GASP! The Rock & Roll Hall of Fame Gets It (Somewhat) Right!

 

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Normally this time of year has everyone in some state of aggravation. Mostly it comes from the holiday preparations (every year I’ve said I plan to start things earlier and instead it seems to be later), but it also comes from the yearly announcement of the Rock & Roll Hall of Fame inductees (OK, maybe not everyone). For a change, however, the Class of 2017 isn’t that bad, meaning that the voters, writers, and fans (yes, the fans get a vote)…GASP!…got it (somewhat) right this year.

After years of inducting some clearly questionable candidates (in 2016, the induction of N.W.A. drew the ire of rock fans; in 2015, it was Bill Withers; in 2014, Cat Stevens…you can go back each year and pick at least one), the bands and individuals that were voted in were either a solid lock for entry or a great argument to get in. For example, Pearl Jam was as close to a lock as you could get from the list of nominees as one of the originators of the “grunge” sound of the late 80s/early 90s rock scene. They were on the ballot for the first time and, yes, were worthy of that induction.

The 80s rock generation (and part of the 70s) was represented first by Journey. I wouldn’t have called this one – I believe it is the Rock & Roll Hall of FAME, not the Hall of PRETTY GOOD – but I also am not bent out of shape about their induction. If they are to be inducted, they must be inducted with singer Steve Perry; any other incarnation of the group would be an insult to the legend of the band.

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Joining Journey is straddling that 70s/80s line is another inductee for the 2017 class, Electric Light Orchestra (ELO). Why they hadn’t been inducted previously is anyone’s guess, so it is far overdue for the Rock Hall to recognize the greatness of the band. It is also arguable that Jeff Lynne, the mastermind behind the ELO sound (and producer of some other great artists like Tom Petty, George Harrison, Roy Orbison, and Brian Wilson), deserves an induction as a solo artist or contributor.

The band Yes…yes, they weren’t in the Hall yet…is a correction of one of the grossest errors of the Hall of Fame. Stretching from their early work in the late 60s to their powerful work in the 80s, Yes deserves the induction arguably more than even ELO did. The question is what lineup do you go with? If you go with the early 80s lineup, you’re leaving out Rick Wakeman, arguably one of the finest keyboardists of the rock era. If you go with the original lineup, then you leave out Trevor Horn and keyboardist Geoff Downes (AND Wakeman), who were key to helping in the creation of the 80s sound of the group that led to their resurrection. I don’t envy the job of the Rock Hall staff in determining which people will be honored with induction as a member of Yes.

The singer/songwriters weren’t ignored this year either. Joan Baez, who was a part of the Vietnam protest era of the 1960s and continued to have an outstanding career in the early to mid-70s, wasn’t probably some people’s choice for that genre, but you cannot ignore her impact on rock music having a social impact. Baez inspired such women as Judy Collins, Bonnie Raitt and Joni Mitchell to their activism and entrance into the rock arena.

Even one of the longest “problem” spots for the Rock & Roll Hall of Fame got covered this year. Nile Rodgers, the legendary producer and leader of the funk/disco group Chic, will enter the Hall for “Musical Excellence.” This should, in the future, remove the attempts to put Chic into the Hall as a performer because, in all honesty, it was Rodgers and the late drummer Tony Thompson who were basically Chic (they had a rotating roster of female vocalists, never a defined female lead). Thompson, in his own right, should be looked at for this award in the future.

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The ONLY question mark about this year’s inductees would be the inclusion of rapper Tupac Shakur on the roster. Shakur was a tremendously influential part of the “West Coast” sound of gangsta rap, even taking it to the point where the “East Coast/West Coast” rap wars began. Because of this standoff, Shakur was brutally shot to death on the streets of Las Vegas 20 years ago and probably brought about the death of ChristopherThe Notorious B.I.G.” (“Biggie Smalls”) Wallace six months later, possibly adding to the legend.

Tupac is a question mark because he didn’t have a wealth of material before his premature death. He’s released more albums since his passing than when he was alive and, to be honest, nobody is claiming that the posthumous work is the reason he’s being inducted. It also leaves the question open that, if you’re inducting Tupac, you’ve got to put Biggie in also (and Biggie’s repertoire is even less than Shakur’s). If you’re going strictly as an influence, I might be swayed on Tupac; if it is on his body of work, then I’m not as solidly behind his induction.

Even with these inductions, there’s still a wealth of artists out there that are more than deserving of entry. Out of the 2017 nominees, I’m slowly coming around to The Cars being inducted. As a purveyor of the synth sound of the 1980s (and their early work in the late 70s), I’ve always been a bit on the fence with the band. Now, I believe there is a place in the Hall for the group, just as there should be for another synthesizer-based band and 2017 nominee, Kraftwerk.

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I’ve also discussed ad nauseam about who deserves to get into the Hall. I’ve seen others believe in my choices of Pat Benatar, The Runaways and Judas Priest, and some have even given credence to Thin Lizzy, an outstanding choice if there is one. I’ve also been a longtime proponent of inducting Warren Zevon and Jimmy Buffett, but will now add Motörhead onto that list alongside a host of others.

Whatever the list of inductees is for this year, the concert that honors those inductees promises to be a bit calmer than the 2016 induction ceremonies. Bringing back the original Cheap Trick – with their estranged original drummer Bun E. Carlos – was tricky, but they pulled it off. 2016 inductee Steve Miller was perhaps the most vocal about his displeasure about the ceremonies AND the induction, points that he made long and loud both pre- and post-induction. If they can figure out the Yes conundrum, then they should be able to get through the awards ceremony without problems.

