My Choices for the Nominees for the 2021 Rock & Roll Hall of Fame

The Rock & Roll Hall of Fame is like no other Hall in existence. It is one of the few Halls that basically has only one criteria – that your first commercial release be done no later than 25 years prior (for 2021, that means artists whose first release was in 1996 or earlier are eligible). Most other Halls base their entry on the number of wins you’ve had (World Golf Hall of Fame), mystical statistical performance (any sports Hall) or that you were from a certain area (self-explanatory). Not the Rock & Roll Hall of Fame – if you’re good enough, if you had an impact on the shaping of popular culture and music over the last 70 years (or so) and you can get the votes, you get in.

This fact in itself makes the discussion over not only those elected to but also those who are nominated of great interest to many music fans. With the COVID-19 outbreak, it pretty much fucked up the entirety of the 2020 schedule for the Rock Hall, delaying and then canceling the 2020 Induction Ceremony for a very good list of artists (Whitney Houston, the Notorious B.I.G., The Doobie Brothers, Nine Inch Nails, Depeche Mode and T. Rex – Jon Landau and Irving Azoff were Ahmet Ertegun Award winners and named to the Rock Hall) before they were “virtually” inducted in November. Because of the late induction, the announcement of the 2021 Nominees is being pushed off as well, to probably February 2021.

You can lament this, but I think it is a great idea. It stretches the entirety of the process by the Rock Hall to cover a whole year instead of parts of two. With the naming of the nominees in February, that means the new Inductees won’t be announced until more than likely around May or June. Then they can induct them (hopefully in a live ceremony) in November. This works much better than announcing the Inductees in December and holding the Induction Ceremony in April or May (how it has worked in the past).

The delay also allows pundits, historians, fans, and critics to come up with their selections for who will be in the Nomination Class for the 2021 Rock & Roll Hall of Fame. I’ve studied over the last few years of nominations, who has gotten in, what kind of “buzz” is going around in the music world, and other intangibles to come up with a list of 15 artists and groups that should be nominated come February. Those in BOLD print are going to be the five choices I would make for entry and I’ve also tried to include some reasoning for the nomination.

Without further ado, here’s who I believe will earn nomination in 2021:

Jay-Z – Not only will Jay-Z earn a first year eligible (FYE) nomination, but he will also earn a FYE induction into the Rock Hall. It is a tough decision as to which part of the industry that Jay-Z has had more of an impact on – the rap world, where he has been a force for 25 years, or the recording industry itself through his ownership of Tidal and forays into label ownership and artist development. And, since the Rock Hall enjoys a great show, imagine Jay-Z trotting the boards with Beyonce? The Rock Hall is salivating at that thought.

Foo Fighters – If there’s been anyone to carry the banner for rock music in the past 25 years, it would be Foo Fighters. Dave Grohl could have easily packed up shop after the death of Kurt Cobain and Nirvana and just made guest appearances on records for the rest of his career. Instead, he forged on with his own sound and added to the legend of rock. Add in the factor that Grohl is a hell of a music historian himself and that he is on the Nomination Committee (he will have to abstain from voting for himself, likely), it would be odd if they aren’t a FYE nominee but also a FYE inductee.

Pat Benatar – Benatar has been snubbed by the Rock Hall for far too long. Her nomination last year was her first after 15 years of eligibility and it was considered that she was a “lock” for entry. Then they took the vote…Benatar was not only a choice by many but she was the runner-up in the Fan Vote from 2019 (hold on, we’ll get to that) and the Rock Hall has caught hell over bypassing her. With a chance to redeem themselves, I don’t expect the Rock Hall to get it wrong twice (then again, the Rock Hall does have a way to surprise you).

Dave Matthews Band – The top vote getter from the Fan Vote, which has been around for at least six years previous (I could be wrong), usually had been inducted by the Rock Hall. That included such entries as Bon Jovi, Rush and KISS, among others. DMB were the top vote-getters in 2019, but that and $1.50 got them a cup of coffee at McDonald’s – they were bypassed for entry into the Rock Hall, the first time that it had happened. I personally don’t see where DMB has earned entry – I’ve never been a jam band fan – but, since the Rock Hall caught shit for not inducting them with the 2020 class, I can’t see them keeping them out twice.

Judas Priest – This is one that the time is ticking on. The Priest has only been the driving force behind heavy metal for 50 years and, eligible since 1999, they’ve only received two nominations. I would hate to see them fall by the wayside like Kraftwerk (who, after being nominated six times, might have run out of chances), MC5 (nominated five times) or even Chic (nominated 11 TIMES), but it is a realistic possibility.

