Tag Archives: The Runaways

Five In, Five Out – Making Changes to the Rock & Roll Hall of Fame

Everyone currently is ensconced in discussions about who will be the Class of 2021 for the Rock & Roll Hall of Fame. I am going to step onto a rail that I often do not like to look, however. Imagine the scenario: suddenly John Sykes, the Chairman of the Rock Hall, has become incapacitated and you have been put in charge as only the third Chairman of the Rock & Roll Hall of Fame. For your first day, you can, on a ONE TIME ONLY basis, add five artists or groups to the Rock Hall. The trick is…you also must remove five artists or groups from the pantheon of rock gods.

Usually, I am not one who enjoys these mental exercises. Besides the fact that it is demeaning to an artist or group that worked their ass off to reach this pinnacle in their career, it also is a worthless use of brainpower because it isn’t going to change anything. At the end of the day, what I am thinking is not going to change what has already gone before – about the only way I am going to fix that is becoming good friends with Doctor Emmett Brown and tooling around in his DeLorean for a few hours.

It is human nature, however, to wonder about an “alternate history,” something that does fascinate me. There are plenty of books out there that offer a supposition of what the course of humanity would have been if a particular point in history changed. It is something that is also done in the military (wargaming is all about trying to deduce what would happen IF), in business and in gaming (figuring out what an opponent will do from different approaches).

One of my favorite streaming shows was The Man in the High Castle, the Amazon Video adaptation of the Philip K. Dick book. In that show, the Axis Powers won the Second World War and divvied up the States of America. A huge chunk of U. S. became a Nazi territory, the Pacific states were occupied by imperial Japan and a thin strip down the Rocky Mountains was left as an “Unclaimed Territory” that was essentially a “no man’s land” for those who looked to continue the war against the Axis. It was a terrifyingly realistic possibility, including the way that Dick saw how easy it would be for “Americans” to turn against their own, especially with a ruling Nazi Party or Imperial Japanese Army occupying the country.

What if the South had won the Civil War? What if John F. Kennedy had not been assassinated? What if 9/11 had not happened? These are things that many minds have considered, some realistically and some for dramatic effect. While it does not even come close to some of these monumental historical events in the human timeline, it is why I decided to change my mind and take on the question of the Rock & Roll Hall of Fame, at least on this occasion.

The only rule I held myself to is that, in my opinion, that the change I was making would be an IMPROVEMENT to the Rock Hall. I am not going to be intellectually lazy and say “(insert artist/group here) isn’t RAWK enough to be inducted” or “they don’t play RAWK music.” People who make this argument are simultaneously intellectually bereft and have no understanding of “rock and roll” history. I’ll try my best to make the argument for whoever I put in and whoever I take out – but it will not be based on the genre of music they do.

Let’s get it started, shall we?

Judas Priest IN – Bon Jovi OUT

There is plenty of other hard rock/metal bands that had much more impact and relevance on the development of the genre than Bon Jovi. A few of them are the aforementioned Judas Priest, Motorhead, Iron Maiden (on the ballot this year), Slayer, Anthrax, and Thin Lizzy, among many others. Judas Priest has, for 50 years, been the standard bearer for the music and, as such, they deserve to receive the acclaim they deserve while they all are still able to enjoy it.

Bon Jovi did little to have an impact on the genre. Basically, all Bon Jovi had was sales, which is not supposed to be a criterion for induction into the Rock Hall. It is reported that, upon hearing that the band had been nominated in 2018, Bon Jovi said “About fucking time.” That is not someone who is showing respect for the honor that induction into the Rock Hall is. If it had been my choice, they would have been waiting for a while longer, if not permanently.

Warren Zevon IN – Laura Nyro OUT

Zevon was one of the developers of the “California sound” that became prevalent in the 1970s. Many of the prominent artists from that decade – Jackson Browne, Linda Ronstadt, The Eagles, Bonnie Raitt, Bruce Springsteen and others – collaborated with him on his and their music or they performed his song. His storytelling and lyrical content were beyond compare; very few writers could come up with the twists of storytelling that Zevon could concoct.

Can you name a song that Laura Nyro had her hands on, either as a songwriter or as a performer? I know Nyro is one of those that is staked to the whipping post when it comes to inductions that the Rock Hall has made, but I have literally gone through her discography and cannot recall ever playing one of her songs or a song she wrote. It seems to me that Nyro was one of those inductions made by the Rock Hall to appear more “artistic.” That isn’t always a good idea.

Tina Turner IN – Stevie Nicks OUT

Tina Turner completely reinvented herself from her 60s image. In the 80s, she became a strong, vibrant performer who completely stunned audiences with the power of her work. It was such a departure from her previously inducted self (with Ike Turner, something that she might want to forget, too) that it more than deserves a second induction as a solo artist.

While Nicks is a tremendous performer, her solo work wasn’t that outstanding, to be honest. Already in with Fleetwood Mac, I do not believe that her solo efforts were that groundbreaking…entertaining, yes, but not groundbreaking. If you do not think Turner is a qualified choice for a second induction, then you would have to argue that Diana Ross as a solo performer was more deserving. Either Turner or Ross should have been the first female double inductee, not Nicks.

Kraftwerk IN – The Lovin’ Spoonful OUT

One of the biggest oversights by the Rock Hall has been its inability to induct the German band Kraftwerk into its hallowed halls. If there is a group that is identified with electronic rock – keyboard-based music – it would be Kraftwerk. Outside of Europe, however, the group had a difficult time finding success, especially in the U. S. This may be the exact reason that they have yet to be inducted into the Rock Hall despite being nominated six times and influencing entire generations of performers with their innovation.

The Lovin’ Spoonful were the beneficiaries of timing. Inducted in 2000, the band was around in an era when the Rock Hall voters were already through the truly immortal artists and were beginning to scramble around a bit to find qualified inductees to honor. In the years prior to the induction of The Lovin’ Spoonful, such questionable choices as Gene Vincent, Lloyd Price, Dusty Springfield, and Del Shannon were ushered into the Rock Hall. Just because you were struggling to come up with inductees should not be a reason to put someone in.

