My Choices for the Nominees for the 2021 Rock & Roll Hall of Fame

The Rock & Roll Hall of Fame is like no other Hall in existence. It is one of the few Halls that basically has only one criteria – that your first commercial release be done no later than 25 years prior (for 2021, that means artists whose first release was in 1996 or earlier are eligible). Most other Halls base their entry on the number of wins you’ve had (World Golf Hall of Fame), mystical statistical performance (any sports Hall) or that you were from a certain area (self-explanatory). Not the Rock & Roll Hall of Fame – if you’re good enough, if you had an impact on the shaping of popular culture and music over the last 70 years (or so) and you can get the votes, you get in.

This fact in itself makes the discussion over not only those elected to but also those who are nominated of great interest to many music fans. With the COVID-19 outbreak, it pretty much fucked up the entirety of the 2020 schedule for the Rock Hall, delaying and then canceling the 2020 Induction Ceremony for a very good list of artists (Whitney Houston, the Notorious B.I.G., The Doobie Brothers, Nine Inch Nails, Depeche Mode and T. Rex – Jon Landau and Irving Azoff were Ahmet Ertegun Award winners and named to the Rock Hall) before they were “virtually” inducted in November. Because of the late induction, the announcement of the 2021 Nominees is being pushed off as well, to probably February 2021.

You can lament this, but I think it is a great idea. It stretches the entirety of the process by the Rock Hall to cover a whole year instead of parts of two. With the naming of the nominees in February, that means the new Inductees won’t be announced until more than likely around May or June. Then they can induct them (hopefully in a live ceremony) in November. This works much better than announcing the Inductees in December and holding the Induction Ceremony in April or May (how it has worked in the past).

The delay also allows pundits, historians, fans, and critics to come up with their selections for who will be in the Nomination Class for the 2021 Rock & Roll Hall of Fame. I’ve studied over the last few years of nominations, who has gotten in, what kind of “buzz” is going around in the music world, and other intangibles to come up with a list of 15 artists and groups that should be nominated come February. Those in BOLD print are going to be the five choices I would make for entry and I’ve also tried to include some reasoning for the nomination.

Without further ado, here’s who I believe will earn nomination in 2021:

Jay-Z – Not only will Jay-Z earn a first year eligible (FYE) nomination, but he will also earn a FYE induction into the Rock Hall. It is a tough decision as to which part of the industry that Jay-Z has had more of an impact on – the rap world, where he has been a force for 25 years, or the recording industry itself through his ownership of Tidal and forays into label ownership and artist development. And, since the Rock Hall enjoys a great show, imagine Jay-Z trotting the boards with Beyonce? The Rock Hall is salivating at that thought.

Foo Fighters – If there’s been anyone to carry the banner for rock music in the past 25 years, it would be Foo Fighters. Dave Grohl could have easily packed up shop after the death of Kurt Cobain and Nirvana and just made guest appearances on records for the rest of his career. Instead, he forged on with his own sound and added to the legend of rock. Add in the factor that Grohl is a hell of a music historian himself and that he is on the Nomination Committee (he will have to abstain from voting for himself, likely), it would be odd if they aren’t a FYE nominee but also a FYE inductee.

Pat Benatar – Benatar has been snubbed by the Rock Hall for far too long. Her nomination last year was her first after 15 years of eligibility and it was considered that she was a “lock” for entry. Then they took the vote…Benatar was not only a choice by many but she was the runner-up in the Fan Vote from 2019 (hold on, we’ll get to that) and the Rock Hall has caught hell over bypassing her. With a chance to redeem themselves, I don’t expect the Rock Hall to get it wrong twice (then again, the Rock Hall does have a way to surprise you).

Dave Matthews Band – The top vote getter from the Fan Vote, which has been around for at least six years previous (I could be wrong), usually had been inducted by the Rock Hall. That included such entries as Bon Jovi, Rush and KISS, among others. DMB were the top vote-getters in 2019, but that and $1.50 got them a cup of coffee at McDonald’s – they were bypassed for entry into the Rock Hall, the first time that it had happened. I personally don’t see where DMB has earned entry – I’ve never been a jam band fan – but, since the Rock Hall caught shit for not inducting them with the 2020 class, I can’t see them keeping them out twice.