Rage Against the Machine – The practitioners of the hybrid rap/rock scene of the 90s, RATM combined their aggressive stylings with a socio-political bend that enraptured their fans. Or…maybe not so much. As they prepared for a since-postponed tour in 2020, some RATM fans became outraged at the political stances of guitarist Tom Morello and the band. In one of the funniest exchanges on Twitter, Morello, who holds a political science degree from Harvard, responded to an upset follower who said “I used to be a fan until your political opinions come (sic) out,” “What music of mine were you a fan of that DIDN’T contain “political BS”?” Gotta love that!

Kate Bush – Ah, to have more than five votes (then again, I might have used it on RATM)! Bush is one of the long-overlooked female vocalists from the 80s who should be recognized for her achievements. Her work with Peter Gabriel preceded an excellent solo career in the 80s, but she’s never gotten the acclaim that she deserves (Cyndi Lauper, Annie Lennox and others fall in this category). I’d love to give her a vote, but with some of the others that are on down the list, it makes it difficult.

Eurythmics – Falls into the same category as Bush. One of the many 80s acts that we should start inducting into the Rock Hall. In many cases, these artists have been eligible for 15 years and they’ve never even received a nomination, let alone induction. Time to start fixing this situation and quit bleeding the rock dry from the 1960s/70s.

The Go-Go’s – They came thisclose to getting one of my five picks. The first all-female band to have a #1 album on the Billboard charts, The Go-Go’s were groundbreakers for women in rock. Although they have a litany of women that they owe a huge amount of credit to (Fanny, The Runaways, Suzi Quatro), The Go-Go’s got there and inspired many others. Add in the recent documentary on Showtime and it is quite conceivable that The Go-Go’s earn an induction seat in 2021.

Duran Duran – Anyone who was alive during the 1980s was impacted by Duran Duran. They helped to shape the musical landscape of the 80s, not only with their music but also with their videos on MTV, and had a hand in fashion also, among other things. This is a band that has NEVER been nominated previously – that should be corrected this year and they should take a seat in the Rock Hall.

Alice in Chains – This is a group that may sneak into the Nominations because of recent buzz regarding the group. Seattle’s Museum of Pop Culture (MoPOP) inducted the band this fall into their rolls and, since there are only Nirvana and Pearl Jam currently carrying the banner for the Grunge Era of rock, a third would be nice (Soundgarden could fit in this category too). Unfortunately, grunge looks like it is going to get the same treatment that hard rock/metal has gotten over the years from the Rock Hall.

Todd Rundgren – Personally, I would love to see Rundgren get in. He’s more than deserving of it for his performing career, his usage of multimedia (witness his upcoming virtual concert tour) and his producing credits. Perhaps the only way to get this man in may be through the Award for Musical Excellence, which hasn’t been awarded since 2017 (to Chic’s Nile Rodgers).

The Smiths – Politics aside, The Smiths are more than worthy of nomination for their career’s labors. However, Morrissey’s tirades seem to have tarnished the potential induction of the band into the Rock Hall, and that’s unfortunate. They get on my list because they are one of the artists from the 2016 Nomination Class that hasn’t been inducted yet.

Beck – I’ve personally never been a huge Beck fan, but I can recognize his artistic creativity and the impact he’s had on other artists. The devotion from his fans are hard to ignore too. He was a FYE nominee, but he failed to go that extra step – he will get in, but will it be this year or in the future?

Daft Punk – A driver of the synth rock/electronic rock scene since the 90s, Daft Punk should be a slam dunk nominee/entry. But Kraftwerk…well, let’s just say that people would like to see them get in first rather than Daft Punk. It isn’t out of the question for the Rock Hall to commemorate those that have achieved great success over the originators, however – just look at how rap’s forefathers have languished behind some of those that have been inducted.

Alanis Morrissette – Another one who could sneak in and get a nomination, if not inducted. Morrissette’s been white hot of late, with a Broadway show (you know, when Broadway was actually performing) and a critically acclaimed album in 2020. She was first eligible in 2019 but was bypassed…the Rock Hall might want to correct that oversight.

Guess we’ll find out in 2021 just how close to right I am!