Joan Jett IN – Joan Jett OUT

I am sure that you are looking at that and saying, “How could you do that?” The simple fact is that Jett deserves to be in the Rock Hall. She was just inducted with the wrong group.

Jett’s work with The Runaways was by far more deserving of induction into the Rock Hall than Jett’s work with The Blackhearts (sure the guys in The Blackhearts enjoy hearing someone say that). The Runaways carried on the work of Fanny, The Pleasure Seekers, Janis Joplin, and Grace Slick to the next level – an all-female band that wrote their own stuff and played their own instruments. They were the forerunners to The Go-Go’s, The Bangles, The Donnas and several other all-female groups that have had great success following the glass-shattering by The Runaways.

I would rather see all those that I said should be “in” be inducted in their own right and leave the others in, too. They have earned the right to be called a “Rock & Roll Hall of Fame inductee” regardless of my personal thoughts. But if we are going to play the “alternate reality” game, who would you put in and take out?

Advertisement

My Choices for the Nominees for the 2021 Rock & Roll Hall of Fame

The Rock & Roll Hall of Fame is like no other Hall in existence. It is one of the few Halls that basically has only one criteria – that your first commercial release be done no later than 25 years prior (for 2021, that means artists whose first release was in 1996 or earlier are eligible). Most other Halls base their entry on the number of wins you’ve had (World Golf Hall of Fame), mystical statistical performance (any sports Hall) or that you were from a certain area (self-explanatory). Not the Rock & Roll Hall of Fame – if you’re good enough, if you had an impact on the shaping of popular culture and music over the last 70 years (or so) and you can get the votes, you get in.

This fact in itself makes the discussion over not only those elected to but also those who are nominated of great interest to many music fans. With the COVID-19 outbreak, it pretty much fucked up the entirety of the 2020 schedule for the Rock Hall, delaying and then canceling the 2020 Induction Ceremony for a very good list of artists (Whitney Houston, the Notorious B.I.G., The Doobie Brothers, Nine Inch Nails, Depeche Mode and T. Rex – Jon Landau and Irving Azoff were Ahmet Ertegun Award winners and named to the Rock Hall) before they were “virtually” inducted in November. Because of the late induction, the announcement of the 2021 Nominees is being pushed off as well, to probably February 2021.

You can lament this, but I think it is a great idea. It stretches the entirety of the process by the Rock Hall to cover a whole year instead of parts of two. With the naming of the nominees in February, that means the new Inductees won’t be announced until more than likely around May or June. Then they can induct them (hopefully in a live ceremony) in November. This works much better than announcing the Inductees in December and holding the Induction Ceremony in April or May (how it has worked in the past).

The delay also allows pundits, historians, fans, and critics to come up with their selections for who will be in the Nomination Class for the 2021 Rock & Roll Hall of Fame. I’ve studied over the last few years of nominations, who has gotten in, what kind of “buzz” is going around in the music world, and other intangibles to come up with a list of 15 artists and groups that should be nominated come February. Those in BOLD print are going to be the five choices I would make for entry and I’ve also tried to include some reasoning for the nomination.

Without further ado, here’s who I believe will earn nomination in 2021:

Jay-Z – Not only will Jay-Z earn a first year eligible (FYE) nomination, but he will also earn a FYE induction into the Rock Hall. It is a tough decision as to which part of the industry that Jay-Z has had more of an impact on – the rap world, where he has been a force for 25 years, or the recording industry itself through his ownership of Tidal and forays into label ownership and artist development. And, since the Rock Hall enjoys a great show, imagine Jay-Z trotting the boards with Beyonce? The Rock Hall is salivating at that thought.

Foo Fighters – If there’s been anyone to carry the banner for rock music in the past 25 years, it would be Foo Fighters. Dave Grohl could have easily packed up shop after the death of Kurt Cobain and Nirvana and just made guest appearances on records for the rest of his career. Instead, he forged on with his own sound and added to the legend of rock. Add in the factor that Grohl is a hell of a music historian himself and that he is on the Nomination Committee (he will have to abstain from voting for himself, likely), it would be odd if they aren’t a FYE nominee but also a FYE inductee.

Pat Benatar – Benatar has been snubbed by the Rock Hall for far too long. Her nomination last year was her first after 15 years of eligibility and it was considered that she was a “lock” for entry. Then they took the vote…Benatar was not only a choice by many but she was the runner-up in the Fan Vote from 2019 (hold on, we’ll get to that) and the Rock Hall has caught hell over bypassing her. With a chance to redeem themselves, I don’t expect the Rock Hall to get it wrong twice (then again, the Rock Hall does have a way to surprise you).

Dave Matthews Band – The top vote getter from the Fan Vote, which has been around for at least six years previous (I could be wrong), usually had been inducted by the Rock Hall. That included such entries as Bon Jovi, Rush and KISS, among others. DMB were the top vote-getters in 2019, but that and $1.50 got them a cup of coffee at McDonald’s – they were bypassed for entry into the Rock Hall, the first time that it had happened. I personally don’t see where DMB has earned entry – I’ve never been a jam band fan – but, since the Rock Hall caught shit for not inducting them with the 2020 class, I can’t see them keeping them out twice.

Judas Priest – This is one that the time is ticking on. The Priest has only been the driving force behind heavy metal for 50 years and, eligible since 1999, they’ve only received two nominations. I would hate to see them fall by the wayside like Kraftwerk (who, after being nominated six times, might have run out of chances), MC5 (nominated five times) or even Chic (nominated 11 TIMES), but it is a realistic possibility.

