Wondering Whatever Happened to…For February 1

Filthy15

Sitting around wondering whatever happened to the “Filthy 15” while pondering…

You Want to Talk About Double Standards? In December in Akron, OH, Daniel Kovacevic was the subject of a brutal verbal tirade from Deone Slater on a sidewalk in a busy neighborhood. Kovacevic was so in fear, reports state, that he called police in to get Slater away from him. Police arrived on the scene and did speak to Slater, who was yelling profanities at Kovacevic…because Kovacevic wanted to walk in front of Slater’s business, a barbershop, while carrying a loaded rifle slung on his shoulder.

While Ohio is an open carry state – even to the point of being able to openly carry WITHOUT a license – Slater was understandably bothered that Kovacevic chose to do it in front of his business and really didn’t understand why police had an issue with his displeasure. “They (police) asked me why do I have a problem,” Slater said. “He’s a threat to me and my people. He’s a threat to me.”

If you hadn’t figured it out, Slater is black while Kovacevic is white and Slater believes this played into police reaction, which they deny. Still, the state of Ohio is the one that saw police shoot to death a 12-year old Tamir Rice for having a toy gun (among other superb examples of police work in the state), but in this instance decided to speak to a business owner about being upset over a guy walking around in front of his place of business carrying a rifle and running off his customers. Double standards, anyone?

What, You Contributed How Much? OK, Go Ahead and Kill Kids… – In the state of Florida, the stupidity normally runs towards criminals running into the swamp and being eaten by alligators or a bicyclist who shoots himself to death because he’s carrying his gun on him, but this one takes the cake. After the Republican Party of Florida was partially the beneficiary of $200,000 in political contributions from Tenet Healthcare, state officials dropped quality standards for surgical procedures for children with heart defects despite those procedures being in place for nearly four decades without being questioned.

Tenet Healthcare is a for-profit hospital that was under review because many tests and services for pediatric cardiology weren’t being performed at the hospitals owned by the company. As such, the Tenet-owned hospitals were unable to maintain a proficiency in heart operations for children, even on some babies younger than six months. A doctor from Johns Hopkins University suggested that the Tenet hospitals stop performing surgeries until their performance could improve. The hospital system ignored them.

Since those Tenet-run hospitals didn’t conform to the state’s standards for children’s heart surgeries, the state got involved. The state also quickly closed their investigations after $200,000 in campaign contributions were given to Governor Rick Scott’s political action committee, Let’s Get to Work, and the Republican Party of Florida. Of course, the politicos in charge claim that there is no “pay for play” in action in this case.

You might think that protection of children might be something that everyone would be interested in. Apparently not in the state of Florida…

For SHAME, Woman! Wear The Proper Clothes! – In Kansas, apparently a lawmaker is more interested in what a woman might wear when she appears in front of his committee instead of what the committee’s work might entail.

Kansas State Senator Republican Mitch Holmes instituted an 11-point dress code that dictated what was an “acceptable form of dress for women appearing in front of his committee.” Holmes, who said he thought about putting in something for men but eventually decided that “they didn’t need any guidance,” is the chairman of the Senate Ethics and Elections Committee and says he wrote the instructions “because provocatively dressed women are a distraction.”

Naturally, the pervert Senator caught some flak for these “guidelines.” A fellow Senator, Democrat Laura Kelly, plainly said, “Oh for crying out loud, what century is this?” Another female Senator and the ranking Democrat on the Holmes committee, Oletha Faust-Goudeau, stated, “In my 13 years in the Legislature, that’s the first time I’ve ever read anything like that.”

After several days of being the laughingstock of the Kansas Senate, Holmes was finally shamed into removing the rules from his committee. “My failure to clearly specify that all conferees, regardless of gender, should strive to present themselves professionally is unacceptable. I apologize and meant no offense. I have decided to retract the conferee guidelines,” Holmes said in a written statement. He has refused any further statement on the subject.

Perhaps now the Senator can get about the business of rescuing Kansas’ rapidly escalating budget deficit rather than worrying about seeing some woman’s cleavage.

Perhaps A Remedial Course in the First Amendment Is in Order – Last week, the University of Missouri assistant professor who called for “some muscle” to rough up a student journalist during a campus protest in the fall was charged with a misdemeanor assault charge. Almost as quickly, the professor was able to avoid prosecution by agreeing to complete 20 hours of community service and not violate the law for the next year.

