rest? They will be fortunate to have “former 2020 Democratic Presidential candidate” on their resumes when their obituaries are written, because that’s about the only impact they are going to have on the campaign. Klobuchar? Nobody wants Meryl Streep’s character from The Devil Wears Prada in the White House. Gabbard? Would be a Republican if she knew she’d get elected in Hawaii. Gillibrand? Three words…railroaded Al Franken. Warren? We tried Hillary Clinton in 2016…do we want Hillary 2.0? Hickenlooper? Castro? Messam? Inslee? Swalwell? WHO???

I know the purpose of the primary is to winnow the field to the best possible candidate. But the purpose of the primary is also to choose from a VIABLE field of candidates. Two-thirds of the 2020 Democratic field doesn’t have a chance in hell of earning the nomination or, better yet, defeating the embarrassment currently playing more golf than Tiger Woods. To be able to choose, you must be able to focus on who is actually worthy of the office.

There’s a long time to go in this race, however. Perhaps before the first debates begin in June, the pretenders will realize the futility of their efforts and back out of the race (but I’m not holding my breath on it). But it can be said that the Democratic Clown Car for 2020 is rapidly filling up and it doesn’t bode well for their overall program.

 

Why Record Store Day Means Nothing to Me

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For the twelfth year in a row, Record Store Day has come and gone. Since 2007, there has been one day in April, usually a Saturday, when the nation’s independent record stores – you know, those dying outlets that sell CDs, DVDs and, shock of all shocks, VINYL!! – throw a big party to celebrate their industry. Normally during these special days there are special releases, discounted materials, giveaways and other fun had by all that make it one of the most special days of the year for those who frequent independent record stores.

There’s only one problem…I’ve never been to one of them.

It isn’t because I don’t like music. Quite the contrary…I LOVE MUSIC! Looking back to my youth, my best high school friend DJ and I would cut out from field trips to Champaign, IL, to peruse the stacks at the local “mom & pop” outlet. Often we would walk out of those trips with bags brimming with new LPs – vinyl albums – that were ahead of what was on the radio in those days, much to the consternation of our chaperones on the field trips and, then, our mothers.
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After high school, that collection of albums kept growing. After I entered the Marine Corps, my late mom was more than willing to get the crates of albums out of her house and they traveled with me. At one point, I owned more than 1500 albums, across all genres, and played them frequently. When the advent of CDs dawned in the mid-1980s, I was on it and gradually began seeing my CD collection grow alongside my LPs.

We will avoid the story of where all these priceless treasures went – except to say I hope the bitch choked on them or whatever she bought with the money for selling them – and fast forward to today. I have been able to recreate my former stacks and keep up with the music of today. I am always on the hunt for new material and probably will always be looking for the latest from music, of any genre or generation.

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There is one thing that I won’t do, however. I cannot embrace the vinyl movement again.

It isn’t because of some deep-seated hatred of vinyl that I make this statement. It isn’t the same listening to Miles Davis on a pristine CD or hearing an old Muddy Waters or B. B. King track on MP3. The experience you would get hearing those jewels on a crackly old vinyl album is beyond reproach. The problem lies in the fact that the latest move back to vinyl is a simple money grab by the record industry, not some nostalgic journey back for those today who are too young to remember those days.

I came up through virtually every evolution of the recorded music industry. In the 1960s, it was vinyl albums and singles (called “45s” for those of you who aren’t aware). In the 1970s, the eight-track tape began to take hold, most likely because people couldn’t take a turntable into their vehicles with them and they wanted a way to play music…hence, the eight-track cartridge. The heyday of the eight-track morphed quickly into cassettes, loved because they were smaller than the eight tracks carts and you could bring more with you.

The 80s brought the big switch, one which basically killed vinyl. The compact disc, or CD, became the norm as people ditched their bulky turntables for sleek CD players. The CDs lasted for nearly 20 years before the digital format – MP3s – began to take over. Now, music is pretty much consumed in singular song tracks, either through download or streams. When it came to full-length album purchases, the CDs had to battle it out with…hey, look at that! VINYL ALBUMS!… which made their comeback to challenge CDs for dominance with full-length album purchasers.