Rage Against the Machine – The practitioners of the hybrid rap/rock scene of the 90s, RATM combined their aggressive stylings with a socio-political bend that enraptured their fans. Or…maybe not so much. As they prepared for a since-postponed tour in 2020, some RATM fans became outraged at the political stances of guitarist Tom Morello and the band. In one of the funniest exchanges on Twitter, Morello, who holds a political science degree from Harvard, responded to an upset follower who said “I used to be a fan until your political opinions come (sic) out,” “What music of mine were you a fan of that DIDN’T contain “political BS”?” Gotta love that!

Kate Bush – Ah, to have more than five votes (then again, I might have used it on RATM)! Bush is one of the long-overlooked female vocalists from the 80s who should be recognized for her achievements. Her work with Peter Gabriel preceded an excellent solo career in the 80s, but she’s never gotten the acclaim that she deserves (Cyndi Lauper, Annie Lennox and others fall in this category). I’d love to give her a vote, but with some of the others that are on down the list, it makes it difficult.

Eurythmics – Falls into the same category as Bush. One of the many 80s acts that we should start inducting into the Rock Hall. In many cases, these artists have been eligible for 15 years and they’ve never even received a nomination, let alone induction. Time to start fixing this situation and quit bleeding the rock dry from the 1960s/70s.

The Go-Go’s – They came thisclose to getting one of my five picks. The first all-female band to have a #1 album on the Billboard charts, The Go-Go’s were groundbreakers for women in rock. Although they have a litany of women that they owe a huge amount of credit to (Fanny, The Runaways, Suzi Quatro), The Go-Go’s got there and inspired many others. Add in the recent documentary on Showtime and it is quite conceivable that The Go-Go’s earn an induction seat in 2021.

Duran Duran – Anyone who was alive during the 1980s was impacted by Duran Duran. They helped to shape the musical landscape of the 80s, not only with their music but also with their videos on MTV, and had a hand in fashion also, among other things. This is a band that has NEVER been nominated previously – that should be corrected this year and they should take a seat in the Rock Hall.

Alice in Chains – This is a group that may sneak into the Nominations because of recent buzz regarding the group. Seattle’s Museum of Pop Culture (MoPOP) inducted the band this fall into their rolls and, since there are only Nirvana and Pearl Jam currently carrying the banner for the Grunge Era of rock, a third would be nice (Soundgarden could fit in this category too). Unfortunately, grunge looks like it is going to get the same treatment that hard rock/metal has gotten over the years from the Rock Hall.

Todd Rundgren – Personally, I would love to see Rundgren get in. He’s more than deserving of it for his performing career, his usage of multimedia (witness his upcoming virtual concert tour) and his producing credits. Perhaps the only way to get this man in may be through the Award for Musical Excellence, which hasn’t been awarded since 2017 (to Chic’s Nile Rodgers).

The Smiths – Politics aside, The Smiths are more than worthy of nomination for their career’s labors. However, Morrissey’s tirades seem to have tarnished the potential induction of the band into the Rock Hall, and that’s unfortunate. They get on my list because they are one of the artists from the 2016 Nomination Class that hasn’t been inducted yet.

Beck – I’ve personally never been a huge Beck fan, but I can recognize his artistic creativity and the impact he’s had on other artists. The devotion from his fans are hard to ignore too. He was a FYE nominee, but he failed to go that extra step – he will get in, but will it be this year or in the future?

Daft Punk – A driver of the synth rock/electronic rock scene since the 90s, Daft Punk should be a slam dunk nominee/entry. But Kraftwerk…well, let’s just say that people would like to see them get in first rather than Daft Punk. It isn’t out of the question for the Rock Hall to commemorate those that have achieved great success over the originators, however – just look at how rap’s forefathers have languished behind some of those that have been inducted.

Alanis Morrissette – Another one who could sneak in and get a nomination, if not inducted. Morrissette’s been white hot of late, with a Broadway show (you know, when Broadway was actually performing) and a critically acclaimed album in 2020. She was first eligible in 2019 but was bypassed…the Rock Hall might want to correct that oversight.

Guess we’ll find out in 2021 just how close to right I am!

Artists That SHOULD Be in the Rock & Roll Hall of Fame: The 1980s

RockHall3

We’re only a few days from the announcement of the latest artists and groups that will be named to the Rock & Roll Hall of Fame for 2020. For those that don’t make it in this year, they might be soothed by the idea that they should have many more shots at the brass ring. But who from the past may be running out of chances at getting into the Rock Hall?

Many might say that the truly immortal have already been enshrined and it is tough to nitpick this fact. Over the span of several essays, however, beginning with the 1950s and continuing in examining the 1960s and the 1970s, I’ve pointed out some artists and groups that have been overlooked for the honor of being inducted into the Rock Hall. In this, the final segment of our journey (we’d go on into the 90s, but only artists from 1990-1995 are currently eligible, so we don’t have a full decade to choose from), we’re going to take on a time when the music industry arguably made its biggest changes – the 1980s.

With the death of disco, the rise of New Wave, the “New Wave of British Heavy Metal,” the “popification” of country music and a little thing called Music Television (or MTV), the 80s would arguably be the most artistic time in the history of music (sorry, 70s fans). This decade also challenges what exactly is “rock & roll.” In the past, it could be said that it was defined as a hard guitar and three chords; with the advent of the 1980s, there were so many mashups of genres and different sounds being employed that the lines between genres began to blur. It is part of the reason that there are potentially so many candidates from the decade – and perhaps so many disappointments for fans.

I literally put together a list of artists and groups that, while great, I couldn’t decide whether they should be inducted or not. What do you do with Culture Club? How about X or Siouxsie and The Banshees? Living Colour? The Smithereens? I once again make the statement – this by NO means is a comprehensive list of those who have at the minimum an argument for being inducted. And this doesn’t consider those that have been nominated this year for induction, such as Nine Inch Nails and Depeche Mode. This is a look at arguably the most notable oversights by the Rock Hall to date – and they’ve got some time to change it, but not much.

