Tag Archives: Fanny

Five In, Five Out – Making Changes to the Rock & Roll Hall of Fame

Everyone currently is ensconced in discussions about who will be the Class of 2021 for the Rock & Roll Hall of Fame. I am going to step onto a rail that I often do not like to look, however. Imagine the scenario: suddenly John Sykes, the Chairman of the Rock Hall, has become incapacitated and you have been put in charge as only the third Chairman of the Rock & Roll Hall of Fame. For your first day, you can, on a ONE TIME ONLY basis, add five artists or groups to the Rock Hall. The trick is…you also must remove five artists or groups from the pantheon of rock gods.

Usually, I am not one who enjoys these mental exercises. Besides the fact that it is demeaning to an artist or group that worked their ass off to reach this pinnacle in their career, it also is a worthless use of brainpower because it isn’t going to change anything. At the end of the day, what I am thinking is not going to change what has already gone before – about the only way I am going to fix that is becoming good friends with Doctor Emmett Brown and tooling around in his DeLorean for a few hours.

It is human nature, however, to wonder about an “alternate history,” something that does fascinate me. There are plenty of books out there that offer a supposition of what the course of humanity would have been if a particular point in history changed. It is something that is also done in the military (wargaming is all about trying to deduce what would happen IF), in business and in gaming (figuring out what an opponent will do from different approaches).

One of my favorite streaming shows was The Man in the High Castle, the Amazon Video adaptation of the Philip K. Dick book. In that show, the Axis Powers won the Second World War and divvied up the States of America. A huge chunk of U. S. became a Nazi territory, the Pacific states were occupied by imperial Japan and a thin strip down the Rocky Mountains was left as an “Unclaimed Territory” that was essentially a “no man’s land” for those who looked to continue the war against the Axis. It was a terrifyingly realistic possibility, including the way that Dick saw how easy it would be for “Americans” to turn against their own, especially with a ruling Nazi Party or Imperial Japanese Army occupying the country.

What if the South had won the Civil War? What if John F. Kennedy had not been assassinated? What if 9/11 had not happened? These are things that many minds have considered, some realistically and some for dramatic effect. While it does not even come close to some of these monumental historical events in the human timeline, it is why I decided to change my mind and take on the question of the Rock & Roll Hall of Fame, at least on this occasion.

The only rule I held myself to is that, in my opinion, that the change I was making would be an IMPROVEMENT to the Rock Hall. I am not going to be intellectually lazy and say “(insert artist/group here) isn’t RAWK enough to be inducted” or “they don’t play RAWK music.” People who make this argument are simultaneously intellectually bereft and have no understanding of “rock and roll” history. I’ll try my best to make the argument for whoever I put in and whoever I take out – but it will not be based on the genre of music they do.

Let’s get it started, shall we?

Judas Priest IN – Bon Jovi OUT

There is plenty of other hard rock/metal bands that had much more impact and relevance on the development of the genre than Bon Jovi. A few of them are the aforementioned Judas Priest, Motorhead, Iron Maiden (on the ballot this year), Slayer, Anthrax, and Thin Lizzy, among many others. Judas Priest has, for 50 years, been the standard bearer for the music and, as such, they deserve to receive the acclaim they deserve while they all are still able to enjoy it.

Bon Jovi did little to have an impact on the genre. Basically, all Bon Jovi had was sales, which is not supposed to be a criterion for induction into the Rock Hall. It is reported that, upon hearing that the band had been nominated in 2018, Bon Jovi said “About fucking time.” That is not someone who is showing respect for the honor that induction into the Rock Hall is. If it had been my choice, they would have been waiting for a while longer, if not permanently.

Warren Zevon IN – Laura Nyro OUT

Zevon was one of the developers of the “California sound” that became prevalent in the 1970s. Many of the prominent artists from that decade – Jackson Browne, Linda Ronstadt, The Eagles, Bonnie Raitt, Bruce Springsteen and others – collaborated with him on his and their music or they performed his song. His storytelling and lyrical content were beyond compare; very few writers could come up with the twists of storytelling that Zevon could concoct.