Therein lies my problems with vinyl nowadays. Remember those 1500 albums that I used to have? In many cases when I purchased those records, the cost was as low as $3.98 for NEW records. For a 45, it could be as low as $.99. Fast forward to today’s record stores and those very same albums that I once owned are being sold for upwards of $17.99 or more. Likewise, the “turntables” that are offered are nowhere near the technical grade we had back in the 70s and 80s – seriously, your little sister normally had a shitty turntable to play her Leif Garrett 45s on that is about par for what is available today.

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Now you can tell me, “Well, the costs to produce a vinyl record have gone up,” or “Well, there aren’t as many vinyl producers today, so they have to charge more for the product.” In both cases you’d be mistaken. The costs are no higher today to produce a vinyl record and, while there may be fewer production outlets, to produce the minimal content that comes out is a mere pittance compared to vinyl’s heyday.

The reasons that vinyl is done today are many and diverse. There is an air of nostalgia about having a “vinyl” copy of one of the legendary albums in musical history (arguable…wouldn’t it be better to actually have the ORIGINAL legendary album on LP?). Some would say there is a purism to playing some musical formats from the vinyl format (and that would be a fair argument). But the vinyl record resurgence is simply another way for the record companies to scrape more money out of the customers, the listeners, and it is possibly a way for “hipsters” to show they are “legit”…by spinning their music on vinyl rather than CDs or MP3s.

Which brings us back to Record Store Day. I looked at the list of special releases and reissues that were set to come out today and I really wanted some of the pieces on the list. That was until I saw that they were on vinyl or, for fuck’s sake, COLORED vinyl (like I am going to get high and watch the COLORED vinyl spin on the turntable for hours on end). And it immediately turned me off from even being interested in Record Store Day for another year.

I know the logic of Record Store Day is to support the local, independent operators who have, against all odds, stuck it out with formats for music that may seem archaic. These stores do need support and, with the box stores like Best Buy, Target, and FYE all but ending the sale of CDs in their stores, the independent record stores become an even more important part of an audiophile’s life. But don’t continue to do a disservice to your customers by demonstrating a bias to one format over another one simply in a chase for the almighty dollar.

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Here’s a novel thought for 2020, independent record store owners. How about evening out the product between CDs, LPs and whatever else you might desire (hell, if you want to do reel-to-reel, knock yourself out)? Not everyone wants to go “back in time” to the days of vinyl and you alienate much of the customer base when you prize those vinyl purchasers over those who purchase CDs. Besides, you and the record companies took away vinyl once…what stops you from doing it again?

The Mueller Investigation Report – What Comes Next?

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After nearly two years of investigation that brought charges and/or guilty pleas against 34 individuals and three corporations (and, once any sealed indictments are released, that total should climb) and raked in nearly $50 million in fines, the Mueller Report has been issued. Special Counsel Robert Mueller, the former FBI director who was charged with finding out whether there was collusion by the Orange Foolius campaign with any segment of the Russian government and if there was obstruction of justice in other matters surrounding the campaign, has seemingly closed the book on the ACTIVE INVESTIGATION portion of his work (more on this later). Now comes the “dog and pony” show that politicians love to put up for public view.

First off, we probably won’t be hearing anything about the Mueller Report this weekend and anyone who says they know what is in it is full of shit. There’s just too much information for recently seated Attorney General William Barr to go through to issue any type of statement on at this point. Even with an army of foot soldiers looking it over, the earliest we probably can expect for even a bullet-pointed outline of look at the findings would, in my estimations, be Monday. And that’s fine with me…I don’t want this minion of Orange Foolius rushing to get ANYTHING out about the Mueller Report.