Judas Priest – This is one that the time is ticking on. The Priest has only been the driving force behind heavy metal for 50 years and, eligible since 1999, they’ve only received two nominations. I would hate to see them fall by the wayside like Kraftwerk (who, after being nominated six times, might have run out of chances), MC5 (nominated five times) or even Chic (nominated 11 TIMES), but it is a realistic possibility.

Rage Against the Machine – The practitioners of the hybrid rap/rock scene of the 90s, RATM combined their aggressive stylings with a socio-political bend that enraptured their fans. Or…maybe not so much. As they prepared for a since-postponed tour in 2020, some RATM fans became outraged at the political stances of guitarist Tom Morello and the band. In one of the funniest exchanges on Twitter, Morello, who holds a political science degree from Harvard, responded to an upset follower who said “I used to be a fan until your political opinions come (sic) out,” “What music of mine were you a fan of that DIDN’T contain “political BS”?” Gotta love that!

Kate Bush – Ah, to have more than five votes (then again, I might have used it on RATM)! Bush is one of the long-overlooked female vocalists from the 80s who should be recognized for her achievements. Her work with Peter Gabriel preceded an excellent solo career in the 80s, but she’s never gotten the acclaim that she deserves (Cyndi Lauper, Annie Lennox and others fall in this category). I’d love to give her a vote, but with some of the others that are on down the list, it makes it difficult.

Eurythmics – Falls into the same category as Bush. One of the many 80s acts that we should start inducting into the Rock Hall. In many cases, these artists have been eligible for 15 years and they’ve never even received a nomination, let alone induction. Time to start fixing this situation and quit bleeding the rock dry from the 1960s/70s.

The Go-Go’s – They came thisclose to getting one of my five picks. The first all-female band to have a #1 album on the Billboard charts, The Go-Go’s were groundbreakers for women in rock. Although they have a litany of women that they owe a huge amount of credit to (Fanny, The Runaways, Suzi Quatro), The Go-Go’s got there and inspired many others. Add in the recent documentary on Showtime and it is quite conceivable that The Go-Go’s earn an induction seat in 2021.

Duran Duran – Anyone who was alive during the 1980s was impacted by Duran Duran. They helped to shape the musical landscape of the 80s, not only with their music but also with their videos on MTV, and had a hand in fashion also, among other things. This is a band that has NEVER been nominated previously – that should be corrected this year and they should take a seat in the Rock Hall.

Alice in Chains – This is a group that may sneak into the Nominations because of recent buzz regarding the group. Seattle’s Museum of Pop Culture (MoPOP) inducted the band this fall into their rolls and, since there are only Nirvana and Pearl Jam currently carrying the banner for the Grunge Era of rock, a third would be nice (Soundgarden could fit in this category too). Unfortunately, grunge looks like it is going to get the same treatment that hard rock/metal has gotten over the years from the Rock Hall.

Todd Rundgren – Personally, I would love to see Rundgren get in. He’s more than deserving of it for his performing career, his usage of multimedia (witness his upcoming virtual concert tour) and his producing credits. Perhaps the only way to get this man in may be through the Award for Musical Excellence, which hasn’t been awarded since 2017 (to Chic’s Nile Rodgers).

The Smiths – Politics aside, The Smiths are more than worthy of nomination for their career’s labors. However, Morrissey’s tirades seem to have tarnished the potential induction of the band into the Rock Hall, and that’s unfortunate. They get on my list because they are one of the artists from the 2016 Nomination Class that hasn’t been inducted yet.

Beck – I’ve personally never been a huge Beck fan, but I can recognize his artistic creativity and the impact he’s had on other artists. The devotion from his fans are hard to ignore too. He was a FYE nominee, but he failed to go that extra step – he will get in, but will it be this year or in the future?

Daft Punk – A driver of the synth rock/electronic rock scene since the 90s, Daft Punk should be a slam dunk nominee/entry. But Kraftwerk…well, let’s just say that people would like to see them get in first rather than Daft Punk. It isn’t out of the question for the Rock Hall to commemorate those that have achieved great success over the originators, however – just look at how rap’s forefathers have languished behind some of those that have been inducted.

