Category Archives: Media

CNN Isn’t Becoming “Fox Lite” and Don’t Become Just as Bad as the MAGA Cult

It is believed that the statement, “May you live in interesting times,” is an ode to challenge and excitement. The exact opposite is true, however; the line was originally laid at the feet of old Chinese philosophers, but further research has shown it to be more strongly associated to former British politician Joseph Chamberlain and his son, Austen. The statement is actually a curse, indicating that living in tumultuous times stresses out individuals, groups, and governments, and eventually renders all ineffective.

That has been my issue of late. There is so much that goes on that it is difficult to absorb it all and digest it appropriately. It is only through such contemplation that you can bring up solid, lucent thoughts for people to potentially learn from. There has been a couple of incidences recently that has prodded my thoughts back to life and both involve how supposed “liberals” and “progressives” perceive things.

The first thing was the changes at CNN of late.

In our current media landscape, the lines are drawn quite starkly. There is the uber-right – the Newsmax and OANN (for as long as it has left to exist). There is the not-quite uber-right but the still too damn nutbaggery whack job to take seriously Fox “News.” On the uber-left, there’s MSNBC. There is even an upstart (if you want to call them that) in NewsNation (the former WGN America), who tries to straddle the railroad tracks while the oncoming locomotive is bearing down to destroy them (here’s a note, NewsNation…when neither side believes what you are saying, who is left to listen?).

What ground does CNN have to stake itself to?

They cannot go left of MSNBC, and they certainly are not going to go right of Fox “News” nor the Fourth Reich official broadcast outlets. CNN is left trying to use their past reputation to take back that “middle ground” that NewsNation so desperately wants to stake themselves to (they fail…they have far too many former Fox “News” hosts, they are almost “Fox Lite” right now). To do that, they must anchor themselves at a point where people are going to A) trust what they are doing as factual, and B) be able to make a profit. That is the reason that they have been eliminating some of their more strident “left” voices on the network.

Look, I lament Brian Stelter’s departure from the network. I used to love watching “Reliable Sources” on Sundays because they did present a fairly balanced view of the media landscape, but even I noticed that Stelter was becoming more of the story than the stories he was covering. I am still not sure why longtime reporter John Harwood left CNN as abruptly as he did – maybe it was not abrupt, as he is not a young man? There has also been a longtime move to the center by CNN, with people like Van Jones and Rick Santorum being released from the network.

CNN is trying to be a reputable AND PROFITABLE (this cannot be emphasized enough) news company, walking a center line. What they must do in walking that center line is not succumb to “both-siderism” because there are definitive “right and wrong” situations that do occur. But if they are interested in presenting views from both the right and the left, then their current moves would be in line with that – they just have to keep their interviewed politicians from spewing the toxic bullshit that normally occurs when a substantive conversation on issues is attempted.

The other issue of late is in the discussion of the appointment of a “special master” to look over the documents that were seized during the LEGALLY EXECUTED search of the former president’s escape port at Mar-a-Lago in Florida.

Let us establish this from the start. I agree with the current Chief Justice of the Supreme Court, John Roberts, and his philosophies on the Judicial Branch of government. There are NO “Bush” judges, or “Clinton” judges, “Obama” judges, or “Orange Fuckhead” judges. WITH HOPE, they abide by the law, not by who put them in their position. Because if there is one thing that is known, the fastest way to ensure you never see the next position higher is to be a partisan hack – especially in the judicial system.

Remove the emotion from the case. It is ENTIRELY appropriate that an outside individual look at the NON-GOVERNMENT OWNED documents and determine if they should be excluded from the government’s haul. From all apparent information, the intelligence trove (AKA the Top Secret/Secret/Classified information documents that numbered into the hundreds, if not thousands) were intermingled with other bullshit like photos and press clippings, making it so that the government HAD to go through tens of thousands of documents to simply FIND the classified information.

If there are any other documents that should have been left with the government (under the Presidential Records Act), then so be it. The special master has NO authority over those things. The special master also has NO authority over the intelligence information that was STOLEN, so it is not up to whoever is named to decide to return classified documents back to Orange Foolius. Those will stay with the government. However, if there are any other documents – mail exchanges with attorneys, tax information, other business or medical documents – then the government does not need those, and they should be returned.

To be honest, the entire “special master” façade is just another delaying tactic. By the end of this month, the “special master” will have found little to no documents to return to the Marmalade Menace, he/she will state that the FBI has overseen the documents correctly and without prejudice and that they are working an active CRIMINAL investigation on a civilian. And he will be charged, if not before the midterms then immediately afterwards.

Here is the issue, however. Many “progressives” are crying over the decision by the federal judge to hold up the case and appoint a special master to examine the documents. They are crying about how that judge is “incompetent,” or “a fraud,” or even “a criminal.” In doing this, these “progressives” make themselves no better than those who have swallowed the IMPOTUS 45 Kool-Aid.

This same action has become the modus operandi of the MAGA cult. If something goes against them, then it is a “criminal acting for their boss” against their Dear Leader. If there is a law that is passed, it is the “Deep State” that is coming after them. This type of psychosis is NOT something that “progressives” NOR DEMOCRATS need to feed into. Do not fall into this trap of the “they’re incompetent/a criminal/a fraud” when a judge or elected official does not do something that you approve of – it makes you no better than the cult members who follow IMPOTUS 45.

If either side is to have any credibility, that cannot happen. BOTH SIDES need to return to a FACTUAL basis and knowledge-based discussions – and sometimes that knowledge is not going to be something that you agree with. Instead of leaping to the latest conspiracy theory bullshit, try to engage some thought before you offer commentary.

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K-Pop Genre Demonstrates Problem with 21st Century “Fans”

I am normally pretty laid back when it comes to music. I’ve been known to go from ABBA to Johnny Cash to Mozart to Slipknot, sometimes within a five-minute time span. I have always prided myself on this ability to appreciate all forms of music, but there is just something about one particular genre that has come out only very recently – or, perhaps more correctly, maybe it is the fandom of the genre that has turned me against it. It is that fandom that perhaps grates my nerves more than the music itself.

Korean pop, or “K-pop” as it has become known, is not a new phenomenon, although those who consider themselves fans today think they originated the genre. It actually goes back to the 1940s and 50s, following the end of World War II and the actions in the Korean War, when U. S. and European musical stylings first came to the peninsula. There was an original rush of interlopers who took on the stylings of 40s big band music to entertain U. S. troops.

As rock and roll began to take over, these same South Koreans (by this time the Korean peninsula was divided) simply migrated over to the rock sounds, singing Beatles songs and even coming up with their own “rock” bands such as Add4 and The Key Boys. Balladeers and folk ruled from the late 60s through the 90s, leading to the changeover to today’s “K-pop” sound that has become prevalent.

Perhaps because of the 90s “boy band” acts, K-pop has been pretty much dominated by male artists and bands. Psy was one of the first to strike with this new, danceable “K-pop” sound with “Gangnam Style,” but it really seemed to take off when the “boy bands” took up the mantle. Many of those failed in capturing the attention of Europe and the U. S….that is, until BTS came along.

BTS is a SEVEN-MAN group that follows the playbook of the 90s U. S. “boy bands” like NSYNC or New Kids on the Block. They harmonize, dance and put on a show with pop pablum that is rather unremarkable in its blandness. But, if you listen to their “A.R.M.Y” (yes, stripping that title from the hard rock band KISS), they are the greatest thing to hit music since the introduction of amplification.

Now, a little disclaimer…

Today’s pop music is not supposed to cater to the taste of people over the age of 18, maybe 25 years of age tops. Pop music has always been the arena of the young and it can simultaneously be mindless drivel and serious socio-political commentary. You just have to find those tracks that do it for you, is what I am saying. Still, there is not much that happens in the pop music arena that I say “WOW!” about.