Duran Duran

DuranDuran

Any list of 1980s artists or groups that should be inducted into the Rock Hall that doesn’t have Duran Duran somewhere near the top should be immediately ignored. The band exemplified the “New Wave” sound that echoed across the ocean from Europe, incorporating the dancier, synthesized “rock” that was becoming very popular at the start of the 80s. Along with other groups like Depeche Mode (nominated the last two years for induction), they were the backbone of the playlist on the burgeoning MTV through the 80s.

They would suffer a bit of a lull as the Grunge Era took over in the early 90s, but Duran Duran – named after a character from the Jane Fonda sci-fi film Barbarella – would reinvent themselves and come back better than ever. A career resurgence in the 90s and early Aughts saw them return as balladeers, with such songs as “Ordinary World” and “Come Undone” showing that the group was willing to change their sound with the times.

While they have been a darling of the fans over the years, the critics have been the shortcoming that possibly keeps Duran Duran out of the Rock Hall. 100 million albums sold in a career should say something, not to mention 21 Billboard Hot 100 hits over a 40-year timespan. But, perhaps showing the power that critical acclaim holds, the group has NEVER been nominated for the Rock Hall – perhaps it is time that fact was changed.

Iron Maiden

IronMaiden

For all the acclaim that Judas Priest has gotten as one of the members of the “New Wave of British Heavy Metal,” and for all the clamor to induct Def Leppard (who weren’t even the BEST example of the NWOBHM roster) last year, there is another band that has been greatly ignored from the discussion. Iron Maiden has arguably been just as influential (if not more so) than Def Leppard and right on the heels of the Priest (who were lumped in with the NWOBHM despite coming out a decade before the term existed) as to the power of their influence. Despite this fact, Iron Maiden has never even sniffed the nomination list for the Rock Hall, and that’s a travesty.

Prior to 1980, hard rock/metal was stuck in a sludge-like monotony and bands like Metallica (inducted LONG ago) and Iron Maiden took a decidedly different direction from their predecessors. Instead of miring in the muck, Iron Maiden picked up the speed and added a virtuosity that wasn’t always evident in hard rock/metal music. With their mascot “Eddie” dominating their album covers and, usually, their stage performances, the Maiden have dominated hard rock/metal for nearly 40 years.

In addition to that touring, Maiden has also shown their power with their fandom. Sixteen studio albums and twelve live albums have sold more than 100 million albums and critics have adored the band, especially most of their early work. The potential downside is that Iron Maiden has never been very “radio friendly” and, thusly, hasn’t achieved a great deal of chart success. This isn’t indicative of how great the band is and why it should be in and arguably should have been inducted long ago.

(On a final note here, this is the time when there is a true test of whether the Rock Hall is going to ever give hard rock/heavy metal its due. Judas Priest and Motörhead have been nominated in 2020 and are fighting to get in. Only ONE of the “Big Four” of the 80s metal scene – Metallica, Megadeth, Anthrax and Slayer – is inducted into the Rock Hall and the odds of the other three getting in are slim and none, with slim heading for the door. Could inductions of some of these artists indicate that the Rock Hall still cares about “rock?”)

The Smiths

TheSmiths

This was one that I had to debate for quite some time. I’ve never been a huge fan of the mopey, “goth” sound, simply because it is so morose, depressing and utterly void of an emotion outside “woe is me.” While I can understand where such writing comes from, that doesn’t necessarily mean that I want to wallow around in it. Thus, I really had to give The Smiths a hard look, especially since there are many others who swear by their work.

They’ve always been a critical darling and, for many fans, The Smiths’ spoke to something inside of them. That is one of the things that rock music is supposed to do – reach in and touch something inside of you. In the case of fans of The Smiths, it helped them through difficult times, told them that someone was experiencing the same issues that they were, and helped them avoid worse outcomes than if they hadn’t heard the band’s music. And honestly, in what universe does The Cure exist in the Rock Hall without their brethren in The Smiths?

Now, Morrissey may not have helped the band’s case with some of the statements he’s made in the past. And it is quite true that someone’s political and personal beliefs and/or actions have kept some nominees out (hi there, Ted Nugent!) or held up their nomination or election. In a perfect world, we’d separate those things away from the artistic side of the equation. In the case of The Smiths, it would be necessary to do to see them get the honor that they do deserve – even though I still don’t care for their music!

Kate Bush

KateBush

Before there was Lady Gaga, before there was Sarah McLachlan, before there was Tori Amos or Enya and even before an ingenue by the name of Madonna was making some noise, there was the ethereal voice of Kate Bush. Beginning in the mid-70s, Bush would provide voice work for Peter Gabriel before striking out on her own. Bush would break through with the angelic “Running Up That Hill” and “Wuthering Heights,” one of the rare instances of classic literature influencing someone’s rock musical stylings (a theme throughout Bush’s catalog). But Bush would also prove to be a groundbreaker in other areas, including synthesizer usage and, well, her being a female voice in a very male dominated business (it could be argued that she is the British equivalent of Pat Benatar, an artist who refused to let the record industry “sex up” her image to sell records).

Highly praised critically, Bush languished on the charts in the States, however. Other than the two songs mentioned previously, Bush had a hard time cracking the Billboard rankings. Still, Bush had huge success in Britain and Europe and continues to be a successful artist to this day. She was nominated for the Rock Hall in 2018 but, as with several other artists that earned only one nomination before being ignored, it seems that the membership of the Rock Hall are more interested in moving on to other more “accessible” artists and groups rather than honor eclectic and creative work from the past in Bush and other artists and groups.

The Go-Go’s/The Bangles

Let’s get beyond the fact that The Runaways should have been inducted and get right to the 80s, shall we?

Women were coming to the fore in the 80s, taking control of their own careers and playing the instruments instead of allowing the men to have all the fun (Ann and Nancy Wilson of Heart have to be added in that category, too, but I digress). And there were two acts that definitely rate getting into the Rock Hall. But if you could have only one of them, which one would it be?

