Who Will Be the Inductees for the 2018 Rock & Roll Hall of Fame?

RRHallofFame

It is always a favorite time of the year for me. The announcement of the nominees for induction into the Rock & Roll Hall of Fame always draw a great deal of commentary, either about how well the “keepers of the Hall” did in making the nominations or in how much they screwed it up. Thus, when the nominees list was released last week, it was a cause for celebration or debate, depending on how you liked the list.

First, however, let’s look at who WASN’T on the nominee list…

PAT BENATAR

Just what does it take to get the preeminent female rocker of the 1980s to even get a NOMINATION to the Rock & Roll Hall of Fame, let alone inducted? A four-time Grammy winner, two multi-platinum albums, five platinum albums, three gold albums and rock anthems like “Heartbreaker,” “Hit Me with Your Best Shot,” and “Love is a Battlefield,” Benatar should have been in LONG ago. As of yet, however, she has not received even a nomination.

DURAN DURAN

They were a seminal part of the success of MTV back in the day and they brought about (for better or worse) the “video” era of music. They were nominated previously (at least they have that) in 2015 and 2016, but were overlooked this year. Along with their importance in MTV’s formation and development, the band was highly successful with critics and fans (and the fact that they are the only band who ever had a theme to a James Bond film go to #1 on the Billboard charts – “A View to a Kill”). If you’re going to induct other pop icons from the 80s like Madonna and such, Duran Duran deserves consideration.

OZZY OSBORNE

Sure, he’s already in as a member of Black Sabbath, but Osborne’s solo career lasted longer than his tenure with the Sabbath. In addition, it is arguable that his solo work – along with his continued discovery of ace guitar slingers like the late Randy Rhoads, Jake E. Lee, Steve Vai and Zakk Wylde – has been more influential than his previous time with the Sabbath.

I could keep on going (trust me, there’s plenty of snubs out there), but that would be a distraction from what we’ve come together for…the breakdown of the nominees. Here are your nominees for 2018 (in alphabetical order), a bit of backstory and an examination of their chances for induction come Spring 2018.

BON JOVI

Whether you like it or not, Bon Jovi was a force to be reckoned with in the 1980s. That Jon Bon Jovi has “kept the faith” for the most part with the other members of the band – save guitarist Richie Sambora – and continued to perform into the 21st century, it is difficult to conceive that they won’t be voted in by the Hall. Look for them on stage doing “You Give Love a Bad Name” next spring.

KATE BUSH

To be honest, I was completely stunned to see Bush nominated. Her ethereal voice and eclectic musical stylings were an acquired taste (one I tremendously enjoyed) and, thus, she never was a darling of the U. S. market (the U. K., her home country, LOVED her). If we’re looking at the critical aspect, Bush is a shoo-in; if it comes down to some perception of “popularity,” then probably not.

THE CARS

This might stun some readers, but I’ve had a complete 180 on whether the boys from Boston belong in the Hall. Last year I said that they weren’t good enough but, after I went back and reviewed their catalog, the diversity of their music swayed me. In the 70s, The Cars were a straightforward guitar rock band. As the 80s came along, however, they adapted to New Wave and then the MTV Generation, all while maintaining an unsurpassed quality to their overall efforts. It changed my mind and, hopefully, others will have reflected like I did and The Cars will enter the Hall this spring.

DEPECHE MODE

While I appreciate the music of Depeche Mode, it isn’t something that really set them out from the crowd of synthesizer bands of the 1980s. INXS, The Cure, The Human League…there’s a litany of bands that were similar in style to Depeche Mode that have just as much claim to a spot in the Hall. That’s why they won’t get in…it isn’t the Hall of Pretty Good, it’s the Hall of Fame.

DIRE STRAITS

This one falls under the category of “they weren’t in already?” Mark Knopfler’s exquisite finger picking guitar style is unique in the world of rock and makes for a distinct sound for the band. Add in a nearly 40-year career in creating smart, enjoyable songs and albums and it is long overdue for Dire Straits to be inducted.

EURYTHMICS

Here is another dilemma facing the voters. While Annie Lennox and Dave Stewart DESERVE to be in the Hall of Fame, there is a logjam in front of them for inductees. The problem with this (as you’ll see here in a second) is if you aren’t inducted early on in your eligibility, then you kind of get forgotten about. Unfortunately, that’s what I see happening to Eurythmics, who are more than qualified to be in.

J. GEILS BAND, LINK WRAY, LL COOL J, MC5, THE METERS, THE MOODY BLUES, RUFUS featuring CHAKA KHAN, and THE ZOMBIES

There was a reason I grouped all these artists together:  it’s because the explanation for their denial of entry into the Hall of Fame is based in the same reasoning. All had their moment in the sun in the History of Rock, but none of them ever made my jaw drop and say, “I’ve GOT to go see them perform!” About the closest one who would come to that criteria would be the J. Geils Band and MAYBE the Moody Blues. All of them together, however, are a part of that “Hall of Pretty Good” argument.