BTS is one of those things that definitely doesn’t even register on the “WOW” scale. The band has been able to make a breakthrough in the U. S. and Europe over the past few years, however. They won a Billboard Music Award in 2017 as Top Social Media Artist (a fan-based award) and became the first Korean act to score a #1 hit on the Top 200 album chart in 2018 with Love Yourself: Tear.

The band has not slowed down since then. “Dynamite” became a #1 song on the Hot 100 (and finished 2020 as the #38 song for the year) and BTS has earned acclaim by performing during this year’s Grammys program, where they were nominated for an award in Best Pop Duo or Group Performance. It was this incident that perhaps set me against the band – and their fans – permanently.

That Grammy category was arguably one of the toughest lineups for a newcomer to break through in the 2021 awards. BTS went up against J Balvin, Dua Lipa and Bad Bunny, Justin Bieber and Quavo, Taylor Swift and Bon Iver, and the eventual winners Lady Gaga and Ariana Grande. For pop music, that is a hell of a list to even be considered with…but many in the “A.R.M.Y” felt that the award had been “stolen” from the group.

Allegations of racism, anti-Korean sentiments, and other -isms flowed from the “A.R.M.Y,” despite the fact that there were only two dozen or so Grammys won by the competitors they were up against. In other words, come with quality work. “K-pop,” and especially the 21st century version of it, has not come up to speed with the quality of efforts from many other artists.

There are other things that you can ding BTS for. First off, I could not tell you who is who in the band. None of them have stepped out, such as Justin Timberlake from NSYNC or Harry Styles from One Direction, to demonstrate that they have talents as a solo artist. You can do a lot with studio stunts and sweeteners, and that is what BTS has depended on – none of their membership has shown any solo talent.

Second, when you have seven people in the group, there is an issue that something is being hidden somewhere. Maybe someone isn’t as good a singer; that can be hidden. Not a good dancer? They can be on the side singing while the rest of the group grooves. The band is just too large to take seriously.

Finally, the history of “boy bands” is not a lengthy one. The aforementioned NSYNC lasted for all of seven years. England’s “boy band” export, One Direction, made it to eight. BTS is now into their eighth year, about the time that these “boy bands” can’t survive any longer on the “pop music” dime, one of the members decides that they do not need the others, or basic internal strife takes over and detonates the group.

It is the “A.R.M.Y” and their perception of privilege that gets me more than anything else, however. All pop bands have their “fan units.” Taylor Swift has her “Swifties,” Beyonce has the “BeyHive,” even Ed Sheeran has his “Sheerios.” Even the most ardent fans of those and many other acts, however, have not demonstrated the sense of entitlement that the BTS fans have shown, and often shown in ugly ways.

There is no grand scheme against BTS in the western world, A.R.M.Y. As I stated before, do better quality work and you will be recognized for it. Trying to bring the nationality of the members of the band into the argument is a disingenuous argument when you are competing against the world. There is also not a ruthless group of record label honchos and music experts sitting in a stunning executive suite somewhere trying to keep BTS down.

For BTS to take the next step, they need to chill out their fandom. “Fan” is the shortened version of “fanatic,” and the A.R.M.Y. takes their support too far with some of their accusations. Folks may look better on BTS if their fans were not such children, for lack of a better explanation. But alas…we are talking about pop music, not the bastion of adults with critical thinking skills.

The Best and the Worst of the 2021 GRAMMY Awards

It is arguably the biggest night for music during the year. The 2021 GRAMMY Awards were held for the 63rd time on Sunday night in Los Angeles. The awards look to honor the best that is in the music industry over a wide array of genres – rock, pop, rap, Americana, even classical – and offer a view as to what was the best of the year. In the very-COVID inspired show – the nominees were arranged in very spaced out (physically) tables while the performers were sequestered on a special five stage circle for performances – the Recording Academy arguably came out and put on one of the best shows of the past decade or so.

But that doesn’t mean that there weren’t downsides.

I’ve remarked on this before, but there certainly wasn’t enough “rock” oriented acts that performed during the program. But that is to be expected; rock music does not drive the needle (no pun intended) for music in the 21st century. It has become very much a pop and rap dominated show because that is what the people want to see (AKA those that have the disposable income to spend on streams, streaming services and the occasional CD). This does not mean that the GRAMMY Awards show is “trash” because these are the predominance of the acts that perform – it just means that is what is driving the industry nowadays.

Furthermore, if people did not watch the program, then they shouldn’t have a view on the show itself. You usually have to see something before you make any commentary on it – not five minutes, not a half-hour, WATCHED THE ENTIRE SHOW. It went slightly over three and a half hours (think it was closer to 3:45, if my memory is correct) and there were some moments that were exceptionally good…and very bad.

Without further ado, here’s The Best and The Worst of the 2021 GRAMMY Awards!

BEST

HAIM absolutely came out in the first half-hour of the program and blew away the competition. The sisters were nominated for Album of the Year for their work Women in Music, Pt. III and, with a very subdued set, proceeded to NAIL their tune “The Steps.” When the musicians and singers that were gathered on the stage are watching your performance and jamming just as hard as the band is, you have done your job. HAIM certainly carried the banner well for rock-oriented music and it was great to have them as the representative for the genre – there were not many more that graced the stage on Sunday night.

BEST

The partnership between Anderson .Paak and Bruno Mars bears watching. They came out with a very 70s R&B style (including matching leisure suits!) under the moniker “Silk Sonic.” It was good to see Mars back on stage again; it had been quite some time since he had been on the musical scene and he seemed to be in impeccable form. The duo also came out later in the show and delivered a scorching tribute to Little Richard during the “In Memoriam” segment that was outstanding.

BEST

It has been getting trashed elsewhere, but I thought that the “In Memoriam” tribute to the late Eddie Van Halen was perfect. There were many directions that they could have gone with this, but the GRAMMY producers decided that a minimalistic approach was the best one. Thus, we got a sweeping shot of Van Halen’s “Frankenhalen” guitar, on a perch in a spotlight by itself, while a video played Eddie utilizing his finger-tapping technique on a video screen behind it. It was a perfect tribute to someone who made his complicated work look oh, so simple…and it was a hell of a lot better than having Machine Gun Kelly butcher “Eruption” onstage.

BEST

I would listen to Brittany Howard, the bombastic vocalist/guitarist of Alabama Shakes, sing the damn phone book. Her take on “You’ll Never Walk Alone” during the “In Memoriam” was a soul-stirring performance. Chris Martin of Coldplay provided accompaniment on piano for the segment and the two absolutely made the song their own – exceedingly difficult to do for a song that has been made famous by a British soccer team (Liverpool FC) and as the closing song to comedian Jerry Lewis’ Labor Day Muscular Dystrophy telethon for decades.

WORST

I usually like Trevor Noah, the host of Comedy Central’s The Daily Show. He is extremely funny, has a great pulse on pop culture and, hey, let’s be honest…he is young, energetic and handsome. But he, on a couple of occasions, fawned a bit too much over the winners. He was nearly orgasmic when Beyonce won her first Grammy of the night, which tied her with Alison Krauss for the most Grammys won in a career. He was nearly beside himself when she broke the record later in the night.

Look, I am all for fandom. But, when you are hired to do the emcee job for a major awards show, you are supposed to put that fandom to the side and do the job. Noah failed on this account on a couple of occasions. If he hosts again next year, I certainly hope he tempers the “enthusiasm” and shows an equal appreciation to all the award winners.