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Secondly, and this is just personal conjecture, this is what I believe the Mueller Report will show. As to the underlings in the campaign, including Junior and Princess (I don’t think Eric could eat without a bib), they were colluding left and right with Russian agents THAT THEY WEREN’T AWARE OF. The collusion was coming as a result of trying to position themselves in the best business position possible – hell, they didn’t even conceive of winning the election, they thought they would be crushed. It has been proven in earlier cases, however, that lack of knowledge of who you’re dealing with isn’t a defense. If there are sealed indictments, expect one to at least have Junior’s name on it.

Third, Orange Foolius was unaware that these actions were going on underneath him. With his Narcissistic Personality Disorder, if it doesn’t directly affect him, he really doesn’t care. Thus, I am sure that the underlings were allowed to run free and run afoul of many a campaign law. But as far as his own PERSONAL knowledge of any collusion with Russian agents? I personally believe that Mueller will stop short of saying that Orange Foolius knew what was going on – it would take a shitload more investigation going back into the 1990s to try to demonstrate that Orange Foolius was a Manchurian candidate at the beck and whim of Vladimir Putin.

Fourth, as to the question of obstruction of justice. There are literally tens of examples of Orange Foolius obstructing justice, beginning with his statements to Russia’s Ambassador to the U. S., continuing on through his own statements to NBC news anchor Lester Holt, the obstruction through the convoluted statements regarding the Orange Foolius Tower meeting with Russian agents. Mueller knows, however, that the obstruction charge isn’t one that is going to be criminally prosecuted by anyone in the Department of Justice. And, with the current makeup of Congress, Mueller knows it isn’t going to be politically prosecuted…that’s right, that ugly word “impeachment.” Mueller’s not a fool…he’s dropping this ball in Barr’s lap and letting him decide, both legally and politically.

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The campaign finance violations questions? There will probably be plenty of that too. And Mueller’s going to point this out – he’s got plenty of evidence from disgraced Orange Foolius attorney Michael Cohen, who was a “great lawyer” and Orange Foolius’ “personal attorney” before he saw his life flash in front of his eyes and copped a plea deal with the Southern District of New York and became a “liar” and a “minor player” –  but he’s also going to put it on Barr to make the decision on what approach to take.

The bottom line for many will be this question…how much of the report will we see? I believe that we’ll see quite a bit of it, to be honest. Politically, the GOP doesn’t get any benefit from having the Mueller Report squelched. In fact, the GOP knows that stonewalling the report looks suspicious and would advise Barr (who is, under normal circumstances, supposed to be an independent body with the Department of Justice) to release everything he can.

The Democrats, naturally, are going to want it all, which sets up for bullshit Benghazi-like hearings that will take us up to Election Day 2020. And this is the pitfall that the Democrats must avoid…while they can make sure that all the information is known regarding the Mueller Report – including having public hearings where they bring in the former FBI director for testimony – they must resist the temptation to begin any “impeachment” proceedings against Orange Foolius.

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There are several reasons for this. Impeachment is a political act, not a criminal one, and in the current Congress the act would be a worthless one. Although they have control of the House and could conceivably vote through articles of impeachment, the Democrats are the minority in the Senate and any articles of impeachment would be laughed out by the GOP. Furthermore, by bringing charges against St. Orange Foolius, the Democrats would run the risk of making a martyr out of him, much like the GOP did with Bill Clinton in 1998.

The Democrats would be wisely advised to pursue the Mueller Report, get as close to 100% of it in the public spectrum and SHOW the criminal activities of this Administration (which is almost unheard of in recent history – only Richard Nixon had more criminal charges brought against it). But the job isn’t done there…then the Democrats must SHOW they have something more to offer for leadership of the country than “we’re not crooks,” presenting a solid vision for the future of the country rather than the anachronistic dystopia presented by the GOP.

Present the Mueller Report evidence, present a plan, and vote the fucker out in 2020. Don’t give the GOP a firebrand for the 2020 election by allowing Orange Foolius to play the “victim” in a scenario that even Shakespeare couldn’t conceive.