Alanis Morrissette – Another one who could sneak in and get a nomination, if not inducted. Morrissette’s been white hot of late, with a Broadway show (you know, when Broadway was actually performing) and a critically acclaimed album in 2020. She was first eligible in 2019 but was bypassed…the Rock Hall might want to correct that oversight.

Guess we’ll find out in 2021 just how close to right I am!

Who is The Greatest Hard Rock/Metal Band of All Time, Sweet Sixteen Part 2

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on, especially his painfully visible attempts to recreate the film Wag the Dog by rattling the battle sabers against…well, whoever he thinks will distract attention from how corrupt and owing to the Russians him and his Confederacy of Dunces are), I’ve decided to start something that will be much more fun. Since college basketball just recently completed the NCAA Basketball Championship, I thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – yo’u don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

We’ve gotten down to crunch time – the Sweet Sixteen. With these competitors, you could probably make a solid argument for any of them to be the eventual winner of the tournament. But the thing is, we’re not looking for sixteen winners – we’re trying to determine who is the best. As such, we’re forging onward by working one side of the bracket – the 1980s and the 1990s – down to the four competitors who will vie for two of the Final Four seats. Who do you think should be there?

Let’s get things started with the 1980s bracket:

Gunners

Bon Jovi (1) vs. Guns ‘N Roses (4)

At first glance, these two bands are about as different as you can get, the gritty gang from L. A.’s Sunset Strip versus the Jersey Boys. But if you actually look closer, there are more similarities between them than you think. Both had enigmatic front men in Jon Bon Jovi and W. Axl Rose and both had virtuoso guitarists in Richie Sambora and Slash. Popularity wise, it is arguable that the Gunners were just as big as BJ, if not more popular, and they definitely had more of an impact on the music and served as inspirations for future headbangers. The big kicker here may be longevity, as GNR has disappeared from the scene for long periods of time; while they weren’t at the apex that they were through the 1980s, Bon Jovi has been consistently together (until the recent Sambora/Bon Jovi split) since their inception in the early 80s.

Metallica (2) vs. Slayer (6)

You knew this clash was coming between two of the monsters of metal. The problem is that it is a one-sided battle. Metallica defeats Slayer at virtually every criterion that we’ve set:  longevity, creativity, influence, popularity, and accolades. Slayer can lay claim to being the father of death metal, but Metallica were the ones who ensured that bands like Slayer could get heard somewhere. Metallica, despite their detractors who say they “sold out” when the Black Album shot them to superstardom, has always carried the banner for metal fans worldwide. Ask yourself this:  if there were no Metallica, would we have ever heard of Slayer?

And without further ado, here’s the 1990s bracket:

PearlJam

Nirvana (1) vs. Pearl Jam (4)

It was thisclose between Pearl Jam and Foo Fighters for the right to face Nirvana, but the 2017 Rock & Roll Hall of Fame inductees were able to stave off Dave Grohl and Co. at least this time around. Now they have to face off against Grohl’s first band, Nirvana, in what is an intriguing matchup.

It is really easy to say that Nirvana started the “Grunge Era” of hard rock/metal, but Pearl Jam was right along with them in breaking that ground. In fact, Pearl Jam’s Ten was released BEFORE Nirvana’s Nevermind hit the shelves (Ten was released on August 27, 1991; Nevermind was released September 24, 1991), making the argument for Pearl Jam to be the innovators of the grunge sound. Both of their vocalists perfectly captured the grunge attitude, with the late Kurt Cobain somewhat channeling Bob Dylan’s indecipherable vocal stylings and Eddie Vedder bringing an intensity to his aural assault. If there were one area that sets the two apart, it would be critical acclaim; from their start, Nirvana was always endorsed more by the critics than Pearl Jam ever was.

It’s a tough battle – but if it were easy, everyone would do it!

Rage Against the Machine (2) vs. Green Day (3)

In my opinion, this is a no-brainer, but I am sure there are plenty out there who might argue. Rage Against the Machine was damn close to being the “punk” band here, with their politically influenced lyrics, hammerhead guitars and “in your face” attitude. That has always been one of the criticisms of Green Day is that they were “punk-lite” and not a hardcore punk band (an insult to the members of Green Day, though).