WORST

While I did like the stage arrangement for the performances – five stages were arranged in a circle, with cameras in the center of that circle that could be directed at any stage chosen – you could still note the lack of audience excitement. Sure, watching Harry Styles jam to HAIM was cool, but the fans are a part of the experience. Seeing them enjoy it is more important than the artists themselves tapping their feet.

WORST

I am all for artistic expression. Having said that, I normally don’t like to see a reenactment of Thee Dollhouse in Tampa when I watch an awards show. Thus, Megan Thee Stallion and Cardi B’s performance of “WAP” wasn’t exactly a highlight of the show for me. I understand that the song was a MONSTER hit for the duo, but their interpretation of the song for the GRAMMY stage was a bit over the top. Like I said, if I wanted to go to Tattletales in Atlanta, I’ll go to Tattletales in Atlanta.

WORST

In a stark contrast with 2020, it seemed that the GRAMMY voters were not quite sure who to get behind this year. The four major awards were won by four different artists – Megan Thee Stallion for Best New Artist, Taylor Swift for Album of the Year, H.E.R. for Song of the Year and Billie Eilish for Record of the Year for “everything i wanted” – and it really did not seem that the voters had a clear favorite in mind. It was also painfully apparent that the best record didn’t receive any attention from the Academy at all – The Weeknd’s “Blinding Lights” and album After Hours would have dominated the show.

Overall, when the good outweigh the bad, you’ve done rather good. There was much more about the 2021 GRAMMY Awards show that was enjoyable than was not. Still, would like to see a rock award actually given out during the three-plus hours of programming – maybe that’s something they will get to in 2022!

Conservatives, You Lost the Right of Moral Outrage Long Ago

MichelleWolf

Under the current administration, there has been no lack of turmoil, controversy and/or outrage. If the day ends in “y,” then Orange Foolius has either said something to insult an ally, tweeted some bullshit racial move to appease his racist base or otherwise shown himself to be a grade A buffoon. Still, this last weekend was one that was special, and it spells out something that conservatives should have learned a long time ago…you have lost the right at moral outrage.

For the second time in his pitiful embarrassment of a tenure in office, Orange Foolius declined to attend the 2018 White House Correspondents’ Dinner, a staple of the scene in DC since 1921. In that dinner, the President and his staff join the journalistic corps and MEMBERS OF BOTH PARTIES to celebrate journalistic activities and a free press. Except for a handful of times (1930, 1942 and 1951, when it wasn’t held), the dinner has gone off without a hitch. Fifteen Presidents, starting with Calvin Coolidge in 1924, have shown up for the festivities, with only Ronald Reagan (1981, after his assassination attempt), Jimmy Carter (1978 and 1980) and Richard Nixon (1970, 1972, 1974) passing on the affair.

The entertainment for the WHCD has changed over the years. When the dinner started, there were singers between the courses. That developed into a post-dinner show which, in the past, featured entertainers such as Bob Hope, Frank Sinatra, Danny Thomas, Benny Goodman and Duke Ellington gracing the stage of the Hilton in DC (the traditional host of the WHCD). Since 1983, however, the host of the evening has been a comedian, with Elayne Boosler, Stephen Colbert, Al Franken (pre-Senator days), Jon Stewart and Jay Leno (among others) taking the mic.

What hasn’t changed about the night is the format of the program. Whoever was the host would essentially serve as the emcee of a roast, with the various politicians and journalists gathered together both receiving their due course of abuse. For those of you that aren’t comically inclined, a “roast” is where a group gathers to allegedly fete a person, but instead tell off-color jokes, imitations and innuendoes as the night goes on. At the end, the person who has served as the butt of the jokes gets up and gets their revenge, using the same roasting style on the folks who have spoken before him. It is an extremely funny night of entertainment, hence the success of the Friars’ Club roast that dates back to 1950, the Johnny Carson and Dean Martin roasts in the 1970s/80s, and the Comedy Central roasts over the past 15 years that have featured comedian Denis Leary, actress Pamela Anderson and a certain candy ass that can’t show up to the WHCD.

FriarsClubRoast

Orange Foolius, with the vehement war he wages against anybody that wants to tell the truth about his indiscretions, criminal acts and outright subversion and corruption in running for the office in 2015, decided that he wouldn’t attend last year’s WHCD, instead running a “counter-program” of a political rally among sycophants, deviants and deplorables – you know, the GOP – in Pennsylvania. Fast forward the clock a year and, to be honest, it isn’t a surprise that he did it again, only this time in Michigan. What was the surprise was the idiotic reaction of conservatives and the GOP in the face of what has been the gist of the WHCD since its inception.

Comedian Michelle Wolf, an outstanding young comic with a tongue that would eviscerate an alligator, was the emcee for the post-dinner gathering and she spared no barbs. Without the usual subject of the roast available, it fell on the White House staff of the asshole who decided not to show up to face the slings and arrows. What seems to have piqued the irritation of the snowflake GOP and conservatives is this EXACT JOKE (quoted verbatim) that Wolf told:

And, of course, we have Sarah Huckabee Sanders. We’re graced with Sarah’s presence tonight. I have to say I’m a little star-struck. I love you as Aunt Lydia in “The Handmaid’s Tale.”

Mike Pence, if you haven’t seen it, you would love it.

Every time Sarah steps up to the podium, I get excited because I’m not really sure what we’re going to get: you know, a press briefing, a bunch of lies or divided into softball teams. “It’s shirts and skins, and this time, don’t be such a little bitch, Jim Acosta.”

I actually really like Sarah. I think she’s very resourceful. Like, she burns facts, and then she uses the ash to create a perfect smoky eye. Like, maybe she’s born with it; maybe it’s lies.

It’s probably lies.

And I’m never really sure what to call Sarah Huckabee Sanders. You know, is it Sarah Sanders? Is Sarah Huckabee Sanders? Is it Cousin Huckabee? Is it Auntie Huckabee Sanders? Like, what’s Uncle Tom but for white women who disappoint other white women? Oh, I know: Aunt Coulter.”

AnnCoulter

Now, first off, the ENTIRE JOKE is pretty damn tame when it comes to roast material. Consider that, in a Comedy Central roast, one of the top jokes was about how one of the roasters enjoys picking up truck stop transvestites…you’ll see Wolf’s was a love tap in comparison. But the way that most took the comments were that they were focused on Sanders’ LOOKS.

There is no way in holy hell that there was anything in those comments that could have targeted Sanders’ appearance in ANY MANNER. Yet conservatives acted like Wolf walked up to Sanders and performed one of Orange Foolius’ favorite acts in her face. The White House Correspondents’ Association, the folks who HIRED WOLF TO EVISCERATE THE ROOM, issued a wimpy ass mea culpa and have indicated they are considering altering the program in the future. This is utterly fucking ridiculous.

Perhaps what the WHCA was upset with was that Wolf took THEM down a few notches with her commentary:

Wolf: “There’s a ton of news right now issues a lot is going on and we have all of these 24-hour news networks and we could be covering everything. Instead we’re covering three topics. Every hour is trump, Russia, Hillary and a panel full of people that remind you why you don’t go home for Thanksgiving.

You guys are obsessed with Trump, did you used to date him? Because you pretend like you hate him, but I think you love him. I think what no one in this room wants to admit is that Trump has helped all of you. He couldn’t sell steaks or vodka or water or college or ties or Eric, but he has helped you. He’s helped you sell your papers and your books and your T.V. You helped create this monster and now you’re profiting off of him. If you’re going to profit off of Trump, you should at least give him some money because he doesn’t have any. Trump is so broke –”

Audience: “How broke is he?”

Wolf: “He grabs pussies because he thinks there might be loose change in them. Like an immigrant brought here by a parent who didn’t do anything wrong, I got to get the fuck out of here, good night. Flint still doesn’t have clean water.”