The problems began at the University of Missouri on November 9 when professor Melissa Click, who had joined several protestors who were protesting the delay that the school’s leadership was taking in its investigation into several racial matters on the campus, aggressively approached two student journalists who were working for the campus newspaper. Click allegedly grabbed one of the student journalists and called for “some muscle” to forcibly remove them from reporting on the scene of the protests on campus.

It must also be added here that Click is a professor of communications on the campus and had a courtesy appointment with…the University of Missouri’s School of Journalism, which she not surprisingly resigned after violating that little thing called “freedom of the press.”

Although the legal case is apparently solved for Click, the school still has to decide what to do about her position. There is a tremendous uproar from the state Legislature to have her tenure revoked, but there is an almost equal crowd that is willing to accept the apologies that she has made and move on. At the minimum, she should have to take a review course in Journalism 101 and maybe keep that “freedom of the press” thing in mind next time around.

Now the answer to the question…whatever happened to the “Filthy 15?”

TipperGore                            PeopleMagazine1985

Three decades ago, there was a movement afoot that attempted to crush the rise of “shocking” lyrics found in pop, rock and metal music of that era. Led by then-Senator Al Gore’s wife Tipper (we never really found out who else was with Tipper in the group, just that she had a “legion of followers”), the Parents Music Resource Center railed against all forms of music that it felt violated certain standards that it set (and, once again, there was no indication of how these standards came about). They called the songs the “worst of the worst,” the worst offenders, the “Filthy 15” and the PMRC even went to Congress testifying about how “this type” of music was destroying the youth of that day.

The PMRC, as they were known, wanted to introduce a ratings system, much like what was done with movies since 1968 with the MPAA film ratings system. Instead of PG, R or X, however, the PMRC wanted something a bit different – D/A for drug/alcohol references, O for occult, V for violence and, sure, X for profanity or sexual references. After a hearing in front of Congress didn’t get the ratings system that they wanted, the PMRC was able to run the long con on the music industry that they WOULD be able to get their ratings system through eventually. The two parties ended up settling for the “Parental Advisory: Explicit Lyrics” sticker that we’ve come to ignore for the past 30 years.

FrankZappa

To look back at the “Filthy 15” today, you would really have to chuckle. Metal bands such as Judas Priest, Motley Crue, W.A.S.P., Mercyful Fate, Def Leppard and Twisted Sister (yes, the song that Donald Trump currently is using in his Presidential campaign, “We’re Not Gonna Take It,” was a part of the “Filthy 15”) were easy targets for violent or occult references, but some of the others were comical. The Mary Jane Girls (“In My House” for being sexually explicit), Cyndi Lauper (“She Bop” an ode to masturbation) and Madonna (“Dress You Up” for being sexually explicit in probably what was her most non-sexual song ever) all earned the ire of Gore and her coven of mommies whose ears hurt when they heard these songs.

It seems the ladies had a particular wing of the PMRC built for the iconic Prince. Not only was he there for “Darling Nikki,” he also earned his place on the list with Scottish songbird Sheena Easton (“Sugar Walls” was written by Prince) and his protégé Vanity (“Strap On ‘Robbie Baby’”). Yes, if you couldn’t figure it out, it was for profane or sexual content that these songs made the PMRC list.

DeeSnider1

The two gentlemen above (along with musician John Denver, oddly enough) were at the forefront of testifying against Gore and the witch hunt from the PMRC. Noted musician Frank Zappa, while not a member of the “Filthy 15,” eloquently testified to Congress against the censorship of music, while singer Dee Snider of Twisted Sister said at the time that the music was no different than what kids had done throughout history…finding a way to rebel against their parents’ staid world. Unfortunately, Zappa would pass away in 1993 from colon cancer; Snider still is on the road, performing with Twisted Sister and as a solo act, and he admits to listening to everything that his children do to make sure that it is appropriate for them to hear, only censoring in the most extreme cases (he notes the Tenacious D song “Fuck Her Gently” was not appropriate for his eight year old daughter in an interview).