JUDAS PRIEST

If you’re going to recognize hard rock/metal in the Hall of Fame, it is incomplete without Judas Priest. Still pounding out their sound going on 40-plus years now, the Priest is, in many people’s opinion, THE preeminent hard rock/metal band. They definitely invented the “leather and studs” look that was prevalent for theirs and other bands and Rob Halford is one of the most memorable voices in the genre. As the ground breaker for a genre, Judas Priest should have been in the Hall long ago.

NINA SIMONE

Nothing against Simone or the massive amount of talent the woman had – and the travails she had to navigate through in the pre-Civil Rights era – but she’s just not “rock and roll.” There are at least a few nominees of this ilk every year for the Hall of Fame because, in some cases, while they are not traditional “rock and roll,” their style, attitude or actions has had an influence on the overall genre. Simone’s vocal abilities are legendary, but her overall influence on “rock and roll” is limited. Simone isn’t even a member of the Rhythm and Blues (R&B) Hall of Fame, making it tough to justify selection for the overall Rock & Roll Hall of Fame.

RADIOHEAD

Long a critical darling, Radiohead is one of those “fringe” rock bands that probably will come up in discussions over the next few years but never get in. Much like Television or Kraftwerk, they were seminal parts of the rock genre that inspired many acts that followed, but they’re just a little too obscure to capture the attention of many. As such, I don’t think that Radiohead will get into the Hall…but I’ve been wrong before.

RAGE AGAINST THE MACHINE

Here is the only other slam-dunk choice for the Rock & Roll Hall of Fame for 2018. Over the span of only four albums, RATM spawned the “rock/rap” genre. Beyond that point, RATM brought back one of the purposes that originally drove rock & roll:  the political nature that tries to change society. The lyrics of the band – enunciated to their full power by Zach de la Rocha – and the searing guitar work of Tom Morello gave their protests full throat. Morello is trying to keep the passion going that RATM brought with Prophets of Rage (and Chuck D of Public Enemy), but he’d be better advised to get back with de la Rocha.

SISTER ROSETTA THARPE

If you’ve never heard of Sister Rosetta Tharpe, you can be forgiven. But the work done by the woman – playing rock & roll when there was NO SUCH THING – cannot be ignored. In the 1930s and 40s, Tharpe melded blues, gospel, bluegrass, and country into a brew that eventually would become rock & roll music, influencing some of the biggest MALE names that ever were uttered in the music industry. Little Richard, Johnny Cash, Chuck Berry, and Elvis Presley all cited her as influential and her guitar work wouldn’t be out of place in today’s rock world. If you’d like to learn more about her, YouTube has a simply outstanding look at her life that is well worth the time to check out.

Guess it would be obvious that I personally think Sister Rosetta Tharpe should be inducted this spring!

Fans will be able to vote on the inductees, choosing up to five candidates per day until the vote closes. The top vote getter from that process is usually a lock for entry – the previous five winners of the Fan Vote (Rush, KISS, Stevie Ray Vaughan, Chicago, and Journey) all were inducted – and there are usually six or more nominees inducted. We’ll find out next spring who will be the newest members of the Hall…and we’ll be back to debate the merits of those inductions!

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Who is The Greatest Hard Rock/Metal Band of All Time – The Final Four

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on simply from this last week alone, such as his stream of consciousness interview with the Associated Press that featured more errors than a five-year old T-ball game), I’ve decided to start something that will be much more fun. Since college basketball just recently completed the NCAA Basketball Championship, I thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – you don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

It’s been a long journey, but we’ve finally reached the pinnacle, the mountain – the Final Four. The four combatants have worked their way through their “regions” – the 1960/70s, the 1980s, the 1990s and the 2000s/10s – and are all champions. There can be only one, however, and they will now square off against each other to see who is the final band standing. In our first battle, the 1960s/70s will square off against the 2000s/10s:

ACDC

AC/DC (2) vs. Disturbed (1)

It was an incredibly tough vote, but longevity seemed to be the deciding factor in the battle between AC/DC and Led Zeppelin, despite the factor that the individual members of Led Zeppelin have had outstanding careers since the band dissolved. Over in the 2000s/10s division, Disturbed was finally able to end the run of Slipknot, sending the six-seed home and moving on to take on arguably one of the most loved bands in the history of hard rock/metal.