FYI, folks…comedy is not pretty, as Steve Martin used to say. And these jokes didn’t even break skin in the context of a “roast.” For conservatives to grab their pearls and look for the nearest fainting couch is pretty damn hypocritical of them considering the bastard that they elected in 2016. You remember him? The one who grabs women by the pussy, who calls foreign nations “shitholes,” who has said pretty much every objectionable thing you can say about minorities, foreigners, women (do you REALLY want to relitigate the Rosie O’Donnell history, GOP?), Gold Star parents, veterans (remember that “I like people that weren’t captured” comment about John McCain?)…and the list goes on.

Then there’s the constituency…need I say more than this:

TrumpSupporters

Conservatives, GOP? YOU have given up any right to the moral objection when YOU elected this shitstain to represent your party. YOU have given up your right to ANY outrage over what is said about someone because YOU don’t even police your own. YOU have shown that you have no MORAL CODE NOR CONDUCT, therefore YOU have no place to raise your voice one iota in commentary on the subject.

Whether the WHCD will be altered in the future – or, if the incoming president Oliver Knox shows the makeup of a spineless cephalopod and ends the historic tradition – is anyone’s guess. But don’t criticize someone like Wolf who shows up and DOES THEIR JOB and pull your support for the very thing you claim to prize – the freedom of speech and of the people to comment on their leadership. And conservatives and GOP trollops who claim indignation about Wolf’s commentary? Why don’t you start with your own, first at the top and then work your way down to other slime bags and their commentary (trust me, Rick Santorum is one that needs gagging on a daily basis). Then you MIGHT start making ground back to having some semblance of morality.

Where Do We Draw the Line? All Things Are NOT the Same

The events of the last month or so – hell, if you want to be serious, it’s dating back to the 1990s – have opened the door of Pandora’s Box. Whether it is in the world of relations between men or women or even something as small as what constitutes a joke, it seems we want to eradicate the impropriety, even the ability to laugh at ourselves. If it delves into a needle of a person’s appearance, a stereotype, or a myriad of other situations, it seems as though it has become verboten. This has caused me to wonder a few things:  just where do we draw the line? And that led to my second thought:  all situations are not the same.

A couple of months ago, I saw one of my favorite films of all time. Mel Brooks’ Blazing Saddles was on AMC (and unedited at that!) and I laughed my ass off all the way through it. The performances were priceless in the film, from Cleavon Little’s streetwise (and black) Sheriff Bob to Gene Wilder’s drunken Waco Kid, there wasn’t a dull moment in the film about a black man assigned to be a sheriff for a racist town. There was also a litany of jokes about Mexicans, Indians, blacks, Jews, and a host of others that would be considered “inappropriate” today.

CleavonLittleGeneWilder

Imagine my surprise when I heard Brooks discuss the issue in an interview soon after. In an interview with the BBC, Brooks commented that he could probably have done Young Frankenstein, but Blazing Saddles could never have been made. “Never ‘Blazing Saddles,’ because we have become stupidly politically correct, which is the death of comedy,” Brooks stated to the BBC. But Brooks’ groundbreaking and legendary comedy isn’t the only piece that might be “wrong” to watch today.

AMC was also the home of another cinematic classic I viewed recently. The original M*A*S*H, with Donald Sutherland as Hawkeye Pierce and Elliott Gould as Trapper John McIntyre, depicted the Korean War with all its warts. It is arguable that there were enough things to twist the panties of today’s sensitive souls, with just the name of one of the characters (‘Spearchucker’ Jones), the usage of drugs and treatment of women by…well, virtually everyone…to get outrage going.

DoctorDetroit

You think this was just something from the 70s? Another favorite film of mine is Doctor Detroit, a middling 80s comedy starring Dan Aykroyd as a nebbish college professor who, when plied with alcohol, drugs, and sex by a bevy of beauties (that included his future wife Donna Dixon), becomes a chiropractor/crime lord (and the women’s pimp) to not only save them but his college. In the 90s, it was Ace Ventura:  Pet Detective, the story of an inept detective chasing a transgendered (and very sexual, if you’re to believe one scene) former football player. The 21st century hasn’t changed this brand of comedy, or did you miss the Harold & Kumar series?

The movie industry in 2017 has been ravaged by the accusations of some of the most powerful men in Hollywood and the long-rumored “casting couch.” This trend caught one of the most powerful men in Tinseltown, Harvey Weinstein, who was alleged to have attempted to use his position as a “make or break” player in the movie business to have sexual relations (sometimes even forced) with women looking for their big break. Add in other alleged situations such as actor Kevin Spacey, director Brett Ratner and hip hop legend Russell Simmons, and now actor Jeffrey Tambor and it all is coming to a head.

This same year the same accusations have rocked the media and political professions, some proven, some “paid off.” Former Fox News president the late Roger Ailes, Bill O’Reilly, now Charlie Rose…all have been alleged to have committed some form of harassment of women. In politics it dates back even further to the peccadillos of John Kennedy and Bill Clinton. For it to come around to today’s incidences, with both Al Franken and Roy Moore being castigated for their actions, isn’t surprising. And remember, more than a dozen women – and a rape allegation of a 13-year old – are awaiting the person who sits in the most powerful seat in the land (remember right after “grabbed them by the pussy” on the Access Hollywood bus?) To this day, he has never answered for those transgressions.

AlFranken

I am reminded of when I was back in my radio days. At that time, the biggest name in the game was (and arguably still is) Howard Stern. Stern’s programs routinely featured (and still does) in-depth discussion of sexual actions, women’s anatomy, the derision of the handicapped, and basically set the format for “morning show” radio (the “morning crew” days). As someone who worked in those days, the different “morning show” crews were constantly trying to gain the edge over each other with who could put up the sleaziest, sexiest, most outrageous morning show, making the most fun of the most people that are in existence. And you know what? The audiences LAUGHED ALL THE GODDAMN WAY with them. (And if you want a look at what it was like for a woman in the music business, check out Lita Ford’s autobiography Living Like a Runaway for all the gory details.)

I do realize that this is a new age, a new era, but it is beginning to get a bit out of hand. Can anyone reading this tell me what they did 20 years ago? How about 30? Do you remember every interaction you’ve ever had with the opposite sex (or, in some cases, with the same sex)? Were they all innocent engagements with absolutely nothing memorable about them? Then ask yourself this:  is there a possibility that someone else you were with that they remember the situation completely different than you do?

There needs to be some lines set out. In a court of law, there are differing degrees of murder – first degree, second degree, manslaughter, all the way down to legally allowing a person to kill another human being (self-defense, or “Stand Your Ground”). Sexual assault and harassment can go in the same ways as there are differing standards that could be set.

To compare the pedophilic acts of Moore to Franken’s nobody comedy writer dream of getting to lock lips with a Hooters waitress who made it (and acting like a 15-year old virgin in the process of rehearsing it) is completely asinine. The actions of both men are a FORM of sexual assault. But to hold Franken up as “the same” as Moore – who allegedly fiddled with some 14-year-old child and cruised malls to score teenage girls as a 30-plus year-old man (and a District Attorney at that) – is outright lunacy.

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And just what should be the punishment for these actions? In the case of those in Hollywood, their careers have been destroyed, their reputations in tatters, while the women haven’t emerged any better for telling their stories. Franken may very well lose his seat in the U. S. Senate, while Moore should never be seated if elected next month. Is it worth destroying someone’s very existence for something that happened when they were at a completely different stage in their lives?