Can you name a song that Laura Nyro had her hands on, either as a songwriter or as a performer? I know Nyro is one of those that is staked to the whipping post when it comes to inductions that the Rock Hall has made, but I have literally gone through her discography and cannot recall ever playing one of her songs or a song she wrote. It seems to me that Nyro was one of those inductions made by the Rock Hall to appear more “artistic.” That isn’t always a good idea.

Tina Turner IN – Stevie Nicks OUT

Tina Turner completely reinvented herself from her 60s image. In the 80s, she became a strong, vibrant performer who completely stunned audiences with the power of her work. It was such a departure from her previously inducted self (with Ike Turner, something that she might want to forget, too) that it more than deserves a second induction as a solo artist.

While Nicks is a tremendous performer, her solo work wasn’t that outstanding, to be honest. Already in with Fleetwood Mac, I do not believe that her solo efforts were that groundbreaking…entertaining, yes, but not groundbreaking. If you do not think Turner is a qualified choice for a second induction, then you would have to argue that Diana Ross as a solo performer was more deserving. Either Turner or Ross should have been the first female double inductee, not Nicks.

Kraftwerk IN – The Lovin’ Spoonful OUT

One of the biggest oversights by the Rock Hall has been its inability to induct the German band Kraftwerk into its hallowed halls. If there is a group that is identified with electronic rock – keyboard-based music – it would be Kraftwerk. Outside of Europe, however, the group had a difficult time finding success, especially in the U. S. This may be the exact reason that they have yet to be inducted into the Rock Hall despite being nominated six times and influencing entire generations of performers with their innovation.

The Lovin’ Spoonful were the beneficiaries of timing. Inducted in 2000, the band was around in an era when the Rock Hall voters were already through the truly immortal artists and were beginning to scramble around a bit to find qualified inductees to honor. In the years prior to the induction of The Lovin’ Spoonful, such questionable choices as Gene Vincent, Lloyd Price, Dusty Springfield, and Del Shannon were ushered into the Rock Hall. Just because you were struggling to come up with inductees should not be a reason to put someone in.

Joan Jett IN – Joan Jett OUT

I am sure that you are looking at that and saying, “How could you do that?” The simple fact is that Jett deserves to be in the Rock Hall. She was just inducted with the wrong group.

Jett’s work with The Runaways was by far more deserving of induction into the Rock Hall than Jett’s work with The Blackhearts (sure the guys in The Blackhearts enjoy hearing someone say that). The Runaways carried on the work of Fanny, The Pleasure Seekers, Janis Joplin, and Grace Slick to the next level – an all-female band that wrote their own stuff and played their own instruments. They were the forerunners to The Go-Go’s, The Bangles, The Donnas and several other all-female groups that have had great success following the glass-shattering by The Runaways.

I would rather see all those that I said should be “in” be inducted in their own right and leave the others in, too. They have earned the right to be called a “Rock & Roll Hall of Fame inductee” regardless of my personal thoughts. But if we are going to play the “alternate reality” game, who would you put in and take out?

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My Choices for the Nominees for the 2021 Rock & Roll Hall of Fame

The Rock & Roll Hall of Fame is like no other Hall in existence. It is one of the few Halls that basically has only one criteria – that your first commercial release be done no later than 25 years prior (for 2021, that means artists whose first release was in 1996 or earlier are eligible). Most other Halls base their entry on the number of wins you’ve had (World Golf Hall of Fame), mystical statistical performance (any sports Hall) or that you were from a certain area (self-explanatory). Not the Rock & Roll Hall of Fame – if you’re good enough, if you had an impact on the shaping of popular culture and music over the last 70 years (or so) and you can get the votes, you get in.