AC/DC has endured the slings and arrows of critics that labeled their three-chord grinding music as “mindless” and “simple” since their inception in the early 1970s, constantly touring and churning out new music for their legion of fans. How many records have they done? Sixteen studio albums, including the guaranteed classics Highway to Hell and Back in Black and their title tracks, with sales of over 200 million albums worldwide. Toss on 21 world tours in their history, basically touring from 1973 to 1986 without pausing, and there is no way that you can doubt the veracity of their fans nor their ability to give the people what they want.

Disturbed comes to their success during a different era of music, but they’ve garnered their own accolades through their success. As stated during the Elite Eight, Disturbed’s latest record Immortalized debuted at #1 on the Billboard charts, making their fifth consecutive studio album to do that. Only Metallica and the Dave Matthews Band can say that they have done that – not Led Zeppelin. They have also sold more than 35 million of their seven albums over their 17-year existence and they show no signs of slowing down.

If you were to break down the band by members, the edge vocally would be a tossup. The late Bon Scott and then Brian Johnson left an indelible mark on AC/DC’s sound – really, could you imagine anyone else fronting the band (it remains to be seen if Guns ‘N Roses vocalist W. Axl Rose will remain with the group)? But Disturbed is as much David Draiman as Draiman is Disturbed and his immediately recognizable smooth bass vocals drive that group.

You might say that the guitar work of Angus and Malcolm Young stand out over Disturbed’s Dan Donegan, but Donegan has been just as instrumental (no pun intended) to his group’s success as the Young brothers were to theirs. Donegan has also added in work on keyboards (something key to the experimentation that Disturbed is known for) and, along with drummer Mike Wengren, are the only two men who have been part of the group since its inception.

Disturbed

The question will come down to which do you value more – do you value the length of the career and the virtuosity shown by AC/DC, or do you value the outstanding musicianship of a career that really is still just getting going in Disturbed?

And now for the matchup between the 1980s and the 1990s:

Metallica

Metallica (2) vs. Rage Against the Machine (2)

This one seemed to be dictated from the start, but both had to overcome the #1 seed in their regions to make it to this point. Metallica had to knock down the boys from New Jersey in Bon Jovi (and I can hear the screams already – Metallica was far more influential and critically acclaimed than Bon Jovi could ever hope to be) and RATM had to best only the “godfather of grunge” in the late Kurt Cobain and Nirvana. Unfortunately, now one must go down.

So, who has the edge with creativity? Both bands have written and sung about subjects that you normally don’t find in hard rock/metal, such as religious and military leaders, rage, drug usage, anger, loss, and retribution (for Metallica) and political opinions related to not only the States of America but worldwide (Rage Against the Machine). Both bands have been the trendsetters in their genres, with Metallica considered the creators of “thrash” metal and RATM furthering the cause of “rap” metal with their work.

Even the band members are considered equals. Whether you are looking at James Hetfield (Metallica) or Zack de la Rocha (RATM) on vocals (Hetfield also wields a mean rhythm guitar), first Dave Mustaine and then Kirk Hammett versus Tom Morello on lead guitar, the triumvirate of the late Cliff Burton, Jason Newstead and now Robert Trujillo against Tim Commerford on bass and the thunderous drum work of both Lars Ulrich or Brad Wilk, they all are considered the best in the business in their respective fields. There is one thing that may swing the needle, however.

Metallica has been in this game since the early 1980s, grinding out their brand of hard rock/metal for more than 35 years solid. They’ve had a few pauses, especially after Newstead left the band in 2001, but they’ve been at the forefront of the hard rock/metal genre for decades. Although RATM was extremely powerful in their music, they also were more of a Roman candle in that they burned bright but burned out quick. Rage Against the Machine’s last studio album was in 2000 (of four; Metallica has 10 in its still-active career) and, although there have been teases in the past, there are no indications that the group is going to come back together for another run. In fact, Morello has taken the other two musicians in RATM and gone on to form Prophets of Rage along with Chuck D and DJ Lord of Public Enemy and B-Real of Cypress Hill.

RATM

The evidence has been presented and now it is up to the voters. Who will move on to the Final Conflict? Who will vie for the crown and reign supreme as the greatest band in hard rock/metal history? By this weekend, we will learn the two that will battle it out…

Who is The Greatest Hard Rock/Metal Band of All Time – The Elite Eight

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on simply from this last week alone, such as his inability to understand where a complete CARRIER GROUP is -you don’t say it is going to North Korea when it is just going on maneuvers with the Australians), I’ve decided to start something that will be much more fun. Since college basketball just recently completed the NCAA Basketball Championship, I thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – you don’t see many bands or singers that are considered “legendary’ if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

This is the final step – the Elite Eight – before we enter the REAL battleground of the Final Four and crown a champion. The competitors have already worked their way through some very strong bands to reach this point, but only the greatest will be able to claim the prize of the greatest hard rock/metal band of all time. Without further ado, let’s get things started with a look at the final duo in the 1960s/70s bracket:

Led Zeppelin (1) vs. AC/DC (2)

If there were two titans of hard rock/metal in the 1960s/70s, it would be these two bands. Led Zeppelin were somewhat the originators of the sound, with the crunching guitars of such tunes as “Rock and Roll“ and “Whole Lotta Love“ while AC/DC took three chords and has churned out rock classics like “Highway to Hell“ and “Back in Black“ (Trust me, when I present examples for these bands, there is virtually a dozen songs that could be presented as examples.)