I don’t pretend to know the answers and, after reviewing everything, I myself am cloudier on the issue than when I started. But if we’re looking for saints in our politics, we’re going to have very empty chambers to decide the laws. If we’re looking for saints in business, comedy, entertainment, and the news, then there’s going to be a very bland life ahead for our progeny. Brooks said it best in that BBC interview when he said, “It’s okay not to hurt feelings of various tribes and groups. However, it’s not good for comedy. Comedy has to walk a thin line, take risks. Comedy is the lecherous little elf whispering into the king’s ear, always telling the truth about human behavior.”

We still have to find how far those risks can go, in comedy and other arenas in life, and, if they were violated long ago, what the appropriate punishments should be.

Volbeat Deserving Of “Next Big Thing” Status; Amaranthe Presents Unique Sound

One of the things I enjoy in my well-rounded life is some great music. There are things that I come across that I simply cannot stand (such as Taylor Swift’s caterwauling…seriously, can someone give the girl a gift certificate to buy a voice?), but when I come across something I find great, I like to tell people about it. As my general preference is for harder edged rock, it will often go in that direction (but not always…).

Of late, there are several bands that I am very high on. Previously I told you about Halestorm and, if you want to get on that train, they should have a new album out towards the end of the year (meanwhile, jump on their ReAniMate 3.0 covers album). Here’s two more that you should be considering: one is a major opener for one of the biggest tours of the summer and the other presenting a different sound, if you will, in the hard rock genre. As always, I don’t claim to be on the band first, but I do think they’ve got some legs to them for the future!

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Volbeat is a band out of Denmark that has been a 16-year “overnight success.” Despite having great success in Europe with their mixture of rockabilly, hard rock, and punk – surprisingly, the band rarely embraces a hard-core metal or thrash sound – Volbeat was unable to penetrate the U. S. market to any great extent. That changed with their latest release, Seal the Deal and Let’s Boogie, which debuted in the Billboard Magazine‘s Top Five Albums the week of its release last year. As we speak, Volbeat is joined by Avenged Sevenfold (on some stops) as the warmup acts for the massive Metallica “WorldWired” tour that is hitting stadiums in the U. S. and worldwide.

That they all are considered hard rock acts (Metallica delves into thrash metal and A7X crushes their more metalcore sound) demonstrates the diversity of the hard rock arena. Volbeat, as stated before, aren’t your typical metalheads, incorporating sounds from across the spectrum into their particular brew. On earlier efforts, Volbeat’s sound was more inspired by country music such as Johnny Cash (their effort previous to this, Outlaw Gentlemen and Shady Ladies, had a theme to it that gave you impressions of a Clint Eastwood spaghetti Western). With Seal the Deal, however, Volbeat has a sound more reminiscent of The Offspring than anything else.

The first song on the album, “The Devil’s Bleeding Crown,” was a very strong effort that just didn’t seem to click with U. S. audiences when it was released as a single. It wasn’t until the eponymous title track was released that some success occurred for singer Michael Poulsen, guitarist Rob Caggiano and bassist Kaspar Boye Larsen. “Seal the Deal” was a powerful piece of music that rumbled from the speakers, with the guitars provided by Caggiano being particularly notable. Since then, hard rock radio has been all over “Black Rose,” which may outdo “Seal the Deal” in popularity.

Surprisingly, Volbeat can sound almost melodic with the music they create. Do not be fooled, however, they do have an edginess to their lyrics that can be surprising and, in some songs, imagery of Hell and the Devil are implied. There are tunes about darkness, redemption and “selling the soul” that some might not like. That would be their misfortune, because most of the songs have a finish where, if the protagonist doesn’t emerge on top, they are at least fighting towards the future.

Along with the songs mentioned above, there are a couple other efforts that are noteworthy on Seal the Deal and Let’s Boogie. “The Gates of Babylon” is a very good track from the album, but it is a cover song on the album that is even more surprising because of its quality. Taken from the Georgia Satellites (an 80s outfit that is highly underrated), “Battleship Chains” demonstrates that Volbeat takes their inspiration from a wide assortment of musical genres. The future is going to be fantastic for this band and, with the next couple of years, I can easily see them becoming a huge part of the music scene in the U. S.

Another great foreign act that has been chipping away at the walls in the U. S. (the metaphorical ones, not the ones some idiot wants to put up) is Sweden’s Amaranthe. Another one of those multi-year “overnight sensations,” the band actually started in 2008 and has been pretty much non-stop touring and recording since then. They had a bit of success in 2013 with the song “Drop Dead Cynical” from their Massive Addictive album, but they have found their stride with their latest release, Maximalism.

Pinning Amaranthe down to a “sound” is roughly like trying to give a cougar a bubble bath in a thimble. First off, the band encompasses some elements of EDM but loves to roll out a metal guitar assault to go over the hypnotic background. They can sometimes veer into the realm of “pop” music, which may offend some of those who are more hardcore, but they always seem to be able to bring it back to a more “hard rock” sound when necessary. That may be because of the triumvirate of vocalists that Amaranthe employs.

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That’s right…three vocalists. First there is Elize Ryd, who gives an ethereal quality to some songs when she’s not rocking out with an unbelievable voice. Ryd gives credibility to the Amaranthe sound whether they are in their more experimental modes or they are driving the guitars down your throat. A nice meshing with Ryd WAS Joacim “Jake E.” Lundberg, who had a voice that harmonized nicely with Ryd as they performed the “clean” vocals (Lundberg, after the release of Maximalism, left the band and was replaced by Nils Molin).

There’s a reason I say “clean” vocals. The third vocal effort on the album is Henrik Englund, who provides the “death growl (a guttural vocal styling where it sounds like the beasts from Hell are emerging from your speakers)” or the “unclean” vocals on the record. While it may sound like it is a complete mess, Amaranthe has been able to put together songs that perfectly accentuate the stylings of each of their singers and, likewise, the other members of the band (Olof Morck on guitars and keyboards, Johan Andreassen on bass and Morten Lowe on drums).

Of particular excellence is “Boomerang,” an effort that would have been perfect on pop radio had it not been for the crushing guitars and Englund’s growling of his lyrics. A song about how someone tries to put another person down – but the person keeps coming back “like a boomerang” – it is an outstanding tune that epitomizes Amaranthe very well. Two other songs, “That Song” and “21” are also excellent, but most surprising is a ballad that demonstrates the abilities of the band quite well.

“Supersonic” is a tune that Englund takes a break from and let’s Ryd and Lundberg exercise their vocal abilities on. Yes, it is a ballad – and everyone usually HATES a metal ballad – but it works for Amaranthe because of the dual vocals (not a duet – each vocalist has a lyrical segment written for them). Using some orchestral instrumentation along with the band’s musicians, it may give some a comparison to Amy Lee and Evanescence, but “Supersonic” soars in its own right and serves as an excellent “palate cleanser” for an outstanding record.

You may not have heard of them yet, but they’ve got the potential – especially with Ryd’s photogenic qualities and the power of the band – to be a breakout act, possibly even on the pop charts (bands always appreciate crossover success, not to mention their record companies). They’ll have to get control of some of their personnel issues – not only from Lundberg’s departure last year, but Englund replaced original “unclean” vocalist Andreas Solveström in 2013 – to fully realize their potential, but if they can record more albums like Maximalism, it will push Amaranthe into the stratosphere of the hard rock/metal world.

A Fine Line Between Disliking and Dismembering: Kathy Griffin Was Wrong

Recently it has become nearly impossible to pool the regurgitation that has emerged from The Resident’s efforts in Washington D. C. The constant cesspool of filth that is spewed by him and his Confederacy of Dunces leaves many breathless in trying to keep up. Just as soon as one fuckup seems to be reaching its apex – let alone its conclusion – they seem to fire off another shit storm just to make sure that their idiocy stays in the public eye.