So what happened to some of the other “Filthy 15?” Vanity, for her part, never quite had the career that she might have had if she had stayed under Prince’s tutelage (she was supposed to be the female lead in Purple Rain, but had a falling out with Prince before filming began; the role would then fall to another Prince acolyte, Apollonia). The album that her PMRC greatest hit appeared on, Wild Animal, wasn’t exactly memorable and, in 1985, she posed for Playboy. In the early 1990s, she shed the stage name Vanity (returning to her birth name), found Christianity and became a minister. Regarding her days as “Vanity,” she said to Rolling Stone, “I was young and irresponsible, a silly woman laden with sin, not caring for anything except fame and fortune and self.”

The same is also true for Blackie Lawless, the founder and leader of W.A.S.P. Their song “Animal (Fuck Like a Beast)” was one of the biggest bombshells of the PMRC and Lawless’ photograph – of him with a circular saw blade protruding from his groin as he played bass onstage – was waved frequently during the hearings in Washington, D. C. in 1985. Lawless, however, now is a born-again Christian and states that he hasn’t played the song – either live or otherwise – in more than a decade.

Others, however, are unapologetic for the music they created. Easton commented to Billboard that “parents have the right to filter the content that their children are exposed to. If parents felt that “Sugar Walls” was inappropriate…they were well within their rights. Adults, on the other hand, are free to choose what they want.” Prince noted that the “times were different back then” in saying, “I wouldn’t stand out today if I were brand new.”

Finally, there are those that viewed that “Parental Advisory” label as a badge of honor. King Diamond, the vocalist for Mercyful Fate who went on to form his own eponymous band, stated, “The sticker never served as a warning, but more as a stamp of approval that kids ended up looking for in record stores.”  Vince Neil of Motley Crue echoed Diamond, saying, “Once you put that sticker on, that album took off. Those kids wanted it even more.

And as for the PMRC and Tipper Gore? The organization doesn’t even exist anymore and Gore separated from her husband in 2010. She continues to be a political advocate, this time for the LGBT community and in support of AIDS research. Meanwhile, no one pays any attention to the sticker on the CDs anymore and songs such as Big Sean’s “I Don’t Fuck with You,” Tove Lo’s “Talking Body” (where she sings “we fuck for life”) and other songs are readily played on the radio nowadays with little thought about their lyrical content.

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It’s Time for the VMAs, But Who Really Cares?

On Sunday evening, something that used to be a “calendar” event in the music industry will take to the Microsoft Theater (formerly the Nokia Theater) stage in Los Angeles, CA. For the 32nd consecutive year, the MTV Video Music Awards will take place, honoring the best video work in the recording industry and the performers who have given us their best (?). In reality, however, the MTV “VMAs” and their “Moonman” award have become a gauche award because nobody really cares about them anymore.

When MTV hit the airwaves in 1981 (in fact, on August 1 the station celebrated its 34th anniversary), it was a brazen broadside against the staid, stoic music industry and the radio industry and stations that would “make or break” careers in a heartbeat. The first video aired on MTV, The Buggles’ “Video Killed the Radio Star,” seemed like a four-minute manifesto of what was the intent of the new channel. Record companies and their artists for years had put together promotional videos that, for the most part, were only seen by a handful of people at the record companies and in the radio industry. When MTV came along, that suddenly changed.

Bringing together these hundreds of videos (literally…pretty much anything on MTV in the early days was seen quite often due to the lack of material), MTV slowly built an audience and, at the same time, became the place where new artists made their breakthroughs. Such artists as Madonna, Cyndi Lauper, Men at Work, Bow Wow Wow, Duran Duran and the Human League were getting their attention not through traditional radio play but from the constant airing of their music videos on MTV. The biggest move by MTV in its early years may have been the exposure it gave to black artists. Eddy Grant, Musical Youth and a young man embarking on a solo career by the name of Michael Jackson (among others) benefitted greatly from the exposure that MTV provided.

It also had a way of destroying careers. The 1981 Grammy Awards were dominated by a Texas newcomer named Christopher Cross, who earned the top four awards (Record of the Year for his eponymous LP, Album of the Year, Song of the Year for “Sailing” and Best New Artist) and seemed poised for a long career in the music industry. Due to his pedestrian features and roly-poly physique, however, Cross wasn’t the typical “MTV artist” and he quickly disappeared from the scene following his sweep.

A couple of years into their existence, however, the honchos at MTV were faced with with the dilemma of continuing to grow the channel and coming up blank. In 1984, the powers that be at MTV came up with what they thought would be the cure (no, not the band). Producing their first ever MTV Video Music Awards, the channel looked to give the same gravitas to music videos that the Grammys bestow on music or the Oscars give to cinema. Over the years, the show has provided MTV with some of its most outlandish moments while also being its most watched event.