As a vocalist, Robert Plant is recognized as one of the iconic singers of the genre, but both the late Bon Scott and Brian Johnson could hold their own with Plant and provide a bit of growl as well. There’s no way you can say that guitarists Jimmy Page and Angus Young are of equal talent, but both bring their all for their own distinctive styles. And looking deeper into the band, you cannot put AC/DC’s rhythm section of Cliff Williams and Phil Rudd over Led Zep’s duo of John Paul Jones and the late John Bonham.

The one area that the boys from “Down Under” crush the lads from London? Longevity. The era of Zeppelin only lasted a little more than a decade (1968-1980). AC/DC has been at the forefront of the hard rock/metal genre for more than 40 years. Originating in 1973, AC/DC didn’t even slow down for the death of Scott in 1980, instead cranking out what would become their masterpiece Back in Black with Johnson wailing the vocals.

This one’s going to take some thought, fans. Every vote is going to count!

Now here’s the Final Four showdown (and the matchup for the 1960s/70s bracket) in the 2000s/10s:

Disturbed (1) vs. Slipknot (6)

The problem with rating bands that are still around is that they are still growing and maturing as performers. In some cases, they haven’t possibly created their magnum opus that will define the band for history, meaning that it is an incomplete ranking. With these two bands, however, there is plenty of material and plenty of history to be able to see them make the Elite Eight.

Slipknot has been the surprise of the tournament to this point, making the Elite Eight as the lowest ranked band in that group. The intriguing thing about Slipknot is that they are CONSTANTLY experimenting and looking for ways to broaden their and their fans’ horizons. There is another huge part of Slipknot’s existence – the fans. Slipknot shows are well known for their intensity, something that applies today even though the band has been around for almost two decades.

But they are going up against a juggernaut in this bracket. Disturbed has been the benchmark that other hard rock/metal bands have been compared to since their explosion just before the start of the 21st century. From their initial release “Down with the Sickness“ through their current album Immortalized – and perhaps their masterpiece in a remake of the Simon & Garfunkel classic “The Sounds of Silence“ – Disturbed has been showing the way for hard rock/metal.

There are those that don’t think that Disturbed is “heavy” enough to be in heavy metal, but they are apparently good enough for their fans. Disturbed is one of only three bands to have five consecutive studio albums debut in the #1 slot on the Billboard album sales chart (the other two? Metallica and the Dave Matthews Band).

Without further ado, let’s jump into the 1980s:

Bon Jovi (1) vs. Metallica (2)

Just like in the 1960s/70s bracket, it seems like these two bands were destined to meet at this point. And you couldn’t find more polar opposites than these two bands – the glammy, big hair and balladry rock of Bon Jovi completely unlike the gritty, thrash metal with a mind that was put up by Metallica. Even in looking at the individuals in the two bands, the yin/yang is still apparent.

It is arguable that Jon Bon Jovi is a better singer than James Hetfield, but that is a bit superficial to look at them in just that manner. Both men are the leaders of their respective units, with Hetfield offering a blistering backing guitar to go along with his rumble of a voice. Bon Jovi, also known to pick up the guitar on occasion, has the better vocal range, but I would posit that Hetfield actually makes you feel the lyrics that thunder from his mouth. While very different, they both epitomize their bands.

In looking at the lead guitarists, they are also quite distinctive. Richie Sambora (up until departing the band this year) is one of the top guitarists in the genre, but Metallica’s duo of first Dave Mustaine and then Kirk Hammett not only provide the searing blowtorch of their solos but also pound out the very existence of Metallica. Sambora might be better than Mustaine, but I don’t think he tops Hammett.

The rhythm sections aren’t comparable. Metallica rules this department, with bassists in the late Cliff Burton, Jason Newstead and now Robert Trujillo and drummer Lars Ulrich completely outclassing Bon Jovi’s unit (quick – without Google, name the bassist and drummer for the band?). It is in fact that foundation in Metallica that gives them their unique sound, whereas Bon Jovi is just good hard rock music.