What can be even more of an embarrassment is the actions of those that support The Resident. The recent murder of two Good Samaritans in Portland by a white supremacist who seemed to be reciting The Resident’s campaign platform while being arraigned for the murders is simply the latest in what is a vitriolic campaign of hate from the GOP. The Planned Parenthood shooting in Colorado in 2015…a figure looking like President Barack Obama hanging from an interstate overpass in 2014…multiple instances of Obama being burned in effigy…calling former First Lady Michelle Obama an “ape” or that she is transgender…these are but a few of the examples of the vile lengths that the GOP has gone in depicting the 44th President of the States of America and his family.

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For the most part, progressives have stayed away from some of these statements…that was until yesterday and “comedian” (my emphasis…I’ve personally never liked her work) Kathy Griffin’s desire to make her voice heard.

Griffin, who has been able to parlay her supposed “D-List” status into a moneymaking endeavor (she even had a show on cable television called My Life on the D-List that followed her every move), tries to come off as an “edgy” comic that is “pushing the boundaries,” something that is difficult to do when you host New Year’s Eve with Anderson Cooper on CNN (about the most “unedgy” thing you can do). Now, when I think of this type of comedy, I am more in the lines of the work of the late George Carlin or even Sam Kinison, two men who rode the edge in search of the joke (and always hit the mark with their efforts). So what Griffin did yesterday is not only “not funny,” it puts her in the same closet as those vermin who dip to the depths that some on the right do.

We won’t justify Griffin’s actions with a photo here, but I will attempt to explain it. In an unflinching shot, Griffin – with absolutely no inkling of “making a joke,” smiling or otherwise trying to show a comedic aspect of her action – holds up a mask that is intended to be the head of The Resident. The mask is smeared in red “blood” as Griffin holds the head by the hair in her hand, as if she has decapitated The Resident herself and is presenting the prize to the people.

Kathy Griffin arrives at the 56th annual Grammy Awards in Los Angeles

In some circles, this would be promoted as a “performance art” or a “artistic statement,” but if Griffin meant it in this manner, she grotesquely missed the mark. Outrage from not only conservatives but also from those that Griffin thought she was representing – those left of center – came from all corners of the globe, sending a scurrying Griffin to Twitter to apologize for her actions. In a video Griffin stated, “I sincerely apologize. I am just now seeing the reaction of these images. I’m a comic. I crossed the line. I move the line, then I cross it. I went way too far. The image is too disturbing. I understand how it offends people. It wasn’t funny. I get it.”

First – some people have made this argument and couldn’t be further from the truth – this in NO WAY represents the thoughts of many who disagree with The Resident. While you can have philosophical, political, and methodical differences with a person or politician, it should NEVER approach the realm of even advocating for the death of another person. I can dislike you with the intensity of 1000 suns, but that doesn’t give me the right to suggest that your death solves the situation.

Second, this reinforces in the minds of the right that they are being “persecuted,” something that energizes their stance. Griffin’s supposed “comedic statement” gives those on the right a hook to hang their “martyrdom” on, that they are the ones being disrespected or threatened with various methods of execution from an angry horde of progressives (besides the fact it is often the conservatives screaming to “bring the torches”). It fuels their fires of hatred…by having that same fuel used against them, a twisted bit of psychology if ever there were one.

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It is certainly a fine line between comedy and tragedy, such as the old woman who slips on a banana peel and falls. Many might find that funny, but wouldn’t find it as hilarious if that same old woman broke her neck and died after slipping on the same banana peel. You can attempt to do edgy, even controversial, comedy, but there’s a line between pointing out the absurdities of life and/or politics and moving into the arena of advocating for the physical intimidation or, even worse, death of someone you don’t agree with.

Many on the right often overstep this boundary. The left used to be able to keep their heads above the water on this instance and refuse the temptation of such absurdities, but the current administration seems to have brought the disease created by conservatives to the progressive side. It is something that cannot be allowed to continue.

You can disagree – loudly and vehemently. You can advocate for their imprisonment – including a special island where they can rot. You can question their humanity – because many of their works are from an evil demon rather than any person with a shred of concern for their fellow man. You CANNOT, however, incite physical violence or advocate for your opponent’s death. There are some lines we must maintain as an intelligent species, otherwise we are but animals who simply have advanced linguistics and tools.

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Griffin’s apology is hopefully heartfelt. She’s not going to escape the ramifications of what she’s done – say goodbye to that cushy New Year’s Eve spot on CNN with Cooper and probably a slew of stand-up gigs for the near future, not to mention sponsorship deals – and that is the way it should be. Free speech is a beautiful thing, but there are also consequences when that “beautiful thing” is exercised in a manner not acceptable to the common man.

Protests Only Work When It Hurts…

It’s funny the things that will come up when you’re in the process of moving. During me and my wife’s latest move from the foothills of North Carolina to the Gulf Coast of Florida, I happened across probably one of the more disappointing moments from this year (at least until possibly the election in November)…

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Now, the seats weren’t fantastic – in fact, they were at the other end of the arena from where the stage was situated. But they were square on with the stage and would have offered a great opportunity to see much of the crowd enjoying the show from Bruce, one of the legendary performers in rock history (I could tell stories about seeing him in 1980 for a six-plus hour show, but we’ll save that for another time). My wife and I were eagerly anticipating the show as it had been many years since either of us had been able to see “The Boss” in action.

Then the North Carolina General Assembly and asswipe Governor Pat McCrory got their panties in a bunch.

In February, the Charlotte City Council passed an ordinance extending protections to the lesbian/bisexual/gay/transgender (LGBT) community. A part of this ordinance – and the issue that sparked the most controversy – was the provision for allowing people to use the restroom of their gender identity, rather than that of whichever sex they were born. In essence, the ordinance allowed those who were in the process of shifting from one sex to another to use the restroom of that other sex (male transgendered individuals could use female restrooms and vice versa).

The response by McCrory and the GOP-dominated North Carolina legislature (which has been gerrymandered to make it virtually impossible for a balanced legislature to occur – witness the THREE TIMES that the federal government has called the state’s legislative districts unconstitutional) was immediate. Convening a special session of the General Assembly (one outside the normal working times of the legislative body), McCrory and his henchmen pushed through HB2, a bill that was so overreaching in its aim it was destined for the “unconstitutional” bin almost from the start.

Not only did that bill immediately set that “all people” had to use the restroom of the birth sex, but it also removed the right for minorities and the LGBT community to sue through the state court system for discrimination. It included a provision that prevented individual cities from enacting their own laws that differentiated from state statutes. With many Democratic representatives protesting by leaving the voting floor, the statute passed through the General Assembly with only about 12 HOURS of overall discussion.

This was the end of March and, within days, the impact was felt. Several local productions in theaters around the Tar Heel State reported that the rights holders to significant stage productions (plays) were pulling their approval for performance over the bill. The streaming provider Hulu pulled the production of a program they had set for airing out of North Carolina over the bill and PayPal suspended expansion of its operations center in the state. This was but the tip of the iceberg, however.

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Many entertainment artists have also pulled out of shows that they were scheduled to perform, including “The Boss,” Pearl Jam, Boston, Bryan Adams, Ani DiFranco, Ringo Starr, Nick Jonas and Demi Lovato and Cirque du Soleil. The real thunder came down, however, over the past couple of months, first with the National Basketball Association’s removal of the 2017 NBA All-Star Game from Charlotte. Then, just yesterday, the National Collegiate Athletics Association (NCAA) removed SEVEN championship games or playoff sites from the state, citing the law as the reason. All totaled, the loss of business regarding all of these repercussions could total to as much as half a billion dollars by the year anniversary of HB2’s passage, with the NBA All-Star Game accounting for about $100 million of that total, and could even impact future business in the state.