Who doesn’t remember Madonna’s rendition of “Like a Virgin” at the very first VMAs? Or Madonna’s girl-girl smooch with the randy Britney Spears in 2003? How about Kanye West barging in on Taylor Swift’s “Moonman” acceptance speech in 2009 (one of the few times I actually felt sorry for Swift)? The clothes, the music and sometimes even the videos made the MTV Video Music Awards a spectacle for the youth of the era. Over the past few years, though, the futility of the VMAs has been mentioned and whether it is the iconic “happening” that it was in its earlier incarnation.

Part of the reason for that is in the maturation of MTV itself. About 15 years ago, MTV decided that it wanted to be more of a lifestyle channel for the young and hip rather than concentrate on music alone. To achieve this goal, MTV began to put on its airwaves things that weren’t the “traditional” fare for the channel. A host of reality and game shows were the start, followed by fashion and “home” shows (anyone remember “Cribs”?).

The reality trend that took over in the 21st century allowed MTV to pretty much switch over to just the reality shows, including the vapid Jersey Shore and other scripted programming (none worth mentioning). Lost in the mix? Music videos, the thing that borne the channel (part of that was in the fact that the record companies, looking to tap another potential revenue stream, wanted to start charging MTV for showing the previously “promotional” videos). Hence, here you have a channel which was formerly the “groundbreaking” arena for exposing new artists through their music videos – in fact, naming their station AFTER MUSIC TELEVISION – not even showing them anymore.

Videos themselves also seem to have disappeared for the most part. Back in 1982, Duran Duran released Rio, their second album. Using the new MTV format, the group was sent by their record company, EMI, to Sri Lanka and Antigua to film an unheard of 11 videos for the record. Those videos not only served to be a major part of the programming for MTV in its early years, it also established Duran Duran as megastars in the music industry and provided the group with a career that still exists today.

Today, videos are seldom done and, if they are, it isn’t for promotional purposes. More often than not, they are done by popular artists that have no need to garner additional airplay for their efforts (think of why Swift, who has somehow crafted a career in music, continues to put out videos that no one has ever seen) or as a “vanity project.” There isn’t a purpose anymore for the music video because there isn’t an outlet for it to air on (sorry, YouTube doesn’t count).

Which brings us back to this year’s VMAs. Of the nominees that are on the list, I’ve seen exactly two of the videos – Mark Ronson’s collaboration with Bruno Mars on “Uptown Funk” (outstanding song, great video and it probably won’t win shit on Sunday) and Florence and the Machine’s “Ship to Wreck” (a band I can’t get enough of that also won’t sniff a “Moonman”). The rest could be cartoons for all I know because there isn’t an outlet to show them anymore. The untalented Swift is nominated for nine awards while Ed Sheeran has six, with a smattering between Nicki Minaj, Kendrick Lamar and Beyonce and the “Video Vanguard Award” (think Lifetime Achievement Award) being handed to West.  Without an outlet, however, why hand out awards for something that will basically become a popularity contest?

Imagine, if you will, Hollywood continuing to crank out movies and television shows but every theater on Earth not showing them and no television networks to put the shows on? (This one could become reality with the advent of Netflix, Amazon Instant Video and Hulu starting to film their own projects.) Would there still be a slew of awards shows for basically something that doesn’t exist anymore?

As a former DJ and music aficionado, I used to sit with bated breath each year for the VMAs (and the Grammys, for that matter), not only to know who won what but for the outstanding musical performances that it brought to its stage (never enough rock, always too much pop). Nowadays the videos are all things that I haven’t seen and the “musicians” (and that term is a stretch in many cases) and their music are so over-produced they cannot perform their music live. Thus, you have to wonder if anyone even cares about the MTV VMAs anymore.

Sure, there will be some prepubescent teenagers who will watch as Miley Cyrus, this year’s host, tries to show how “adult” she is through some pseudo-sexual act she’ll perform onstage; Swift will still constantly look like a deer in headlights as she facetiously mouths “Me? Me?” after winning her umpteenth award and there will probably be some spat – usually between warring rap parties – that blows up backstage into a story. It’s time for MTV’s Video Music Awards for 2015, but does anybody really care anymore?