Even when you look at sales (popularity), the two are nearly equal. Bon Jovi has sold around 130 million albums worldwide, Metallica 100 million. Although they are nowhere near the same, they are worthy opponents at this point in the tournament.

And, finally, the 1990s:

Nirvana (1) vs. Rage Against the Machine (2)

This was potentially the toughest of the regions in our competition. With the birth of grunge, rap metal and other genres during the decade, you had many different sounds competing for hard rock/metal fans attention. That is seen in the final two survivors, Nirvana and RATM.

It could possibly be said that Pearl Jam should be here instead of Nirvana, but Nirvana is the band that many people point to as the “fathers of grunge.” For what it’s worth, the late Kurt Cobain was a tremendous lyricist, albeit his singing left a great deal to be desired. He did surround himself with outstanding musicians in Krist Novoselic and Dave Grohl, who helped him to take Nirvana to the pinnacle of rock music – whether Cobain liked it or not.

By far Rage Against the Machine’s niche has been in their political stances. The band has long been known for their leftist (some would say anarchist) views, but they have delivered those views with a powerful brand of hard rock. With Tom Morello‘s groundbreaking guitar work and the vocals of Zack de la Rocha, the band has remained popular even though they haven’t been together since 2011 (their second stint – they were at their apex between 1991 and 2000, went on hiatus, then reformed in 2007).

With two powerful and influential bands such as these, who do you choose? The choice is now up to you. Who do you see moving on to the Final Four? And who eventually wins the crown?

Who is The Greatest Hard Rock/Metal Band of All Time, Sweet Sixteen Part 2

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on, especially his painfully visible attempts to recreate the film Wag the Dog by rattling the battle sabers against…well, whoever he thinks will distract attention from how corrupt and owing to the Russians him and his Confederacy of Dunces are), I’ve decided to start something that will be much more fun. Since college basketball just recently completed the NCAA Basketball Championship, I thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – yo’u don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

We’ve gotten down to crunch time – the Sweet Sixteen. With these competitors, you could probably make a solid argument for any of them to be the eventual winner of the tournament. But the thing is, we’re not looking for sixteen winners – we’re trying to determine who is the best. As such, we’re forging onward by working one side of the bracket – the 1980s and the 1990s – down to the four competitors who will vie for two of the Final Four seats. Who do you think should be there?

Let’s get things started with the 1980s bracket:

Gunners

Bon Jovi (1) vs. Guns ‘N Roses (4)

At first glance, these two bands are about as different as you can get, the gritty gang from L. A.’s Sunset Strip versus the Jersey Boys. But if you actually look closer, there are more similarities between them than you think. Both had enigmatic front men in Jon Bon Jovi and W. Axl Rose and both had virtuoso guitarists in Richie Sambora and Slash. Popularity wise, it is arguable that the Gunners were just as big as BJ, if not more popular, and they definitely had more of an impact on the music and served as inspirations for future headbangers. The big kicker here may be longevity, as GNR has disappeared from the scene for long periods of time; while they weren’t at the apex that they were through the 1980s, Bon Jovi has been consistently together (until the recent Sambora/Bon Jovi split) since their inception in the early 80s.

Metallica (2) vs. Slayer (6)

You knew this clash was coming between two of the monsters of metal. The problem is that it is a one-sided battle. Metallica defeats Slayer at virtually every criterion that we’ve set:  longevity, creativity, influence, popularity, and accolades. Slayer can lay claim to being the father of death metal, but Metallica were the ones who ensured that bands like Slayer could get heard somewhere. Metallica, despite their detractors who say they “sold out” when the Black Album shot them to superstardom, has always carried the banner for metal fans worldwide. Ask yourself this:  if there were no Metallica, would we have ever heard of Slayer?

And without further ado, here’s the 1990s bracket:

PearlJam

Nirvana (1) vs. Pearl Jam (4)

It was thisclose between Pearl Jam and Foo Fighters for the right to face Nirvana, but the 2017 Rock & Roll Hall of Fame inductees were able to stave off Dave Grohl and Co. at least this time around. Now they have to face off against Grohl’s first band, Nirvana, in what is an intriguing matchup.

It is really easy to say that Nirvana started the “Grunge Era” of hard rock/metal, but Pearl Jam was right along with them in breaking that ground. In fact, Pearl Jam’s Ten was released BEFORE Nirvana’s Nevermind hit the shelves (Ten was released on August 27, 1991; Nevermind was released September 24, 1991), making the argument for Pearl Jam to be the innovators of the grunge sound. Both of their vocalists perfectly captured the grunge attitude, with the late Kurt Cobain somewhat channeling Bob Dylan’s indecipherable vocal stylings and Eddie Vedder bringing an intensity to his aural assault. If there were one area that sets the two apart, it would be critical acclaim; from their start, Nirvana was always endorsed more by the critics than Pearl Jam ever was.