The reason this came back to me was not only a result of the move. Finding that ticket stub for an unused concert was simply the catalyst for a reply to model Kate Upton’s Twitter hissy fit over athletes not standing for the National Anthem. Of course, over the weekend was the opening weekend of the National Football League season (and the 15th anniversary of 9/11, just coincidentally) and, following in the footsteps of San Francisco 49ers quarterback Colin Kaepernick’s continuing protest against inequality in the United States, some players either did not stand for, knelt in protest or displayed the “Black Power” salute as the National Anthem played. This bunched Upton’s panties, who stated, “This is unacceptable. You should be proud to be an American. Especially on 9/11 when we should support each other.”

The continued attention being drawn to what has now become a movement (hey, if a subject catches the nation’s attention for more than two years – yes, it’s been that long since the death of Michael Brown in Ferguson, widely considered the spur – it is a movement) is only done when a protest has an impact. Kaepernick has been vocal in the past regarding the issues of black people in the United States and their treatment at the hands of law enforcement, but no one was paying any attention to what he was saying. It wasn’t until his act of defiance of not standing for the National Anthem – and attention was drawn to the fact that he was doing it – that there became a national conversation (admittedly sometimes not about what Kaepernick wanted to talk about, as with Upton’s attempt at using her First Amendment rights by silencing Kaepernick’s, but still there was discussion).

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For a protest to have an impact, there are a couple of things that it should have. It has to have some financial teeth, some fiscal bite, that pushes some to reconsider their positions (it also has to have a side that understands those fiscal implications – apparently North Carolina Republicans are morons if they issue this response). Along with that, it should have some emotional impact on people. There were plenty that were upset over Springsteen’s decision to not perform in North Carolina, just as there are more than likely many upset that Demi Lovato didn’t come to North Carolina or that LeBron James won’t be making an appearance during the NBA All-Star Game in the state. A protest only works when it hurts, either physically or emotionally. That is what makes a protest enact the change that comes about (eventually) with issues.

I’m putting those unused Bruce Springsteen tickets back in the desk as a reminder to myself for a couple of reasons. One, something has to be lost (in some cases) for a protest to have its desired effect, and Two, there is the ability to protest at all levels, from the richest of us all to the poorest. It will be some time before the protests of the actions in North Carolina and the national discussion of inequality are adequately addressed, but hopefully it is sooner than later.

Freedom of Speech Only Goes So Far…

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Earlier this week, former Boston Red Sox pitcher and ESPN baseball commentator Curt Schilling offered up on his Facebook account an anti-transgender meme that has been making its rounds on the internet. In this particular meme (I’ll refrain from putting it on here because…UGH!), a rather unattractive man is wearing female clothing with the quotation beside him, “LET HIM IN! To the restroom with your daughter or else you’re a narrow minded, judgmental, unloving, racist bigot who needs to die!!!” Schilling shared the meme and, after a moment’s thought, deleted it, but not until after some people had screen-captured what he’d done.

To take it a step further, Schilling then stepped to his personal blog and tossed more gasoline on the raging fire. To give him credit, Schilling didn’t shy away from his personal beliefs (“There are things I have deeply held beliefs in, things that are core to who I am, things I am passionate about…whether you like that…or not is completely up to you.”), but he also had to know what was coming (more on this in a moment). That “other shoe” that Schilling might have been expecting came on Wednesday night when his employer, ESPN, terminated his contract, stating simply “ESPN is an inclusive company. Curt Schilling has been advised that his conduct was unacceptable and his employment with ESPN has been terminated.”

This wasn’t the first time that Schilling had stepped down this path. He was suspended after first Tweeting a meme that compared Muslims to the 1930s Nazis and, once ESPN kicked him off the broadcasts of the Little League World Series, followed up with a defensive post to another blogger that cost him the remainder of the Major League Baseball season (despite the factor that the post also defended the person who replaced him, former U. S. Olympic softball star Jessica Mendoza, against comments the blogger made). And this doesn’t count what other memes that Schilling shared over his Facebook feed.

Opinion over what Schilling has shared over his social media – this week and previously – takes an interesting course, one that requires some thought before making a statement. Plenty of people believe that Schilling was simply “saying what a lot of us are thinking. Apparently you can’t have an opinion at ESPN if that opinion isn’t a liberal opinion.” Others believe that Schilling will be quite happy on the unemployment line (probably not; Schilling’s video game company, 38 Studios, filed for bankruptcy protection in 2012 and Schilling has sold off personal memorabilia to cover his expenses), saying, “Who would want to work for a company that would punish you for telling the truth?”

There are those that take the other side. “Schilling’s freedom to say what he wants hasn’t been denied; the government has not punished Schilling for what he said,” one person stated. “ESPN, however, has the right terminate his employment.”

That is the key point that many are missing with this situation. Schilling has all the “freedom of speech” rights in the world. The government cannot come after him and tell him “you can’t say that, Mr. Schilling, otherwise we will have to put you in jail.” It is one of the tenets of the First Amendment that allows everyone the right to speak out about…well, whatever they feel are the injustices of the world.

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What many seem to forget, however, is that with the freedom of speech also comes the consequences of that freedom. For example, it is allowable to be able to burn the U. S. flag in protest (and to dispose of it, but that’s another story), encoded by the U. S. Supreme Court decision Texas v. Johnson (1989). While you can go ahead and burn the flag, you also have to accept the consequences of what might happen if you do that; in some cases, there may be a major league ass-kicking that comes along with it…not condoning physical violence, but it is a potential consequence. In Schilling’s case, he perfectly has the right to freedom of speech, what he forgot was the consequences part.

ESPN is a part of the massive Disney empire, which is the target of boycotts by one organization or another probably several times a day, 365 days per year. They try to minimize those issues by offending as few people as possible with the multitude of entertainment options that they provide (this is probably why they chuck the Disney girls who come up through their shows out before they go wild…look at the recent arrests of Debby Ryan and Kelli Berglund and let’s not even get into Christina Aguilera and Britney Spears). Thus, when someone continually chafes their audiences through poking the proverbial bear with their social media actions (as Schilling has done here and in the past), there comes a point when ESPN can decide enough is enough and remove the problem by dismissing the person.

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It isn’t the first time that ESPN has done something along these lines. After a profanity-laced tirade at a roast for Mike and Mike hosts Mike Greenberg and Mike Golic in which she went off on Golic’s alma mater Notre Dame by saying “Fuck Notre Dame, fuck Touchdown Jesus…and fuck Jesus,” former ESPN anchor Dana Jacobson was suspended for a week from the ESPN airwaves after irritating the Catholic League. Commentator Stephen A. Smith was suspended for his comments on domestic violence and SportsNation host Max Kellerman earned a suspension for his comments on the same matter. These barely even broach the suspensions and/or firings that have been handed out by ESPN in its history for “freedom of speech” violations.

Freedom of speech is a guaranteed right under the U. S. Constitution, but it is only guaranteed when you are speaking about the government. You can criticize the President, Congress, our military actions (or lack thereof), our political directions and decisions or an array of other things and there isn’t a thing that the government can do about it. They cannot come to the street corner where you might be ranting about these things, they cannot censor what you write on the subject and they certainly cannot arrest you for what you’ve said (within reason, of course…advocating for armed treason is one of those areas that they might have actionable cause).

When it comes into the private arena, however, the game completely changes. A company can (and does) look into your personal background, your social media (some companies nowadays ask for your social media names, at the minimum; state and federal legislatures are trying to prevent this) and monitor for where their employees might discuss the company. If this is a surprise to you, I’ve got a story that will emphasize the point for you from more than 15 years ago.