This fact in itself makes the discussion over not only those elected to but also those who are nominated of great interest to many music fans. With the COVID-19 outbreak, it pretty much fucked up the entirety of the 2020 schedule for the Rock Hall, delaying and then canceling the 2020 Induction Ceremony for a very good list of artists (Whitney Houston, the Notorious B.I.G., The Doobie Brothers, Nine Inch Nails, Depeche Mode and T. Rex – Jon Landau and Irving Azoff were Ahmet Ertegun Award winners and named to the Rock Hall) before they were “virtually” inducted in November. Because of the late induction, the announcement of the 2021 Nominees is being pushed off as well, to probably February 2021.

You can lament this, but I think it is a great idea. It stretches the entirety of the process by the Rock Hall to cover a whole year instead of parts of two. With the naming of the nominees in February, that means the new Inductees won’t be announced until more than likely around May or June. Then they can induct them (hopefully in a live ceremony) in November. This works much better than announcing the Inductees in December and holding the Induction Ceremony in April or May (how it has worked in the past).

The delay also allows pundits, historians, fans, and critics to come up with their selections for who will be in the Nomination Class for the 2021 Rock & Roll Hall of Fame. I’ve studied over the last few years of nominations, who has gotten in, what kind of “buzz” is going around in the music world, and other intangibles to come up with a list of 15 artists and groups that should be nominated come February. Those in BOLD print are going to be the five choices I would make for entry and I’ve also tried to include some reasoning for the nomination.

Without further ado, here’s who I believe will earn nomination in 2021:

Jay-Z – Not only will Jay-Z earn a first year eligible (FYE) nomination, but he will also earn a FYE induction into the Rock Hall. It is a tough decision as to which part of the industry that Jay-Z has had more of an impact on – the rap world, where he has been a force for 25 years, or the recording industry itself through his ownership of Tidal and forays into label ownership and artist development. And, since the Rock Hall enjoys a great show, imagine Jay-Z trotting the boards with Beyonce? The Rock Hall is salivating at that thought.

Foo Fighters – If there’s been anyone to carry the banner for rock music in the past 25 years, it would be Foo Fighters. Dave Grohl could have easily packed up shop after the death of Kurt Cobain and Nirvana and just made guest appearances on records for the rest of his career. Instead, he forged on with his own sound and added to the legend of rock. Add in the factor that Grohl is a hell of a music historian himself and that he is on the Nomination Committee (he will have to abstain from voting for himself, likely), it would be odd if they aren’t a FYE nominee but also a FYE inductee.

Pat Benatar – Benatar has been snubbed by the Rock Hall for far too long. Her nomination last year was her first after 15 years of eligibility and it was considered that she was a “lock” for entry. Then they took the vote…Benatar was not only a choice by many but she was the runner-up in the Fan Vote from 2019 (hold on, we’ll get to that) and the Rock Hall has caught hell over bypassing her. With a chance to redeem themselves, I don’t expect the Rock Hall to get it wrong twice (then again, the Rock Hall does have a way to surprise you).

Dave Matthews Band – The top vote getter from the Fan Vote, which has been around for at least six years previous (I could be wrong), usually had been inducted by the Rock Hall. That included such entries as Bon Jovi, Rush and KISS, among others. DMB were the top vote-getters in 2019, but that and $1.50 got them a cup of coffee at McDonald’s – they were bypassed for entry into the Rock Hall, the first time that it had happened. I personally don’t see where DMB has earned entry – I’ve never been a jam band fan – but, since the Rock Hall caught shit for not inducting them with the 2020 class, I can’t see them keeping them out twice.

Judas Priest – This is one that the time is ticking on. The Priest has only been the driving force behind heavy metal for 50 years and, eligible since 1999, they’ve only received two nominations. I would hate to see them fall by the wayside like Kraftwerk (who, after being nominated six times, might have run out of chances), MC5 (nominated five times) or even Chic (nominated 11 TIMES), but it is a realistic possibility.