It’s a tough battle – but if it were easy, everyone would do it!

Rage Against the Machine (2) vs. Green Day (3)

In my opinion, this is a no-brainer, but I am sure there are plenty out there who might argue. Rage Against the Machine was damn close to being the “punk” band here, with their politically influenced lyrics, hammerhead guitars and “in your face” attitude. That has always been one of the criticisms of Green Day is that they were “punk-lite” and not a hardcore punk band (an insult to the members of Green Day, though).

Outside of that fact, the battle is a pretty close one here. Critical acclaim has to go to Rage, but in the other categories they are about dead even. You can give Green Day the edge as to longevity and maybe popularity (I am pretty sure that more people have heard of Green Day than Rage) and that might sway some of the votes. We’ll have to hear from the voters as to who gets the victor’s flag here.

RATM

Get your votes in quick because in a couple days we will take it to the Elite Eight! The middle of this week, we will see who has survived the carnage and will vie for the chance to reach the Final Four. By the end of the week, we will crown the champion and answer the question:  who is the greatest hard rock/metal band of all time?

Who is The Greatest Hard Rock/Metal Band of All Time, Second Round Part 2

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on simply from this last weekend alone, such as his foray into international diplomacy at the end of a Tomahawk missile), I’ve decided to start something that will be much more fun. Since college basketball just recently completed the NCAA Basketball Championship, I thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – you don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

The first round of the four “regions” – the 1960s/70s, the 1980s, the 1990s and the 2000s/2010s – is complete and there were some big surprises. It’s now time to move into the second round of two of the regions who will match up in the Final Four of Hard Rock/Metal – the 1980s and the 1990s – and work them down to one half of the Sweet Sixteen. As always, cast your vote and/or opinion on who should win each battle by commenting here or on one of the many social media outlets where you might read this.

Without further ado, here’s the 1980s second round:

BON JOVI

Bon Jovi (1) vs. Mötley Crüe (8)

Part of me would like to see this be a real battle, but that’s not the case. Longevity is on the side of Bon Jovi in this case, as is virtually every other category that might be tallied. Sales, award recognition, fan support – all those things flow in the direction of the boys from New Jersey over the gang off the Sunset Strip. Although they might be “lightweights,” Bon Jovi for many WAS the 1980s and, as such, they will be moving on.

Guns ‘N Roses (4) vs. Iron Maiden (5)

This is going to be too close to call. The Gunners breathed new life into hard rock/metal in the late 1980s with their “take no prisoners” approach and bawdy behavior, but Iron Maiden’s throng of loyal supporters and longevity in the business can’t be overlooked. Even though GNR came back last year for a few concert appearances (and Axl Rose did some great work with AC/DC after the questionable circumstances regarding Brian Johnson’s departure), Iron Maiden almost always has seemed to “been there” since the early 1980s. The voters will have to make the call here.

Metallica (2) vs. Anthrax (10)

Anthrax, with their highly influential style of speed metal mixed with social commentary, emerged with an upset victory against Queensrÿche, but that may be where the train ends with running up against Metallica. If there were a group that could play just as fast as Anthrax, just as loud and have similar things to say, it would be Metallica. What puts it over the top? The 2009 induction of Metallica into the Rock & Roll Hall of Fame, which says it best on their website when they comment, “Heavy metal went mainstream thanks to Metallica.”

Slayer

Def Leppard (3) vs. Slayer (6)

Opposites go to war in this matchup, with the poppier hard rock from Def Leppard running headlong into the death metal stylings of Slayer. Don’t be so quick to hand this battle to Def Leppard; Slayer, while a polarizing entity because of the style that they play, has been tremendously influential over ALL forms of music. They have influenced everyone from Pantera to Hatebreed and even reached to Italy to inspire Lacuna Coil. When you’ve got that type of power, it has an impact…but will the voters accept it?

And now, let’s look at the 1990s:

Nirvana (1) vs. Nine Inch Nails (9)

Although I’ve long had a fondness for Nirvana and the late Kurt Cobain, there is plenty of room for argument that Nine Inch Nails and front man Trent Reznor were more influential on hard rock/metal. Reznor’s influence runs the gamut from pop to industrial, dance to rock, and he’s also been a highly successful scorer of films (along with his partner Atticus Ross, they won the Academy Award for Best Original Score for The Social Network). While that may not be hardcore, it still shows tremendous talent, making this matchup not the slam dunk that many might have thought.