While working in the public sector, I worked with a gentleman who went into an online chatroom and discussed the company we worked for at great length. Needless to say, he wasn’t exactly glowing in what he said about our company as he detailed out what he felt were problems that the organization had. Although he thought he had an online ‘handle’ (screenname) that would prevent him from being identified (they could trace ISP addresses, even back then), the company found out who it was and terminated him immediately, despite his protests of “freedom of speech” (this is an old refrain).

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How many of us would be willing to lay our social media accounts in front of our employer and let them have a look at what we think and say? How many of us would be able to pass the scrutiny of such an examination that our employer wouldn’t have to dismiss us out of protection of their organization? I’ll be the first to say I’m probably not perfect as to some of what I’ve written on social media; I wonder how many people who read this can be that honest.

So it isn’t the factor that Schilling’s freedom of speech is being violated. It is a factor that Schilling didn’t consider the consequences of what his freedom of speech might bring onto the company he represents. For those who contend that a “liberal company” is “silencing” a “conservative” thought, it isn’t that at all; it is a business looking to protect its bottom line by eliminating a loose cannon that could cost it money, plain and simple.

“Cutting the Cord” If Only for A Day

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I thought it would be an interesting experiment. I’ve read quite a bit lately about people who have been ditching their cable or satellite companies – “cutting the cord” as it is called – and just going with what can be found on their computer or other streaming services. For the last couple of years, I’ve owned a Roku 3 (a great Christmas gift from my lovely wife) and use it quite frequently, especially during the baseball season. As an experiment, I thought I would give it a day’s trial, just to see if I could “cut the cord” for a simple 24-hour period. You might be surprised about a couple of things that occurred.

It is something that is happening more than you think across the United States and around the world. Estimates are that as many as 10% of U. S. homes are disconnected from traditional cable or satellite service. A 2014 survey by Mike Vorhaus of Frank N. Magid Associates for a trade conference estimated that 59% of U. S. households paid for a subscription video-on-demand (VOD) service and Netflix was 43% of that group. Finally, that same survey from Vorhaus noted that, among 18-34 year olds, television as the primary medium for entertainment was down to only 21%. Two years later, imagine where those numbers are…

My experiment, however, didn’t get off to a great start. First of all, getting up in the morning and turning on the television was distinctly out. As I prepared my son’s lunch for school, I absentmindedly hit the television in the kitchen for CNN. Just as quickly, I shut it off as I reminded myself what today’s experiment was to be about. After I returned home, it was fortunate that I had some work to do and a doctor’s appointment because I wasn’t concerned about what was either on the television or what I was missing from the news. This was good and bad, in my opinion.

Being able to get your work done – especially for someone like myself who works from home – takes a great deal of discipline. Sure, part of the reason we do it is for the flexibility of the situation (my wife and I also save a great deal on child care), but to be able to look at what you have to complete from a work status and be able to achieve those goals while sitting in your abode is something that all people enjoy. The down side is that, yes, we do work from home so we can have a few extra niceties, such as the television on in the background; I especially like CNN because it isn’t something that you have to concentrate heavily on and, in the cases of “BREAKING NEWS,” it allows you to keep on top of what’s going on in the world.

After the doctor’s appointment, I tried to use one of the new features from CNN, CNNGo, which brings their live broadcast to your computer screen. As I halfway listened to the news that Speaker of the House Paul Ryan was “absolutely, positively NOT” going to be the GOP’s savior at their convention in Cleveland (sure, Paul…just like you “DIDN’T WANT” the Speakership), it suddenly cut off and I brought up the window. Sure enough, I reached a situation that many do when they try to break away from their cable service.

To be able to access CNNGo (and, as I was to find out later with my son, to be able to access Disney Junior), you had to have an active cable service account. While CNNGo asked for several of the prominent carriers in the business – names such as Charter, Xfinity, DISH Network and others – they didn’t come up with mine:  Time Warner Cable. As such, I couldn’t WATCH CNNGo on my computer – and my son could not watch Disney Junior through the Roku 3 later in the day – because the companies cannot come to a financial agreement so that CNNGo or Disney Junior can be offered on the computer or Roku (you can, however, access them through the Time Warner app that is available through the Roku…figure that one out). This is one of the reasons that pisses off many with the whole “cutting the cord” thing; in reality, you’re not cutting the cord because, at the minimum, you have to at least have minimal cable service to be allowed access to certain channels, whether it is on the computer or through such a streaming device as a Roku.

Roku4After this revelation, the next problem arose as to the “break away” from the cable company. I sat back and watched, through Poker Central, some of the action from the Global Poker League on the Roku 3 during the afternoon and got a bit restless. Taking a look around, there were very few free streaming channels that you could find to actually watch any type of substantive programming (PBS is good for this and free, but fun isn’t the first thing you think of with PBS). To be able to have any selection to be able to choose from, you had to have access to something like Netflix, Amazon Prime Video or Hulu Plus, each of which charge a monthly fee for access.

These three are the “power brokers” in the new streaming world (“streaming” being whether you watch on your cellphone, your computer or through a device like the Roku) and could have a seismic impact on the shape of the television world in the future. They have already had an impact on programming, beginning to offer their own scripted television shows that have garnered critical acclaim (at the expense of the traditional television networks). But would people actually move to a piecemeal system like this over the traditional cable system?

Some studies suggest that the bundled channel system that cable companies use actually save customers money rather than cost them more, and there’s some evidence to suggest that they may be right. If your cable company offers a basic cable package for $20 per month (and that’s about as base as it gets in many areas, pretty much offering the local channels and a few other stations like the Weather Channel, CNN, ESPN and others), that is normally what people will watch; where people get irritated is when they have 300 channels and nothing is on. With the streaming outlets, you pay somewhere along the lines of $9 a month for Netflix or Hulu (Amazon Prime is $99 per year), but you might have to pay $4.99 for this station to get access over your streaming device and another $4.99 to access another station…it begins to mount up if you have several access points.

Then there is the factor of live sports. Pretty much every sports league has some sort of live package where you can watch every game from the league (except the National Football League; at this time, the NFL Sunday Ticket package is still the domain of DirecTV, although you can pay to be able to watch, on a tape-delayed basis, the NFL games the next day). These packages can range in cost up to $129…if you put that together for baseball, basketball, hockey and hell, let’s say the NFL comes around and does it too, it’s over $500 per year. That’s not counting any NCAA collegiate games, NASCAR, Formula 1, Indy Car, Major League Soccer, Premier League…you might be getting my point by now.

ESPN Plaza - Bristol CT

Then there’s the monolith known as ESPN. Losing money left and right nowadays (as much due to the competition from outlets like Fox Sports, the CBS Sports Network, the NBC Sports Network and insane fees to the sports leagues for broadcasting rights), ESPN has been considering taking the route of Netflix into an “a la carte” service. According to a 2015 article from The Motley Fool, 40% of people would be willing to pay $10 per month for a “Netflix” version of ESPN. The problem is, the Fool states, that ESPN would need at least $15 per month from subscribers AT THIS TIME to maintain its current standard of performance revenues. This isn’t even looking into the future, when the marketplace is further crowded and the bidding wars for rights fees for athletic events gets even more bloodthirsty.

By the time the Yankees game against the Toronto Blue Jays ended tonight on the Roku, it was time to end the “cut the cord” experiment. I had proved I could do it – there’s enough out there and there is the capability to still watch what the television networks provide, if you’re willing to wait in some cases – for at least a day, but any longer might be a stretch. Perhaps in a few years, when the streaming networks have become more like the cable companies and are actually offering “channel packages” and the cable companies have gone truly “a la carte” to allow their customers to choose ONLY the channels they want, then it would be good to try it again. Right now, I’ll dance between the two worlds quite happily – and enjoy them both immensely.