TheGoGos

In my opinion, that would have to be the no-brainer induction of The Go-Go’s. Although their career was relatively short (only five years) and their catalog relatively limited (only four records, three of which were actually impactful), The Go-Go’s were groundbreakers in putting all-female bands into the musical discussion. They were very good musicians, especially guitarist Charlotte Caffey and drummer Gina Schock (what a drummer name!) and, powered by the force of nature that was vocalist Belinda Carlisle, the group was destined for greatness. If they would have stayed together longer (they already had the creative, influential and critical boxes check marked), they arguably would have already been inducted into the Rock Hall.

If you don’t like The Go-Go’s, there’s always The Bangles. From out of the gate with their initial releases of “Hero Takes A Fall” and “Going Down to Liverpool” in 1981, the melodic harmonies and tight musicianship masked a creative and critically successful group of women who were self-assured and didn’t rely on their sexuality to get across. Having said that, they did have singer/guitarist Susanna Hoffs on the mic, which didn’t hurt in getting them attention either. If you were going to have a downside for the group, it would be that they didn’t write their biggest hit “Manic Monday” (a song penned by the then-named “Christopher,” who turned out to be huge Bangles fan Prince).

TheBangles

Looking back at the first three decades (roughly) of the history of rock and those still wrongly on the outside looking in, it is obvious that the Rock & Roll Hall of Fame has gotten it right more often than not. But, as more artists from the 90s and, in only five years, the Aughts start coming eligible, it is going to be tougher and tougher for those in the pre-50s to 80s eras to earn their seat in the Rock Hall. Furthermore, it is going to be tougher and tougher to discern just what is “rock & roll” as the genre lines blur even further. Then again, there is that argument that it is the Hall of FAME and not the Hall of PRETTY GOOD…and perhaps those from those earlier eras fall into the category of “pretty good” rather than the truly immortal.

GASP! The Rock & Roll Hall of Fame Gets It (Somewhat) Right!

 

rockhalloffame

Normally this time of year has everyone in some state of aggravation. Mostly it comes from the holiday preparations (every year I’ve said I plan to start things earlier and instead it seems to be later), but it also comes from the yearly announcement of the Rock & Roll Hall of Fame inductees (OK, maybe not everyone). For a change, however, the Class of 2017 isn’t that bad, meaning that the voters, writers, and fans (yes, the fans get a vote)…GASP!…got it (somewhat) right this year.

After years of inducting some clearly questionable candidates (in 2016, the induction of N.W.A. drew the ire of rock fans; in 2015, it was Bill Withers; in 2014, Cat Stevens…you can go back each year and pick at least one), the bands and individuals that were voted in were either a solid lock for entry or a great argument to get in. For example, Pearl Jam was as close to a lock as you could get from the list of nominees as one of the originators of the “grunge” sound of the late 80s/early 90s rock scene. They were on the ballot for the first time and, yes, were worthy of that induction.

The 80s rock generation (and part of the 70s) was represented first by Journey. I wouldn’t have called this one – I believe it is the Rock & Roll Hall of FAME, not the Hall of PRETTY GOOD – but I also am not bent out of shape about their induction. If they are to be inducted, they must be inducted with singer Steve Perry; any other incarnation of the group would be an insult to the legend of the band.

journeyescape

Joining Journey is straddling that 70s/80s line is another inductee for the 2017 class, Electric Light Orchestra (ELO). Why they hadn’t been inducted previously is anyone’s guess, so it is far overdue for the Rock Hall to recognize the greatness of the band. It is also arguable that Jeff Lynne, the mastermind behind the ELO sound (and producer of some other great artists like Tom Petty, George Harrison, Roy Orbison, and Brian Wilson), deserves an induction as a solo artist or contributor.

The band Yes…yes, they weren’t in the Hall yet…is a correction of one of the grossest errors of the Hall of Fame. Stretching from their early work in the late 60s to their powerful work in the 80s, Yes deserves the induction arguably more than even ELO did. The question is what lineup do you go with? If you go with the early 80s lineup, you’re leaving out Rick Wakeman, arguably one of the finest keyboardists of the rock era. If you go with the original lineup, then you leave out Trevor Horn and keyboardist Geoff Downes (AND Wakeman), who were key to helping in the creation of the 80s sound of the group that led to their resurrection. I don’t envy the job of the Rock Hall staff in determining which people will be honored with induction as a member of Yes.

The singer/songwriters weren’t ignored this year either. Joan Baez, who was a part of the Vietnam protest era of the 1960s and continued to have an outstanding career in the early to mid-70s, wasn’t probably some people’s choice for that genre, but you cannot ignore her impact on rock music having a social impact. Baez inspired such women as Judy Collins, Bonnie Raitt and Joni Mitchell to their activism and entrance into the rock arena.

Even one of the longest “problem” spots for the Rock & Roll Hall of Fame got covered this year. Nile Rodgers, the legendary producer and leader of the funk/disco group Chic, will enter the Hall for “Musical Excellence.” This should, in the future, remove the attempts to put Chic into the Hall as a performer because, in all honesty, it was Rodgers and the late drummer Tony Thompson who were basically Chic (they had a rotating roster of female vocalists, never a defined female lead). Thompson, in his own right, should be looked at for this award in the future.

tupac

The ONLY question mark about this year’s inductees would be the inclusion of rapper Tupac Shakur on the roster. Shakur was a tremendously influential part of the “West Coast” sound of gangsta rap, even taking it to the point where the “East Coast/West Coast” rap wars began. Because of this standoff, Shakur was brutally shot to death on the streets of Las Vegas 20 years ago and probably brought about the death of Christopher “The Notorious B.I.G.” (“Biggie Smalls”) Wallace six months later, possibly adding to the legend.