Artists That SHOULD Be in the Rock & Roll Hall of Fame: The 1980s

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We’re only a few days from the announcement of the latest artists and groups that will be named to the Rock & Roll Hall of Fame for 2020. For those that don’t make it in this year, they might be soothed by the idea that they should have many more shots at the brass ring. But who from the past may be running out of chances at getting into the Rock Hall?

Many might say that the truly immortal have already been enshrined and it is tough to nitpick this fact. Over the span of several essays, however, beginning with the 1950s and continuing in examining the 1960s and the 1970s, I’ve pointed out some artists and groups that have been overlooked for the honor of being inducted into the Rock Hall. In this, the final segment of our journey (we’d go on into the 90s, but only artists from 1990-1995 are currently eligible, so we don’t have a full decade to choose from), we’re going to take on a time when the music industry arguably made its biggest changes – the 1980s.

With the death of disco, the rise of New Wave, the “New Wave of British Heavy Metal,” the “popification” of country music and a little thing called Music Television (or MTV), the 80s would arguably be the most artistic time in the history of music (sorry, 70s fans). This decade also challenges what exactly is “rock & roll.” In the past, it could be said that it was defined as a hard guitar and three chords; with the advent of the 1980s, there were so many mashups of genres and different sounds being employed that the lines between genres began to blur. It is part of the reason that there are potentially so many candidates from the decade – and perhaps so many disappointments for fans.

I literally put together a list of artists and groups that, while great, I couldn’t decide whether they should be inducted or not. What do you do with Culture Club? How about X or Siouxsie and The Banshees? Living Colour? The Smithereens? I once again make the statement – this by NO means is a comprehensive list of those who have at the minimum an argument for being inducted. And this doesn’t consider those that have been nominated this year for induction, such as Nine Inch Nails and Depeche Mode. This is a look at arguably the most notable oversights by the Rock Hall to date – and they’ve got some time to change it, but not much.

Duran Duran

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Any list of 1980s artists or groups that should be inducted into the Rock Hall that doesn’t have Duran Duran somewhere near the top should be immediately ignored. The band exemplified the “New Wave” sound that echoed across the ocean from Europe, incorporating the dancier, synthesized “rock” that was becoming very popular at the start of the 80s. Along with other groups like Depeche Mode (nominated the last two years for induction), they were the backbone of the playlist on the burgeoning MTV through the 80s.

They would suffer a bit of a lull as the Grunge Era took over in the early 90s, but Duran Duran – named after a character from the Jane Fonda sci-fi film Barbarella – would reinvent themselves and come back better than ever. A career resurgence in the 90s and early Aughts saw them return as balladeers, with such songs as “Ordinary World” and “Come Undone” showing that the group was willing to change their sound with the times.

While they have been a darling of the fans over the years, the critics have been the shortcoming that possibly keeps Duran Duran out of the Rock Hall. 100 million albums sold in a career should say something, not to mention 21 Billboard Hot 100 hits over a 40-year timespan. But, perhaps showing the power that critical acclaim holds, the group has NEVER been nominated for the Rock Hall – perhaps it is time that fact was changed.

Iron Maiden

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For all the acclaim that Judas Priest has gotten as one of the members of the “New Wave of British Heavy Metal,” and for all the clamor to induct Def Leppard (who weren’t even the BEST example of the NWOBHM roster) last year, there is another band that has been greatly ignored from the discussion. Iron Maiden has arguably been just as influential (if not more so) than Def Leppard and right on the heels of the Priest (who were lumped in with the NWOBHM despite coming out a decade before the term existed) as to the power of their influence. Despite this fact, Iron Maiden has never even sniffed the nomination list for the Rock Hall, and that’s a travesty.

Prior to 1980, hard rock/metal was stuck in a sludge-like monotony and bands like Metallica (inducted LONG ago) and Iron Maiden took a decidedly different direction from their predecessors. Instead of miring in the muck, Iron Maiden picked up the speed and added a virtuosity that wasn’t always evident in hard rock/metal music. With their mascot “Eddie” dominating their album covers and, usually, their stage performances, the Maiden have dominated hard rock/metal for nearly 40 years.

In addition to that touring, Maiden has also shown their power with their fandom. Sixteen studio albums and twelve live albums have sold more than 100 million albums and critics have adored the band, especially most of their early work. The potential downside is that Iron Maiden has never been very “radio friendly” and, thusly, hasn’t achieved a great deal of chart success. This isn’t indicative of how great the band is and why it should be in and arguably should have been inducted long ago.