The endgame of the Mueller Report will be that there’s plenty of evidence of criminal activity, financial deviance and simple malfeasance inside the Orange Foolius Mafia. This will be he albatross around this Administration’s neck. The unknown – and what might become the albatross around the neck of the “American” people – is what the body politick and the people of this country want to do about it.

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What Do You Do When You Already Know What’s Going to Happen?

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Usually when a President (note the capital letter) calls for the networks to open some airtime for him to address the nation, there is a tremendous interest from the public. I remember back when President Bush I announced the invasion of Iraq, President Clinton’s confession of his affair with Monica Lewinsky, President Obama’s announcement of the killing of Osama bin Laden, or President Bush II’s commencement of the Second Gulf War in Afghanistan following 9/11, just to name a few. All of these prime-time speeches were monumental, they Meant Something.

For the first time in decades, I have absolutely no interest in what this resident in the White House has to say, tonight or at any time. Perhaps its because of the 7000-plus documentable lies that he has told over the past two years, including the latest doozies that “all the previous presidents have told me they wished they’d built a wall (no goddamn prior President has told this asshole that)” or that “the people not working/not getting paid are behind me on this (union leaders have roundly derided that statement as false)” or “the people are calling the White House switchboard, telling me they want the wall (guess what gets shut down during a Government Shutdown, you moron? The White House switchboard).”

You might say that “politicians lie,” but this asshole has taken it to unprecedented levels. When you absolutely have no trust in what someone has to say, then why do you even want to hear them drone on about an issue when you could be watching The Big Bang Theory, Anderson Cooper 360 or, for fuck’s sake, even Hannity? But there’s a further issue at hand here – why watch it when you already know what’s going to happen?

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Normally when a President calls one of these prime-time addresses to the nation, it is a seismic moment that the President wants to calm a nation, offer them solace or explain to the country the reasons for a drastic event that is about to take place. The address from Orange Foolius tonight? It has all the drama of an episode of Nicky, Ricky, Dicky and Dawn without the “charming” children to try to make it entertaining.

Here’s how tonight’s address from Orange Foolius is going to go:

Scenario 1

The dotard gets on the screen and simply repeats many of the already disproven lies that he or one of his sycophantic minions has been spewing over whichever airwaves they can reach. Everyone has seen Chris Wallace’s dismemberment of Press Conwoman Sarah Huckster Suckabee on Fox “News” over the weekend – where Wallace basically fact-checked the brainless rube live on the air for her falsehoods – or Jake Tapper basically laughing in the face of “Acting” Chief of Staff Mick Mulvaney when Mulvaney with a straight face tries to say that Orange Foolius hasn’t debased politics with his previous actions. This list is a long one, including that there is an “invasion” on the southern border (crossings are at their lowest point in years), that drugs are coming across (drugs aren’t hauled by “mules” crossing the border, they are more likely to enter at sea ports) or that “illegals” are rushing across the unprotected border (most “illegal” immigration is done through overstaying visas, not crossing on the southern border), among others.

One of the most brilliant ideas I’ve heard (and I certainly wish I could remember where I originally saw it simply to give accreditation) is to put a soundtrack on Orange Foolius’ shit spewage tonight. Put a laugh track that activates whenever he starts bragging about himself or what he’s done; have a slide whistle or a “BBOOOINGGG!” sound effect when he tries to pass off an obvious lie as a truth; go with a buzzer sound effect when he tries to blame someone else (AKA the Democrats, Nancy Pelosi or Chuck Schumer) for the Government Shutdown because HE SAID HE WAS TAKING RESPONSIBILITY FOR IT. Feel free to add your own sound effects because A) it would make for a much more entertaining speech, and B) because we’re not going to get anything substantive out of it.

Scenario 2

Unfortunately, this one is serious…and unnerving.