Tupac is a question mark because he didn’t have a wealth of material before his premature death. He’s released more albums since his passing than when he was alive and, to be honest, nobody is claiming that the posthumous work is the reason he’s being inducted. It also leaves the question open that, if you’re inducting Tupac, you’ve got to put Biggie in also (and Biggie’s repertoire is even less than Shakur’s). If you’re going strictly as an influence, I might be swayed on Tupac; if it is on his body of work, then I’m not as solidly behind his induction.

Even with these inductions, there’s still a wealth of artists out there that are more than deserving of entry. Out of the 2017 nominees, I’m slowly coming around to The Cars being inducted. As a purveyor of the synth sound of the 1980s (and their early work in the late 70s), I’ve always been a bit on the fence with the band. Now, I believe there is a place in the Hall for the group, just as there should be for another synthesizer-based band and 2017 nominee, Kraftwerk.

thinlizzy

I’ve also discussed ad nauseam about who deserves to get into the Hall. I’ve seen others believe in my choices of Pat Benatar, The Runaways and Judas Priest, and some have even given credence to Thin Lizzy, an outstanding choice if there is one. I’ve also been a longtime proponent of inducting Warren Zevon and Jimmy Buffett, but will now add Motörhead onto that list alongside a host of others.

Whatever the list of inductees is for this year, the concert that honors those inductees promises to be a bit calmer than the 2016 induction ceremonies. Bringing back the original Cheap Trick – with their estranged original drummer Bun E. Carlos – was tricky, but they pulled it off. 2016 inductee Steve Miller was perhaps the most vocal about his displeasure about the ceremonies AND the induction, points that he made long and loud both pre- and post-induction. If they can figure out the Yes conundrum, then they should be able to get through the awards ceremony without problems.

As to when that show will be, we’ll just have to wait and see. But for one magical year, it appears things are right with the world and the Rock & Roll Hall of Fame made the appropriate selections.

Wondering Whatever Happened to…For January 14

SuziQuatro1

Sitting around wondering whatever happened to Suzi Quatro while pondering…

So I Guess ANYONE Can Be a Hero Now – When someone is injured in the course of defending the country in a time of warfare, they are granted the right to wear the Purple Heart due to their injuries (if you’re my silly little brother, you refuse the reward after nearly losing an eye in the First Gulf War, but that’s another story for another time). If you perform feats of heroism above and beyond what are expected of mere mortals (or perhaps because you’re scared shitless), you earn more prestigious medals such as the Bronze or Silver Star or the ultimate expression of heroism, the Medal of Valor. Whenever you normally see these awards, you can be assured that the person wearing the award has performed a very special feat…or can you?

A federal court in California ruled earlier this week that a former Marine can wear certain service medals he did not earn, somehow determining that this was a “form of free speech.” Apparently Elven Joe Swisher, who served in the USMC after the Korean War and was discharged honorably in 1957, has taken to wearing the Silver Star and the Purple Heart. The problem? He was never awarded either military honor.

In 2001, Swisher filed paperwork for disability payments for post-traumatic stress disorder from his time in the military, in particular “secret combat missions in North Korea.” He was granted the payments and, in 2004, wore the Purple Heart when testifying at the trial of a man being tried for solicitation of murder in an attempt to make him look more reliable as a witness. When this came out – after the passage of the Stolen Valor Act – Swisher was charged under the Act and his payments stopped.

In 2012, however, the Stolen Valor Act was challenged in the Supreme Court, where the Justices ruled that it was “free speech” to just WEAR the medals, as long as you didn’t CLAIM you earned them. In 2013, the Congress changed the Stolen Valor Act to remove the illegality of wearing a medal from its verbiage. The decision by the federal court on Monday set aside Swisher’s 2007 conviction for violating the Stolen Valor Act but did not overturn his conviction.

We constantly hear about “respecting the military” from those who have never served. Add this to the list of the continued disrespect that the military receives.

It Was a Tragedy, But You’re Pushing It Here – Once again out of California – who seems to want to challenge Florida for the title of “stupidest state in the U. S.” – the widow of one of the victims of December’s mass shooting in San Bernardino has decided to file a lawsuit against the county. In her claim, Renee Wetzel, the widow of Michael Wetzel, says that the county and 25 unidentified individuals and the respondents to the shooting were “negligent and careless” in their actions and that her husband’s death was preventable. If this weren’t outrageous enough – no other family member of a victim from the shooting, which was an act of terrorism by two radicalized Muslims (one an American citizen), has filed any court actions – the price tag on the lawsuit will make you choke.

Wetzel is asking for a grand total of $58 MILLION in damages in the case:  $3 million for lost wages from her husband’s death, $25 million in general damages and $10 million in general damages for each of the couple’s three children. The county attorneys haven’t responded as of yet out of respect to those who were victims of what was a horrific crime; even one of the woman’s attorney, Andrew J. Nissen, wouldn’t indicate where the alleged negligence came from that the county supposedly committed.

Look, it is tragic what occurred in San Bernardino, but this doesn’t give you the right to make a mint off the situation. It just goes to demonstrate that there is serious need for tort reform – and a method to punish frivolous lawsuits – in the United States.

And On the Other End of the Spectrum – The family of a 12-year old girl in Pennsylvania who was shot to death by an elected constable isn’t blaming the man for the death of their family member but rather her father, who escalated the situation.

According to reports, Constable Clark Steele (in Pennsylvania, a constable is an elected position that can serve warrants, transport prisoners and perform what would be administrative law enforcement powers) went to a home in Duncannon, PA, on Monday to serve eviction papers on the residents, Donald and Sherry Meyer. When he knocked on the door of the address, Steele was met by the business end of a shotgun being aimed at him by Donald Meyer and Steele fired one shot in self-defense. That shot traversed the length of Meyer’s arm, shattering the bone, and exited at the elbow. It then hit Meyer’s daughter, Ciara, in the chest as she stood behind him, killing her on the scene.