(On a final note here, this is the time when there is a true test of whether the Rock Hall is going to ever give hard rock/heavy metal its due. Judas Priest and Motörhead have been nominated in 2020 and are fighting to get in. Only ONE of the “Big Four” of the 80s metal scene – Metallica, Megadeth, Anthrax and Slayer – is inducted into the Rock Hall and the odds of the other three getting in are slim and none, with slim heading for the door. Could inductions of some of these artists indicate that the Rock Hall still cares about “rock?”)

The Smiths

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This was one that I had to debate for quite some time. I’ve never been a huge fan of the mopey, “goth” sound, simply because it is so morose, depressing and utterly void of an emotion outside “woe is me.” While I can understand where such writing comes from, that doesn’t necessarily mean that I want to wallow around in it. Thus, I really had to give The Smiths a hard look, especially since there are many others who swear by their work.

They’ve always been a critical darling and, for many fans, The Smiths’ spoke to something inside of them. That is one of the things that rock music is supposed to do – reach in and touch something inside of you. In the case of fans of The Smiths, it helped them through difficult times, told them that someone was experiencing the same issues that they were, and helped them avoid worse outcomes than if they hadn’t heard the band’s music. And honestly, in what universe does The Cure exist in the Rock Hall without their brethren in The Smiths?

Now, Morrissey may not have helped the band’s case with some of the statements he’s made in the past. And it is quite true that someone’s political and personal beliefs and/or actions have kept some nominees out (hi there, Ted Nugent!) or held up their nomination or election. In a perfect world, we’d separate those things away from the artistic side of the equation. In the case of The Smiths, it would be necessary to do to see them get the honor that they do deserve – even though I still don’t care for their music!

Kate Bush

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Before there was Lady Gaga, before there was Sarah McLachlan, before there was Tori Amos or Enya and even before an ingenue by the name of Madonna was making some noise, there was the ethereal voice of Kate Bush. Beginning in the mid-70s, Bush would provide voice work for Peter Gabriel before striking out on her own. Bush would break through with the angelic “Running Up That Hill” and “Wuthering Heights,” one of the rare instances of classic literature influencing someone’s rock musical stylings (a theme throughout Bush’s catalog). But Bush would also prove to be a groundbreaker in other areas, including synthesizer usage and, well, her being a female voice in a very male dominated business (it could be argued that she is the British equivalent of Pat Benatar, an artist who refused to let the record industry “sex up” her image to sell records).

Highly praised critically, Bush languished on the charts in the States, however. Other than the two songs mentioned previously, Bush had a hard time cracking the Billboard rankings. Still, Bush had huge success in Britain and Europe and continues to be a successful artist to this day. She was nominated for the Rock Hall in 2018 but, as with several other artists that earned only one nomination before being ignored, it seems that the membership of the Rock Hall are more interested in moving on to other more “accessible” artists and groups rather than honor eclectic and creative work from the past in Bush and other artists and groups.

The Go-Go’s/The Bangles

Let’s get beyond the fact that The Runaways should have been inducted and get right to the 80s, shall we?

Women were coming to the fore in the 80s, taking control of their own careers and playing the instruments instead of allowing the men to have all the fun (Ann and Nancy Wilson of Heart have to be added in that category, too, but I digress). And there were two acts that definitely rate getting into the Rock Hall. But if you could have only one of them, which one would it be?

TheGoGos

In my opinion, that would have to be the no-brainer induction of The Go-Go’s. Although their career was relatively short (only five years) and their catalog relatively limited (only four records, three of which were actually impactful), The Go-Go’s were groundbreakers in putting all-female bands into the musical discussion. They were very good musicians, especially guitarist Charlotte Caffey and drummer Gina Schock (what a drummer name!) and, powered by the force of nature that was vocalist Belinda Carlisle, the group was destined for greatness. If they would have stayed together longer (they already had the creative, influential and critical boxes check marked), they arguably would have already been inducted into the Rock Hall.

If you don’t like The Go-Go’s, there’s always The Bangles. From out of the gate with their initial releases of “Hero Takes A Fall” and “Going Down to Liverpool” in 1981, the melodic harmonies and tight musicianship masked a creative and critically successful group of women who were self-assured and didn’t rely on their sexuality to get across. Having said that, they did have singer/guitarist Susanna Hoffs on the mic, which didn’t hurt in getting them attention either. If you were going to have a downside for the group, it would be that they didn’t write their biggest hit “Manic Monday” (a song penned by the then-named “Christopher,” who turned out to be huge Bangles fan Prince).