Outside of that fact, the battle is a pretty close one here. Critical acclaim has to go to Rage, but in the other categories they are about dead even. You can give Green Day the edge as to longevity and maybe popularity (I am pretty sure that more people have heard of Green Day than Rage) and that might sway some of the votes. We’ll have to hear from the voters as to who gets the victor’s flag here.

RATM

Get your votes in quick because in a couple days we will take it to the Elite Eight! The middle of this week, we will see who has survived the carnage and will vie for the chance to reach the Final Four. By the end of the week, we will crown the champion and answer the question:  who is the greatest hard rock/metal band of all time?

Who is The Greatest Hard Rock/Metal Band of All Time, Second Round Part 2

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on simply from this last weekend alone, such as his foray into international diplomacy at the end of a Tomahawk missile), I’ve decided to start something that will be much more fun. Since college basketball just recently completed the NCAA Basketball Championship, I thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – you don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

The first round of the four “regions” – the 1960s/70s, the 1980s, the 1990s and the 2000s/2010s – is complete and there were some big surprises. It’s now time to move into the second round of two of the regions who will match up in the Final Four of Hard Rock/Metal – the 1980s and the 1990s – and work them down to one half of the Sweet Sixteen. As always, cast your vote and/or opinion on who should win each battle by commenting here or on one of the many social media outlets where you might read this.

Without further ado, here’s the 1980s second round:

BON JOVI

Bon Jovi (1) vs. Mötley Crüe (8)

Part of me would like to see this be a real battle, but that’s not the case. Longevity is on the side of Bon Jovi in this case, as is virtually every other category that might be tallied. Sales, award recognition, fan support – all those things flow in the direction of the boys from New Jersey over the gang off the Sunset Strip. Although they might be “lightweights,” Bon Jovi for many WAS the 1980s and, as such, they will be moving on.

Guns ‘N Roses (4) vs. Iron Maiden (5)

This is going to be too close to call. The Gunners breathed new life into hard rock/metal in the late 1980s with their “take no prisoners” approach and bawdy behavior, but Iron Maiden’s throng of loyal supporters and longevity in the business can’t be overlooked. Even though GNR came back last year for a few concert appearances (and Axl Rose did some great work with AC/DC after the questionable circumstances regarding Brian Johnson’s departure), Iron Maiden almost always has seemed to “been there” since the early 1980s. The voters will have to make the call here.

Metallica (2) vs. Anthrax (10)

Anthrax, with their highly influential style of speed metal mixed with social commentary, emerged with an upset victory against Queensrÿche, but that may be where the train ends with running up against Metallica. If there were a group that could play just as fast as Anthrax, just as loud and have similar things to say, it would be Metallica. What puts it over the top? The 2009 induction of Metallica into the Rock & Roll Hall of Fame, which says it best on their website when they comment, “Heavy metal went mainstream thanks to Metallica.”

Slayer

Def Leppard (3) vs. Slayer (6)

Opposites go to war in this matchup, with the poppier hard rock from Def Leppard running headlong into the death metal stylings of Slayer. Don’t be so quick to hand this battle to Def Leppard; Slayer, while a polarizing entity because of the style that they play, has been tremendously influential over ALL forms of music. They have influenced everyone from Pantera to Hatebreed and even reached to Italy to inspire Lacuna Coil. When you’ve got that type of power, it has an impact…but will the voters accept it?

And now, let’s look at the 1990s:

Nirvana (1) vs. Nine Inch Nails (9)

Although I’ve long had a fondness for Nirvana and the late Kurt Cobain, there is plenty of room for argument that Nine Inch Nails and front man Trent Reznor were more influential on hard rock/metal. Reznor’s influence runs the gamut from pop to industrial, dance to rock, and he’s also been a highly successful scorer of films (along with his partner Atticus Ross, they won the Academy Award for Best Original Score for The Social Network). While that may not be hardcore, it still shows tremendous talent, making this matchup not the slam dunk that many might have thought.