Family members, in a refreshing change of pace, didn’t immediately castigate the officer, however. “None of us in our family have any hard feelings toward him,” one family member commented. The family knew about the history of the male Meyer and asked a reporter, “Did anyone let him (the constable) know that he was going to be walking into a rat’s hole?” Meyer, who was due in court later this month for a case on a DUI and resisting arrest (the eviction was a separate case) now is in jail for aggravated assault, reckless endangerment and other counts.

The family may very well receive some settlement from the police over the unfortunate death of their family member, but at least they realize there wasn’t any malicious intent in the constable’s actions.

Sometimes, There Are No Other Words That Can Be Said – In Virginia, Delegate Mark Cole decided that 2016 was the year that the state government had to make sure that restrooms in public schools were being used properly. On Tuesday, the representative for the 88th District in the Virginia House of Delegates filed a bill that would require students that use the restroom at school to use the “designated restroom for a specific gender” or be fined.

The law defines gender as “anatomical sex, mean[ing] the physical condition of being male or female, which is determined by a person’s anatomy.” To most, that would mean that a physical examination of the person – in this case, a child – would be necessary to determine if the person was going to the right potty house instead of trying to “sneak a peek.” For his part, Cole has said that it is simply a bill that will only be used if there is a “complaint.” He also says that it wouldn’t require a “genital check,” but a simple look at someone’s student registration or birth certificate.

You would think there were other things in Virginia to be concerned with…

Now the answer to the question…whatever happened to Suzi Quatro?

Many might remember Quatro for her quick – and I do mean quick, as in fleeting – appearances on the television series Happy Days in the late 1970s as Leather Tuscadero, the little sister to Fonzie’s girlfriend Pinky Tuscadero (herself a fleeting memory), who fronted a powerful rock and roll band that “broke the norms” in the 1950s. As it turns out, to those who thought that Quatro was “just an actress,” there was a whole lot more in the package than they expected!

Happy Days wasn’t Quatro’s debut in show business. In fact, Quatro had actually been around much longer than that, especially making a huge impact in the music business. In the 1960s at the tender age of 14, she joined with her sister Patti in a band called The Pleasure Seekers, finding some success in the Detroit music community. After turning 18, Quatro then would move to England and became successful in West Germany as a hard rock act. From 1973 to 1980, Quatro would win some form of the West German magazine Bravo’s Bravo Award (73-74 the Gold, 1975, 1978 and 1979 the Bronze and 1980 the Silver) for Best Female Singer. The U. S., however, preferred their Suzi to be a little softer, with her only success in the States a tune called “Stumblin’ In” that peaked at #4 on the Billboard Hot 100 in 1979.

Quatro has served as the inspiration for many of the women who have gone on to have success in the world of hard rock/metal in the music business. It is arguable that, without Suzi Quatro, there wouldn’t have been The Runaways and, as a result of that, no Joan Jett, who is now enshrined in the Rock & Roll Hall of Fame. Others who have given Quatro credit for inspiring them to get into music include the Talking Heads’ Tina Weymouth (who was encouraged by her then boyfriend and now husband, fellow Heads’ member Chris Frantz, to listen to Quatro albums to learn how to play the bass) and singer/songwriter KT Tunstall.

Quatro calls England home nowadays and it appears that she’s beginning to slow down a bit. She last appeared in the United States in 2013, when she was given the Distinguished Achievement Award from the Detroit Music Awards (her birthplace) and, in 2014, Quatro performed what has been called her “final” Australian tour. At 65, Quatro has a handful of shows scheduled in Europe for 2016, where she will continue to rock the fans who come to see her. But don’t expect her to just quit; on her website, Quatro states, “I will retire when I go onstage, shake my ass and there is silence.”

SuziQuatro2

So Who SHOULD Be In The Rock & Roll Hall of Fame?

Last week, the nominations came out for the 2016 Rock & Roll Hall of Fame and, at the very end of my thoughts, I posited the question, “Who should have been nominated?” Mind you, the list of nominees was outstanding overall: longtime overlooked acts such as Chicago, Deep Purple and Yes getting nominated again (and three bands that I believe are long overdue the honor), newcomers like Janet Jackson, The Cars and Cheap Trick (all no votes) and outside shots such as The J.B.’s (another vote in from me), Chic (no) and N.W.A. (yes). However, there were several other artists that should have been on this year’s ballot if not already inducted into the Rock & Roll Hall of Fame.

The Rock & Roll Hall of Fame is personal to me because of my long love affair with music. Despite the factor that I could never play an instrument with any high level of competence, I admire those that can create art out of music, words, melodies and thoughts. While it could be said that writing is something like that, the songwriter and/or musician is an artist that encompasses different aspects, pulling them into one cohesive idea. Thus, I’ve always been a huge fan of music overall and rock music in particular.

My first introduction to rock music dates back to someone who, unfortunately, I don’t know if they’re still alive. The year was 1971 and, riding around in a car with my half-brother Monty (his real name could have been Montague, don’t really remember) on a hot summer day, saw him pop a cassette into the tape deck. Suddenly the mystifying tones of David Bowie’s “Space Oddity” came pounding out of the speakers and, as I listened to the words and music, I was transported (you have to remember, these were the heady days of NASA’s Apollo space program) to being “Major Tom” and traveling through space myself.

From there, it was a quick indoctrination into the world of music. My mother had the classics – Johnny Cash, Merle Haggard, Waylon and Willie and others – from the country music side, but she also had such gems as The Temptations, The Supremes and other R&B acts from the 60s in the record cabinet. My investigations in the rock music genre touched on Santana, The Who, Crosby, Stills, Nash and Young and James Taylor, then began to branch out into the harder edged rock of ZZ Top, KISS and Led Zeppelin, among others (on a personal note, was always more of a Rolling Stones guy than the Beatles).

As the mid-70s passed, punk rock became the next touchstone. The Sex Pistols, New York Dolls, The Ramones – these were the gates to pass through on the way to adulthood. As I reached high school, not only was it the disco era but it was almost time for the double shotgun-blast of the New Wave from England and MTV, opening the world even further (and we cannot go on without also recognizing the New Wave of British Heavy Metal). As I had to be a part of the music scene, I did the only logical thing a person with little to no musical talent could do – I became a DJ.