"Gone Girl" Special Screening

Pearl Jam (4) vs. Foo Fighters (5)

Another tough battle in the 4/5 seedings. You would think that Pearl Jam, coming off their induction into the Rock & Roll Hall of Fame and nearly 30-year career (not to mention leading the “Grunge Revolution”), would be able to handle the Foo men easily. But Dave Grohl and Co. aren’t that easy to knock off. They’ve been getting raves over one of their recent efforts, Sonic Highways, which saw the band travel to eight different cities to “get a feel for” the cities as they recorded it (the production was followed by HBO for a miniseries of the same name). Grohl also carries some gravitas from his days with Nirvana. Is it possible that Grohl’s two bands could face off against each other in the Sweet Sixteen?

Rage Against the Machine (2) vs. Korn (7)

Although Korn ably defeated Tool to reach the second round, I don’t see a way that they get past RATM. In all areas, Rage Against the Machine are the dominant forces – popularity, commercial and critical success, influence and many others. About the only thing that Korn may have is longevity, but that would change if Rage guitarist Tom Morello and singer Zack de la Rocha buried the hatchet and hit the studio again (if not, there’s always Morello leading the other men from the band in their new outlet, Prophets of Rage). A bit of a mismatch here, unfortunately.

GreenDay

Green Day (3) vs. White Zombie/Rob Zombie (11)

A bit of a surprise as White Zombie and front man Rob Zombie were able to upend Alice in Chains to reach the second round of the tournament. They’ve got a great chance to take out the three-seed in Green Day as their style of “nightmare metal” has been mimicked by many bands in the early 2000s, even though Rob Zombie still performs. Green Day, however, has their own legion of devotees and can even say that they’ve gone to Broadway (the musical American Idiot brought punk music to the Great White Way). It is another battle that will be decided by the voters.

That closes the second round for these two regions. Be sure to get your votes in on who deserves to move on to the Sweet Sixteen! Starting this week, we’ll cut the Sweet Sixteen down to only one band, who will walk off with the title of the greatest hard rock/metal band in history!

Who is The Greatest Hard Rock/Metal Band of All Time, Part 3 – The 1990s

HardRockMetal

Rather than delve into the delusion that currently is supposed to oversee this country (and trust me, there’s plenty to call the Tangerine Ignoramus out on simply from this last weekend alone), I’ve decided to start something that will definitely be much more fun. Since college basketball is deciding the 64 teams (OK, 68 teams because of those simply idiotic play in games the NCAA conducts) that will compete for their championship, thought it would be fun to do the same but in a different arena – the genre of hard rock/metal music.

As it is one of my personal fortes, hard rock/metal music is essentially celebrating its 50th Anniversary since the release of Steppenwolf’s “Born to Be Wild,” which contained the lines “Get your motor running/heavy metal thunder.” With this in mind, I’ve put together a compilation of the top 64 hard rock/metal bands from four different eras – the 1960s/70s, the 1980s, the 1990s, and the 2000s/10s – and split them up in accordance with those eras into “regions.” We’ll break down the matchups in each bracket and, with hope, readers will make their own comments and vote on the matchups and perhaps they’ll be some sort of prize at the end – the management here (re:  me) is still trying to come up with that prize.

What are the criteria for consideration? First, the band/singer would have to have some sort of longevity to their career – you don’t see many bands or singers that are considered “legendary” if they were only around for a couple of albums (Amy Winehouse is a rare exception, but that’s a discussion for another time). Second, the band/singer would have to have an impact on the genre – did they do something particularly noteworthy or notorious that put them into the annals of the genre’s history, a song or “behavior” that was historic. Third, just how popular were they when they were in existence – a band or singer that was wildly popular with the fans might get some leeway over a critical darling OR vice versa (depending on tastes). Fourth, what accolades did they receive – awards, gold records, and recognition by the industry (Rock & Roll Hall of Fame, hello?) are all under consideration here. Finally, was the band/singer influential on future generations of music – have they helped shape the genre since they have left the sphere?

RRHallofFame

We talked about the 1960s/70s in Part 1 and the 1980s in Part 2, so now we’re ready to head into a decade – the 1990s – that saw something that we have never seen before in rock music and probably won’t again. At the start of the decade, “hair metal” was still ruling the roost when it came to hard rock/metal, but it was quickly snuffed out by the sounds emanating from the Northwest. “Grunge,” for all intents, killed the “hair metal” band while embracing the mood of the culture of the day. That cannibalization by grunge in devouring the “hair metal” bands is something that we had never seen before in the industry – normally if something new comes along, it will eventually get folded in like an omelet into the existing structure(s). Grunge chowed down on “hair metal” rather than soak itself into the genre.

There were many candidates for this “regions” bracket and many of those selections reflect how grunge became the powerhouse of the 1990s. I am sure there will be some complaints as to the selections and, if so, please include those when you discuss the matchups in your reply!