Rage Against the Machine – The practitioners of the hybrid rap/rock scene of the 90s, RATM combined their aggressive stylings with a socio-political bend that enraptured their fans. Or…maybe not so much. As they prepared for a since-postponed tour in 2020, some RATM fans became outraged at the political stances of guitarist Tom Morello and the band. In one of the funniest exchanges on Twitter, Morello, who holds a political science degree from Harvard, responded to an upset follower who said “I used to be a fan until your political opinions come (sic) out,” “What music of mine were you a fan of that DIDN’T contain “political BS”?” Gotta love that!

Kate Bush – Ah, to have more than five votes (then again, I might have used it on RATM)! Bush is one of the long-overlooked female vocalists from the 80s who should be recognized for her achievements. Her work with Peter Gabriel preceded an excellent solo career in the 80s, but she’s never gotten the acclaim that she deserves (Cyndi Lauper, Annie Lennox and others fall in this category). I’d love to give her a vote, but with some of the others that are on down the list, it makes it difficult.

Eurythmics – Falls into the same category as Bush. One of the many 80s acts that we should start inducting into the Rock Hall. In many cases, these artists have been eligible for 15 years and they’ve never even received a nomination, let alone induction. Time to start fixing this situation and quit bleeding the rock dry from the 1960s/70s.

The Go-Go’s – They came thisclose to getting one of my five picks. The first all-female band to have a #1 album on the Billboard charts, The Go-Go’s were groundbreakers for women in rock. Although they have a litany of women that they owe a huge amount of credit to (Fanny, The Runaways, Suzi Quatro), The Go-Go’s got there and inspired many others. Add in the recent documentary on Showtime and it is quite conceivable that The Go-Go’s earn an induction seat in 2021.

Duran Duran – Anyone who was alive during the 1980s was impacted by Duran Duran. They helped to shape the musical landscape of the 80s, not only with their music but also with their videos on MTV, and had a hand in fashion also, among other things. This is a band that has NEVER been nominated previously – that should be corrected this year and they should take a seat in the Rock Hall.

Alice in Chains – This is a group that may sneak into the Nominations because of recent buzz regarding the group. Seattle’s Museum of Pop Culture (MoPOP) inducted the band this fall into their rolls and, since there are only Nirvana and Pearl Jam currently carrying the banner for the Grunge Era of rock, a third would be nice (Soundgarden could fit in this category too). Unfortunately, grunge looks like it is going to get the same treatment that hard rock/metal has gotten over the years from the Rock Hall.

Todd Rundgren – Personally, I would love to see Rundgren get in. He’s more than deserving of it for his performing career, his usage of multimedia (witness his upcoming virtual concert tour) and his producing credits. Perhaps the only way to get this man in may be through the Award for Musical Excellence, which hasn’t been awarded since 2017 (to Chic’s Nile Rodgers).

The Smiths – Politics aside, The Smiths are more than worthy of nomination for their career’s labors. However, Morrissey’s tirades seem to have tarnished the potential induction of the band into the Rock Hall, and that’s unfortunate. They get on my list because they are one of the artists from the 2016 Nomination Class that hasn’t been inducted yet.

Beck – I’ve personally never been a huge Beck fan, but I can recognize his artistic creativity and the impact he’s had on other artists. The devotion from his fans are hard to ignore too. He was a FYE nominee, but he failed to go that extra step – he will get in, but will it be this year or in the future?

Daft Punk – A driver of the synth rock/electronic rock scene since the 90s, Daft Punk should be a slam dunk nominee/entry. But Kraftwerk…well, let’s just say that people would like to see them get in first rather than Daft Punk. It isn’t out of the question for the Rock Hall to commemorate those that have achieved great success over the originators, however – just look at how rap’s forefathers have languished behind some of those that have been inducted.

Alanis Morrissette – Another one who could sneak in and get a nomination, if not inducted. Morrissette’s been white hot of late, with a Broadway show (you know, when Broadway was actually performing) and a critically acclaimed album in 2020. She was first eligible in 2019 but was bypassed…the Rock Hall might want to correct that oversight.

Guess we’ll find out in 2021 just how close to right I am!