"Gone Girl" Special Screening

Pearl Jam (4) vs. Foo Fighters (5)

Another tough battle in the 4/5 seedings. You would think that Pearl Jam, coming off their induction into the Rock & Roll Hall of Fame and nearly 30-year career (not to mention leading the “Grunge Revolution”), would be able to handle the Foo men easily. But Dave Grohl and Co. aren’t that easy to knock off. They’ve been getting raves over one of their recent efforts, Sonic Highways, which saw the band travel to eight different cities to “get a feel for” the cities as they recorded it (the production was followed by HBO for a miniseries of the same name). Grohl also carries some gravitas from his days with Nirvana. Is it possible that Grohl’s two bands could face off against each other in the Sweet Sixteen?

Rage Against the Machine (2) vs. Korn (7)

Although Korn ably defeated Tool to reach the second round, I don’t see a way that they get past RATM. In all areas, Rage Against the Machine are the dominant forces – popularity, commercial and critical success, influence and many others. About the only thing that Korn may have is longevity, but that would change if Rage guitarist Tom Morello and singer Zack de la Rocha buried the hatchet and hit the studio again (if not, there’s always Morello leading the other men from the band in their new outlet, Prophets of Rage). A bit of a mismatch here, unfortunately.

GreenDay

Green Day (3) vs. White Zombie/Rob Zombie (11)

A bit of a surprise as White Zombie and front man Rob Zombie were able to upend Alice in Chains to reach the second round of the tournament. They’ve got a great chance to take out the three-seed in Green Day as their style of “nightmare metal” has been mimicked by many bands in the early 2000s, even though Rob Zombie still performs. Green Day, however, has their own legion of devotees and can even say that they’ve gone to Broadway (the musical American Idiot brought punk music to the Great White Way). It is another battle that will be decided by the voters.

That closes the second round for these two regions. Be sure to get your votes in on who deserves to move on to the Sweet Sixteen! Starting this week, we’ll cut the Sweet Sixteen down to only one band, who will walk off with the title of the greatest hard rock/metal band in history!

Who is The Greatest Hard Rock/Metal Band of All Time, Part 3 – The 1990s

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on simply from this last weekend alone), I’ve decided to start something that will definitely be much more fun. Since college basketball is deciding the 64 teams (OK, 68 teams because of those simply idiotic play in games the NCAA conducts) that will compete for their championship, thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

As it is one of my personal fortes, hard rock/metal music is essentially celebrating its 50th Anniversary since the release of Steppenwolf’s “Born to Be Wild,” which contained the lines “Get your motor running/heavy metal thunder.” With this in mind, I’ve put together a compilation of the top 64 hard rock/metal bands from four different eras – the 1960s/70s, the 1980s, the 1990s, and the 2000s/10s – and split them up in accordance with those eras into “regions.” We’ll break down the matchups in each bracket and, with hope, readers will make their own comments and vote on the matchups and perhaps they’ll be some sort of prize at the end – the management here (re:  me) is still trying to come up with that prize.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – you don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

RRHallofFame

We talked about the 1960s/70s in Part 1 and the 1980s in Part 2, so now we’re ready to head into a decade – the 1990s – that saw something that we have never seen before in rock music and probably won’t again. At the start of the decade, “hair metal” was still ruling the roost when it came to hard rock/metal, but it was quickly snuffed out by the sounds emanating from the Northwest. “Grunge,” for all intents, killed the “hair metal” band while embracing the mood of the culture of the day. That cannibalization by grunge in devouring the “hair metal” bands is something that we had never seen before in the industry – normally if something new comes along, it will eventually get folded in like an omelet into the existing structure(s). Grunge chowed down on “hair metal” rather than soak itself into the genre.

There were many candidates for this “regions” bracket and many of those selections reflect how grunge became the powerhouse of the 1990s. I am sure there will be some complaints as to the selections and, if so, please include those when you discuss the matchups in your reply!

Nirvana

Nirvana (1) vs. Primus (16)

Unfortunately for Les Claypool and the men from Primus, this looks like utter destruction from the start. Going against one of the bands considered the “fathers” of the grunge movement, a singer and musician considered the “voice of a generation” by their fans AND a critically, commercially, and historically lauded success (first-ballot entry into the Rock & Roll Hall of Fame)? Hey, somebody had to be the #16 seed in this bracket…

Marilyn Manson (8) vs. Nine Inch Nails (9)

From whatever angle you look at the matchup, these two bands seem to be equals across the board. Challenging thoughts and beliefs in the masses? Check. Earn scorn from the “squares” for your appearance or actions? Yep. Influence a generation with your styles, songs, and subterfuge? You got it. Both Marilyn Manson and Nine Inch Nails were the real groundbreakers during the decade. About the only way to set the two apart is that Marilyn Manson was a band; Nine Inch Nails was basically Trent Reznor playing all the instruments and producing the material. That may give him the edge.