Orange Foolius takes the mic tonight to announce that he’s calling a National Emergency at the border, immediately ordering military troops, engineers and financing from the military to pay for all activities on the border, including the insanity of a “wall” that, according to “conservatives,” will MAGICALLY shut down all border crossing and drug trafficking for the remainder of time!

If you don’t see the seriousness of this act, then you have problems. First off, to make such a declaration is one step from institution of Martial Law, which would allow a sitting president to suspend habeas corpus rights, use the military in manners that are prohibited in normal situations (the Posse Comitatus Act) and/or basically bring a fascist state to life. While “conservatives” jizz in their shorts over the potential for these things to become a reality, anyone who believes in a free society should be outraged.

If Orange Foolius calls for a National Emergency, he should be immediately impeached for illegal actions by an elected official. There is absolutely NOTHING that makes what is occurring on the border a “national emergency.” It has been going on for the last 70 years, since the close of WWII, when the States of America became the preeminent country in the world. When you build something that everyone wants a part of, that says you’re doing the right thing. To then take an action that would be so outstandingly stupid, not to mention illegal, would be…just what this asshole is known for.

This is not a situation that calls for a “national emergency” declaration. It is women and children, for the most part, fleeing for their lives over thousands of miles. It is families looking to be able to save themselves and start a new life under freedom rather than dictatorships (mostly created by U. S. government policies, but that’s a discussion for another time). And it is people actually looking to avoid being used by cartels and demagogues for illegal purposes.

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The Congress isn’t to blame in this situation. They did their jobs, in the last Congress, to pass a compromise piece of legislation that was initially acceptable for the jerkoff in the White House until Ann Coulter and Rush Limbaugh whipped his ass with a rolled-up copy of the National Review. The House, under the leadership of Pelosi, has done the job in this Congress (the Senate, under Yertle the Turtle, won’t bring the legislation to a vote because it would pass and embarrass Orange Foolius and, by extension, themselves). The person to blame is the one who said in December he would “own” the Shutdown…Orange Foolius himself.

When 9PM rolls around tonight, I’m not giving this asshole the privilege of my viewership. I can catch up with the “post-game” shows afterwards. Of the two scenarios above, however, Scenario 1 is most acceptable, although nothing will be done from it. If Scenario 2 actually occurs, however, then the Constitutional Crisis that has been discussed for the past two years will actually come to life…which side do you want to be on?

100 Essential Albums of All Time – Queensrÿche, Operation: Mindcrime (1988)

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One of the greatest purposes of music is its ability to tell a story. Even if you go back to the times of Beethoven or Mozart, the purpose for their creations was to entertain an audience with a tale through musical composition. There is a modern-day equivalent to the masters of yore and their symphonies: the concept album.

Concept albums have been a part of the music landscape since the 1940s, believe it or not. The idea behind such creations is that the whole of the songs together on an album tell a larger story, rather than the individual songs themselves standing alone with different tales. It is thought that the first “concept album” was the 1940 release Dust Bowl Ballads from folk legend Woody Guthrie and crooner Frank Sinatra’s works through the 40s and 50s had elements of a concept album in their creation. To be honest, however, the concept album has been best done by the world of rock music.

There are several legendary rock groups that can potentially lay claim to the creative idea regarding the concept album. The Beach Boys (Pet Sounds), the Beatles (Sgt. Pepper’s Lonely Hearts Club Band) and The Who (Tommy) are some of the groups that are credited with bringing the concept album to rock music, with the term “rock opera” being bandied about, in the 1960s. As the 70s came, Pink Floyd’s Dark Side of the Moon and The Wall, Frank Zappa’s Joe’s Garage and Genesis’ The Lamb Lies Down on Broadway carried the torch.

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By the 1980s, however, the “rock opera” seemed to be a dying art. With the advent of Music Television (MTV), though, it became a prime opportunity for the concept album to make a return. Duran Duran did it well with an unofficial concept album in Rio (the songs weren’t necessarily telling a story, but the videos supporting the album were all filmed in Sri Lanka and Antigua, giving them an exotic feel and a common thread).