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Looking back at the first three decades (roughly) of the history of rock and those still wrongly on the outside looking in, it is obvious that the Rock & Roll Hall of Fame has gotten it right more often than not. But, as more artists from the 90s and, in only five years, the Aughts start coming eligible, it is going to be tougher and tougher for those in the pre-50s to 80s eras to earn their seat in the Rock Hall. Furthermore, it is going to be tougher and tougher to discern just what is “rock & roll” as the genre lines blur even further. Then again, there is that argument that it is the Hall of FAME and not the Hall of PRETTY GOOD…and perhaps those from those earlier eras fall into the category of “pretty good” rather than the truly immortal.

Who Will Be the Inductees for the 2018 Rock & Roll Hall of Fame?

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It is always a favorite time of the year for me. The announcement of the nominees for induction into the Rock & Roll Hall of Fame always draw a great deal of commentary, either about how well the “keepers of the Hall” did in making the nominations or in how much they screwed it up. Thus, when the nominees list was released last week, it was a cause for celebration or debate, depending on how you liked the list.

First, however, let’s look at who WASN’T on the nominee list…

PAT BENATAR

Just what does it take to get the preeminent female rocker of the 1980s to even get a NOMINATION to the Rock & Roll Hall of Fame, let alone inducted? A four-time Grammy winner, two multi-platinum albums, five platinum albums, three gold albums and rock anthems like “Heartbreaker,” “Hit Me with Your Best Shot,” and “Love is a Battlefield,” Benatar should have been in LONG ago. As of yet, however, she has not received even a nomination.

DURAN DURAN

They were a seminal part of the success of MTV back in the day and they brought about (for better or worse) the “video” era of music. They were nominated previously (at least they have that) in 2015 and 2016, but were overlooked this year. Along with their importance in MTV’s formation and development, the band was highly successful with critics and fans (and the fact that they are the only band who ever had a theme to a James Bond film go to #1 on the Billboard charts – “A View to a Kill”). If you’re going to induct other pop icons from the 80s like Madonna and such, Duran Duran deserves consideration.

OZZY OSBORNE

Sure, he’s already in as a member of Black Sabbath, but Osborne’s solo career lasted longer than his tenure with the Sabbath. In addition, it is arguable that his solo work – along with his continued discovery of ace guitar slingers like the late Randy Rhoads, Jake E. Lee, Steve Vai and Zakk Wylde – has been more influential than his previous time with the Sabbath.

I could keep on going (trust me, there’s plenty of snubs out there), but that would be a distraction from what we’ve come together for…the breakdown of the nominees. Here are your nominees for 2018 (in alphabetical order), a bit of backstory and an examination of their chances for induction come Spring 2018.

BON JOVI

Whether you like it or not, Bon Jovi was a force to be reckoned with in the 1980s. That Jon Bon Jovi has “kept the faith” for the most part with the other members of the band – save guitarist Richie Sambora – and continued to perform into the 21st century, it is difficult to conceive that they won’t be voted in by the Hall. Look for them on stage doing “You Give Love a Bad Name” next spring.

KATE BUSH

To be honest, I was completely stunned to see Bush nominated. Her ethereal voice and eclectic musical stylings were an acquired taste (one I tremendously enjoyed) and, thus, she never was a darling of the U. S. market (the U. K., her home country, LOVED her). If we’re looking at the critical aspect, Bush is a shoo-in; if it comes down to some perception of “popularity,” then probably not.

THE CARS

This might stun some readers, but I’ve had a complete 180 on whether the boys from Boston belong in the Hall. Last year I said that they weren’t good enough but, after I went back and reviewed their catalog, the diversity of their music swayed me. In the 70s, The Cars were a straightforward guitar rock band. As the 80s came along, however, they adapted to New Wave and then the MTV Generation, all while maintaining an unsurpassed quality to their overall efforts. It changed my mind and, hopefully, others will have reflected like I did and The Cars will enter the Hall this spring.

DEPECHE MODE

While I appreciate the music of Depeche Mode, it isn’t something that really set them out from the crowd of synthesizer bands of the 1980s. INXS, The Cure, The Human League…there’s a litany of bands that were similar in style to Depeche Mode that have just as much claim to a spot in the Hall. That’s why they won’t get in…it isn’t the Hall of Pretty Good, it’s the Hall of Fame.