Pearl Jam (4) vs. Ministry (13)

Yes, it may sound sacrilegious, but Pearl Jam only rated the #4 seed in the 1990s. Some might complain they should be in one of the top three slots but, as you’ll see, who do you toss out? As far as this matchup goes, Eddie Vedder and Co. get the nod for overall influence, commercial and critical success and various honors earned. Then again, the vote of those following this tournament may have something different to say about the subject.

Foo Fighters (5) vs. Nickelback (12)

For all the flak they receive, Nickelback is one of the most popular groups of the 1990s – amazing since no one admits to actually listening to them. They certainly churned out the music during the decade, no matter how banal it could be. Foo Fighters brings our first double nominee in the tournament – Dave Grohl, the drummer for Nirvana, went on to form Foo Fighters after the death of Kurt Cobain – and presents a band that was built for pop success but never forgot its rock roots. We’ll see if Nickelback’s loyal legions turn out to try to stop the Fighters from taking this one down.

RATM

Rage Against the Machine (2) vs. Linkin Park (15)

Just like the 1-16 matchup in this region, the 2-15 also looks to be a beat down. Rage Against the Machine was one of the most political bands in the history of rock music, let alone hard rock/metal, and used their powerful musicianship (in the hands of guitarist Tom Morello and vocalist Zack de la Rocha) to drive that message home. Linkin Park, while putting together some very good work of their own, couldn’t hold a candle to Rage, however. What might give some pause? Linkin Park is still around today – the same can’t be said for Rage Against the Machine (although there are murmurs that this could change).

Korn (7) vs. Tool (10)

There is one key thing that may give one of these groups the edge over the other. While both are very accomplished in the hard rock/metal arena, Korn continues to put out solid albums to an adoring fan base. Because of what the band has called “legal issues,” Tool hasn’t released any new music in a decade and doesn’t seem to be in a hurry to release anything now (those legal issues were resolved in 2015). Even without the nearly decade-long hiatus, it was going to be tough for Tool to unseat Korn – but we’ll see who the voters like.

Green Day (3) vs. Creed (14)

Green Day was the pseudo-punk band that everyone would love throughout the 1990s, but Creed – also trying to make their mark outside of the “grunge wave” with their pretentious songs and charismatic singer Scott Stapp – tried to match Green Day for supremacy, especially in the latter part of the decade. Stapp’s personal demons would catch up with Creed, however, breaking the band up as the new millennium started. Green Day has gone on to tremendous success commercially and critically and has been inducted into the Rock & Roll Hall of Fame as one of the influential bands of the genre. Let’s just gloss over the fact that the “punks” have a Broadway show now…

WhiteZombie

Alice in Chains (6) vs. White Zombie/Rob Zombie (11)

I am sensing an upset here. While Alice in Chains was an integral part of the grunge movement, their time in the sun was a rather brief one that spanned only four years (90-94). White Zombie was about as “non-grunge” as it got, instead going into an Alice Cooper-like “nightmare metal” that Rob Zombie still performs to this day (the actual band dissolved in 1998). Perhaps because Zombie has been able to push into other fields – he is a noted film director and comic book buff – the notoriety of the band has prevailed while Alice in Chains has slowly disappeared.

(Writer’s note: I know Soundgarden was left out of the region. However, after you get by Pearl Jam, Nirvana, Alice in Chains, and some of the other grunge acts, Soundgarden was actually pretty far down the list, don’t you think?)

That’s it for the third “region” of our tournament. We’ll look at the 2000s/10s (and be thinking of who could be the #1 seed for that “region” – would love to hear those opinions) later this week and get into the second round, hopefully by next Monday. Don’t forget to vote by replying here and I will compile the responses – and maybe award a prize once a champion is crowned to a reader!