Nirvana

Nirvana (1) vs. Primus (16)

Unfortunately for Les Claypool and the men from Primus, this looks like utter destruction from the start. Going against one of the bands considered the “fathers” of the grunge movement, a singer and musician considered the “voice of a generation” by their fans AND a critically, commercially, and historically lauded success (first-ballot entry into the Rock & Roll Hall of Fame)? Hey, somebody had to be the #16 seed in this bracket…

Marilyn Manson (8) vs. Nine Inch Nails (9)

From whatever angle you look at the matchup, these two bands seem to be equals across the board. Challenging thoughts and beliefs in the masses? Check. Earn scorn from the “squares” for your appearance or actions? Yep. Influence a generation with your styles, songs, and subterfuge? You got it. Both Marilyn Manson and Nine Inch Nails were the real groundbreakers during the decade. About the only way to set the two apart is that Marilyn Manson was a band; Nine Inch Nails was basically Trent Reznor playing all the instruments and producing the material. That may give him the edge.

Pearl Jam (4) vs. Ministry (13)

Yes, it may sound sacrilegious, but Pearl Jam only rated the #4 seed in the 1990s. Some might complain they should be in one of the top three slots but, as you’ll see, who do you toss out? As far as this matchup goes, Eddie Vedder and Co. get the nod for overall influence, commercial and critical success and various honors earned. Then again, the vote of those following this tournament may have something different to say about the subject.

Foo Fighters (5) vs. Nickelback (12)

For all the flak they receive, Nickelback is one of the most popular groups of the 1990s – amazing since no one admits to actually listening to them. They certainly churned out the music during the decade, no matter how banal it could be. Foo Fighters brings our first double nominee in the tournament – Dave Grohl, the drummer for Nirvana, went on to form Foo Fighters after the death of Kurt Cobain – and presents a band that was built for pop success but never forgot its rock roots. We’ll see if Nickelback’s loyal legions turn out to try to stop the Fighters from taking this one down.

RATM

Rage Against the Machine (2) vs. Linkin Park (15)

Just like the 1-16 matchup in this region, the 2-15 also looks to be a beat down. Rage Against the Machine was one of the most political bands in the history of rock music, let alone hard rock/metal, and used their powerful musicianship (in the hands of guitarist Tom Morello and vocalist Zack de la Rocha) to drive that message home. Linkin Park, while putting together some very good work of their own, couldn’t hold a candle to Rage, however. What might give some pause? Linkin Park is still around today – the same can’t be said for Rage Against the Machine (although there are murmurs that this could change).

Korn (7) vs. Tool (10)

There is one key thing that may give one of these groups the edge over the other. While both are very accomplished in the hard rock/metal arena, Korn continues to put out solid albums to an adoring fan base. Because of what the band has called “legal issues,” Tool hasn’t released any new music in a decade and doesn’t seem to be in a hurry to release anything now (those legal issues were resolved in 2015). Even without the nearly decade-long hiatus, it was going to be tough for Tool to unseat Korn – but we’ll see who the voters like.

Green Day (3) vs. Creed (14)

Green Day was the pseudo-punk band that everyone would love throughout the 1990s, but Creed – also trying to make their mark outside of the “grunge wave” with their pretentious songs and charismatic singer Scott Stapp – tried to match Green Day for supremacy, especially in the latter part of the decade. Stapp’s personal demons would catch up with Creed, however, breaking the band up as the new millennium started. Green Day has gone on to tremendous success commercially and critically and has been inducted into the Rock & Roll Hall of Fame as one of the influential bands of the genre. Let’s just gloss over the fact that the “punks” have a Broadway show now…

WhiteZombie

Alice in Chains (6) vs. White Zombie/Rob Zombie (11)

I am sensing an upset here. While Alice in Chains was an integral part of the grunge movement, their time in the sun was a rather brief one that spanned only four years (90-94). White Zombie was about as “non-grunge” as it got, instead going into an Alice Cooper-like “nightmare metal” that Rob Zombie still performs to this day (the actual band dissolved in 1998). Perhaps because Zombie has been able to push into other fields – he is a noted film director and comic book buff – the notoriety of the band has prevailed while Alice in Chains has slowly disappeared.

(Writer’s note: I know Soundgarden was left out of the region. However, after you get by Pearl Jam, Nirvana, Alice in Chains, and some of the other grunge acts, Soundgarden was actually pretty far down the list, don’t you think?)

That’s it for the third “region” of our tournament. We’ll look at the 2000s/10s (and be thinking of who could be the #1 seed for that “region” – would love to hear those opinions) later this week and get into the second round, hopefully by next Monday. Don’t forget to vote by replying here and I will compile the responses – and maybe award a prize once a champion is crowned to a reader!