The concept album would make its biggest return in the world of hard rock/metal in the mid to late 1980s. Foremost practitioners of the concept album was the Seattle band Queensrÿche. Building a growing following with their early releases, the band was searching for a story that they could bring to their stage performances. They would come up with one of the classic albums in the history of heavy metal and a definitive entry into the concept album/rock opera Hall of Fame with the record Qperation: Mindcrime.

Operation: Mindcrime is the story of Nikki, a recovering addict who hates the corrupt, totalitarian society that he lives in. As Nikki lies in a near amnesiac state, memories slowly come flooding back to him. As a result of his dislike of the current socioeconomic state, Nikki joins a group that is thought to be “revolutionary” but, in reality, is a team of political assassins. Nikki is used by the leader of the group, the mysterious Dr. X., who looks to use certain members of the group for his own nefarious purposes. Dr. X uses Nikki’s heroin addiction to get him to submit to brainwashing techniques that, upon Dr. X uttering the word “mindcrime,” puts Nikki in a submissive state. This is what enables Dr. X to use him for whatever purpose he desires, in particular using Nikki to kill on command.

Nikki’s humanity begins to creep through, however. A corrupt priest who works for Dr. X gives the services of a prostitute-turned-nun named Sister Mary to Nikki. It is this relationship with Sister Mary that Nikki begins to question why he is doing the evil that Dr. X orders him to do. As his love for Mary grows, Nikki begins to assert himself, first killing the priest and then telling Dr. X that he no longer wants to work for him. Dr. X threatens to withhold his daily fix of heroin from Nikki to keep him in the fold, but Nikki refuses.

As Nikki returns to the church to tell Mary what has occurred, he comes upon her lifeless body. Not knowing whether he killed her or not due to his blackouts from his addiction, he slowly begins to go insane. The story ends with Nikki in a mental hospital under suspicion of killing Mary, now fully recovered from his amnesia but not knowing how he became the person he is today.

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Pretty intense stuff, huh?

When it was released in 1988, it WAS pretty intense stuff, especially for what some considered a “hair metal” band. But it was also hailed as one of the greatest concept albums ever done, put up beside The Who’s Quadrophenia and Floyd’s The Wall. The album made Queensrÿche superstars in the music world, spawning a sequel in Operation: Mindcrime II in 2006 (in which we learn that Sister Mary actually committed suicide after Dr. X threatened to kill Nikki to keep them apart) and sparking a musical career for the band that still exists today (albeit not with the same lineup; Tate left the group after Mindcrime II and Queensrÿche continues as a band without him).

What makes the album incredible is the story that is told. Sometimes you have to stretch to be able to grasp what an artist is trying to do with their work. With Operation: Mindcrime, however, there is absolutely no question of right or wrong in the story; it is entirely the case that Dr. X, with his evil organization, is attempting to use Nikki and, by extension, Mary, for his criminal ways. Another great thing is that, with Queensrÿche and Operation: Mindcrime, you can pick up at any point in the album and immediately know where you are in the story. The album also captures your attention, from Geoff Tate’s outstanding soaring vocals to the dual guitar attack from Chris DeGarmo and Michael Wilton, with the combination forming an all-out sonic assault that seems fitting for the story that is being told.

Operation: Mindcrime is not going to be for everyone’s taste. Some people won’t like the raw edge of the hard rock sound of Queensrÿche. But if that’s the only reason that people have for not hearing one of the most outstanding rock operas/concept albums of all time, then it is their fault for closing their minds.

Previous entries in the 100 Essential Albums of All-Time

Johnny Cash, Johnny Cash at Folsom Prison (1968)
The BusBoys, Minimum Wage Rock & Roll (1980)
Rockpile, Seconds of Pleasure (1980)
Metallica, …And Justice for All (1988)
Rick Wakeman, Journey to the Centre of the Earth (1974)