DIRE STRAITS

This one falls under the category of “they weren’t in already?” Mark Knopfler’s exquisite finger picking guitar style is unique in the world of rock and makes for a distinct sound for the band. Add in a nearly 40-year career in creating smart, enjoyable songs and albums and it is long overdue for Dire Straits to be inducted.

EURYTHMICS

Here is another dilemma facing the voters. While Annie Lennox and Dave Stewart DESERVE to be in the Hall of Fame, there is a logjam in front of them for inductees. The problem with this (as you’ll see here in a second) is if you aren’t inducted early on in your eligibility, then you kind of get forgotten about. Unfortunately, that’s what I see happening to Eurythmics, who are more than qualified to be in.

J. GEILS BAND, LINK WRAY, LL COOL J, MC5, THE METERS, THE MOODY BLUES, RUFUS featuring CHAKA KHAN, and THE ZOMBIES

There was a reason I grouped all these artists together:  it’s because the explanation for their denial of entry into the Hall of Fame is based in the same reasoning. All had their moment in the sun in the History of Rock, but none of them ever made my jaw drop and say, “I’ve GOT to go see them perform!” About the closest one who would come to that criteria would be the J. Geils Band and MAYBE the Moody Blues. All of them together, however, are a part of that “Hall of Pretty Good” argument.

JUDAS PRIEST

If you’re going to recognize hard rock/metal in the Hall of Fame, it is incomplete without Judas Priest. Still pounding out their sound going on 40-plus years now, the Priest is, in many people’s opinion, THE preeminent hard rock/metal band. They definitely invented the “leather and studs” look that was prevalent for theirs and other bands and Rob Halford is one of the most memorable voices in the genre. As the ground breaker for a genre, Judas Priest should have been in the Hall long ago.

NINA SIMONE

Nothing against Simone or the massive amount of talent the woman had – and the travails she had to navigate through in the pre-Civil Rights era – but she’s just not “rock and roll.” There are at least a few nominees of this ilk every year for the Hall of Fame because, in some cases, while they are not traditional “rock and roll,” their style, attitude or actions has had an influence on the overall genre. Simone’s vocal abilities are legendary, but her overall influence on “rock and roll” is limited. Simone isn’t even a member of the Rhythm and Blues (R&B) Hall of Fame, making it tough to justify selection for the overall Rock & Roll Hall of Fame.

RADIOHEAD

Long a critical darling, Radiohead is one of those “fringe” rock bands that probably will come up in discussions over the next few years but never get in. Much like Television or Kraftwerk, they were seminal parts of the rock genre that inspired many acts that followed, but they’re just a little too obscure to capture the attention of many. As such, I don’t think that Radiohead will get into the Hall…but I’ve been wrong before.

RAGE AGAINST THE MACHINE

Here is the only other slam-dunk choice for the Rock & Roll Hall of Fame for 2018. Over the span of only four albums, RATM spawned the “rock/rap” genre. Beyond that point, RATM brought back one of the purposes that originally drove rock & roll:  the political nature that tries to change society. The lyrics of the band – enunciated to their full power by Zach de la Rocha – and the searing guitar work of Tom Morello gave their protests full throat. Morello is trying to keep the passion going that RATM brought with Prophets of Rage (and Chuck D of Public Enemy), but he’d be better advised to get back with de la Rocha.

SISTER ROSETTA THARPE

If you’ve never heard of Sister Rosetta Tharpe, you can be forgiven. But the work done by the woman – playing rock & roll when there was NO SUCH THING – cannot be ignored. In the 1930s and 40s, Tharpe melded blues, gospel, bluegrass, and country into a brew that eventually would become rock & roll music, influencing some of the biggest MALE names that ever were uttered in the music industry. Little Richard, Johnny Cash, Chuck Berry, and Elvis Presley all cited her as influential and her guitar work wouldn’t be out of place in today’s rock world. If you’d like to learn more about her, YouTube has a simply outstanding look at her life that is well worth the time to check out.

Guess it would be obvious that I personally think Sister Rosetta Tharpe should be inducted this spring!

Fans will be able to vote on the inductees, choosing up to five candidates per day until the vote closes. The top vote getter from that process is usually a lock for entry – the previous five winners of the Fan Vote (Rush, KISS, Stevie Ray Vaughan, Chicago, and Journey) all were inducted – and there are usually six or more nominees inducted. We’ll find out next spring who will be the newest members of the Hall…and we’ll be back to debate the merits of those inductions!