Through the 1980s and well into the 1990s, I plugged along as a DJ at pretty much every radio format that you could think of doing. Album-Oriented Rock (AOR), Top 40, easy listening, R&B, adult contemporary, news/talk – about the only thing I didn’t do was country (much like “country” music today, there’s a thin line between what was country music then and pop music). Along the way, there were some great times had in the conduct of my job and…well, let’s just save those stories for another time.

Hopefully you see that who gets in the Rock & Roll Hall of Fame is important, at least to me. It isn’t “live or die” important, mind you, but it is something that I want to show my son one day and say, “Yeah, I saw them, they were great.” Maybe we will sit down and listen to a CD or, pray tell, if we still have vinyl by then, an album, and talk about music and its history. He’s got a great musical ear, however, so he may be entertaining me with his music rather than our just listening to it.

OK, getting sappy here…

My criteria for putting someone in the Rock & Roll Hall of Fame would be somewhat along the lines of what poker uses for its Hall of Fame. These are the criteria that I would use in putting someone in the Rock Hall:

1. Length of career with sustained critical or commercial excellence
2. Influence on a genre of music or on several artists
3. Respect from fellow musicians

Pretty simple, wouldn’t you say? Alas, there are some glaring errors in the Rock & Roll Hall of Fame. How about some of these artists, bands and contributors?

Warren Zevon – The singer-songwriter born in Chicago has been overlooked for far too long when it comes to the Rock Hall. Responsible for writing such songs as “Poor, Poor Pitiful Me” (covered by far too many artists to list but most notably by Rock & Roll Hall of Fame inductee Linda Ronstadt), Zevon was a part of the California scene in the mid-70s, working with such people as Jackson Browne, Neil Young, members of the Eagles and counting Bruce Springsteen amongst his admirers.

When it came to his own efforts, Zevon was beyond compare. Along with his iconic “Werewolves of London,” Zevon penned and performed such classics as “Lawyers, Guns and Money,” “Roland the Headless Thompson Gunner,” “Accidently Like a Martyr,” and “Keep Me in Your Heart,” which was nominated for a Grammy after Zevon’s death in 2003. With a career that spanned more than 30 years, commercial and critical success and the respect of your fellow musicians, there’s no one more deserving than Zevon for induction into the Hall.

Jimmy Buffett – Another product of the singer-songwriter era of the early 70s, Buffett is notable for forging his own path in the music industry. When I say his own path, I mean he created a whole GENRE of music that didn’t exist before – let’s call it “tropical rock,” music with a Caribbean/calypso/reggae/country feel that didn’t fit neatly into any of the “categories” of music in the 1970s (and still doesn’t today, to be honest). Buffett himself has said about that period, “I wasn’t country enough to be played on those stations and I wasn’t rock enough to be played on AOR.”

The way to beat that? Write a song like “Margaritaville” that transcended any charts, genres or radio stations. Today that song has led Buffett into the world of literature, casino and hotel ownership and a “40-year summer job” that the man still enjoys to this day as he approaches 70. He’s influenced a host of country musicians (the Zac Brown Band is a prime example) and, as owner of a recording studio and a record company (Mailboat Records) is ensuring that the “tropical rock” he created will have outlets for the future.

The Runaways – While Joan Jett went in with The Blackhearts last year, she really should have gone in with The Runaways because, without them, there is no Joan Jett.

The Runaways were “created” by producer Kim Fowley who, having drummer Sandy West and guitarist Jett in the fold, was looking to create a “jailbait” band of teenaged girls who could rock out just as well as any group of guys. First found by the group was Micki Steele, who didn’t last long but went on to join The Bangles, before gold was struck with guitar virtuoso Lita Ford, vocalist Cherie Currie and bassist Jackie Fox to fill out the roster. With the group lineup set, The Runaways broke ground as one of the first female hard rock/metal acts to ever have any success in the recording industry.

From the seminal track “Cherry Bomb” to other tunes such as “Queens of Noise” and “I Love Playin’ with Fire” (covered by Jett during her Blackheart days), the band earned a great deal of attention and respect in the industry. The members of the group went on to arguably better success as solo artists or in other creative endeavors, but they were the ones who helped to get such groups as The Bangles, The Go-Gos, Vixen and rock “chicks” like Pat Benatar, Chrissie Hynde and Deborah Harry (among many others) in the door. It is arguable that, without The Runaways, some if not all of these women wouldn’t have gotten into the industry.

Judas Priest – This is one of those omissions by the Rock & Roll Hall of Fame that is inexcusable. A band that has sold 45 million albums, generated rock anthems such as “Breaking the Law,” “You’ve Got Another Thing Comin’,” “Heading Out To The Highway,” “Living After Midnight”…I could go on, but you get the point. So what has kept them out?

Over the years, the band has been targeted in various arenas outside of music. They were accused of using subliminal messages in their album British Steel that allegedly caused two men to try to kill themselves. They’ve been targeted by conservative Christian groups for their musical content and singer Rob Halford has taken some sabbaticals from the band over the decades. But when you have a list of bands that were influenced by you such as Metallica, Megadeth and Pantera (among others), you’ve done your job well.

There are a slew of other artists that could be held up for consideration – The Carpenters, Kate Bush, Slayer, Bon Jovi, Thin Lizzy, Motorhead – and maybe they are just waiting for their time. There are also those “pop” artists that I am overlooking, but this is the Rock & Roll Hall of Fame, after all. If you’re waiting for a time that “works,” however, take it from someone who watches how these Halls of Fame work – if you don’t get in within your first couple of years of eligibility, your chances of getting in get worse as time goes by. All the artists listed here deserve to have their place in the pantheon of the Rock & Roll Hall of Fame…now will anyone listen and induct them?