As to when that show will be, we’ll just have to wait and see. But for one magical year, it appears things are right with the world and the Rock & Roll Hall of Fame made the appropriate selections.

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Rock & Roll Hall of Fame Is Moving Closer to Parody than Relevance

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Let’s start this with a disclaimer.

From my youth, I’ve loved music. I can remember saving up my money when my age was yet in single digits to buy records to play at home. As I got into high school, me and my best friend DJ (his real name was Dennis, but DJ was the ONLY name he went by) would go on field trips to nearby Champaign and religiously make a pilgrimage to the University of Illinois’ campus record store, Mabel’s (yes, back then it was a record store and had a small performance area). We’d emerge after hours of scanning over the racks with armfuls of albums, with my stack normally leaning towards things like the Bus Boys, Elvis Costello and the Motels, among literally hundreds of others.

After high school, I delved into the world of music even more. While in college I started working as a radio DJ, something that would be a career over the next 20-plus years of my life. From that small college station until I was a Music Director at an AOR (Album Oriented Rock) station in a Top 75 market (and even afterwards when I went into news/talk), music – and rock music in particular – was a staple in my life. As I have gotten older, music still resonates with me and, with age, I’ve expanded my listening interests into many diverse styles of music including two that I previously despised, rap and country.

Thus, it pains me when I say the following:  After looking at the list of the nominees for induction into the Class of 2017 for the Rock & Roll Hall of Fame, which was released a couple of weeks ago, I’ve now come to the realization that enshrinement in this group is moving closer to a parody along the lines of This is Spinal Tap than being the venerable Valhalla of rock music that it should be.

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Yes, there’s been these rumblings before. None were louder, perhaps, than the commentary from one of last year inductees, Steve Miller, regarding what the Rock & Roll Hall of Fame has become. In various areas, Miller railed over pretty much every aspect of the Hall (“I think it’s time for the people running this to turn it over to new people…you don’t need to insult every artist that comes along,” was one of his calmer comments), signifying his displeasure with the outfit. “You tell me what the hell is the Rock & Roll Hall of Fame, and what does it do besides talk about itself and sell postcards?” he asked.

Miller was the embodiment of what many had said of late regarding the Hall. Thought of originally as the pinnacle of rock music royalty, of late the Hall has been inducting what many would consider “non-rock” artists and bands, stating that their contributions “to rock music history and music overall” warranted their induction into rock music’s biggest honor. I’ve always contended that, in 9.9 of 10 of those cases where the artist wasn’t “rock” (a very wide ranging scope, to be honest), then their contribution to the actual evolution of rock was pertinent (this is why I don’t have a problem with Johnny Cash being in the Rock & Roll Hall of Fame).

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In looking at the crop of nominees for the 2017 Rock & Roll Hall of Fame, there are some very qualified candidates on the list. One of the “first time” nominees for the hall is Pearl Jam and they should be a virtual lock for entry because of their contributions to the “Seattle sound” that was pioneered by Nirvana and their group. Another first-time nominee – and this one surprised me quite a bit – was Electric Light Orchestra, who should also find their way into the Hall for their innovative usage of electronics, keyboards and production (all in the masterful hands of Jeff Lynne) and their contributions to the music.

Whereas in year’s past I didn’t get bugged by some of the “non-rock” nominees – hell, I agree that rap acts like the Beastie Boys, Run DMC and N.W.A. and other “non-rock” acts like Donna Summer, Darlene Love and Bob Marley SHOULD be in the Hall – this year’s list of nominees left me wondering why they were being nominated when they shouldn’t have even been considered. Besides Pearl Jam and ELO, here’s the list of other nominations (asterisk means it is a first-time nomination):

Kraftwerk
Yes
The Cars
The Zombies
Joe Tex
J. Geils Band
The MC5
Bad Brains*
Depeche Mode*
Jane’s Addiction*
Joan Baez*
Journey*
Steppenwolf*
Janet Jackson
Chaka Khan
Chic
Tupac Shakur*

Now, you could give me viable reasons for any of the artists down to Steppenwolf being nominated for the Rock & Roll Hall of Fame. Personally, why Journey and Steppenwolf have never been considered previously is gross misconduct by Hall voters. Over the remainder of the list, I personally would question the inclusion of Joe Tex (yes, a hard-working individual who overcame a great deal of adversity to become a rival of Hall of Famer James Brown), the J. Geils Band (solid group, not “Hall of Fame” outstanding) and Bad Brains and maybe Jane’s Addiction (reasoning ditto to J. Geils’ nomination). Where it goes off the rails for me – repeat, for the first time ever – is in some of the “non-rock” nominations.

Chic has been nominated several times and, on first view, they would be a viable contender. The real drivers of that group, however, were Nile Rodgers, the late Bernard Edwards and the late drummer Tony Thompson. Inducting a “group” requires that all the members were great and that’s where Chic falls short. I can see nominating and even inducting Rodgers and Thompson (I remember his powerful work with Robert Palmer and The Power Station – outstanding music), but to put every person in Chic (usually featuring a rotating cast of female vocalists that joined Rodgers and Edwards) isn’t Hall worthy.

Jackson and Khan, while fine vocalists who were charting gold during their careers, didn’t exactly do anything that would have separated them away and make them Hall worthy, either. Being the sister of the members of the Jackson 5 isn’t an immediate pass (and, really, what did she do that was notable?). Khan, if you include her time with Rufus, has a bit more credibility as to Hall-worthiness, but there’s not enough of it on the resume to push her over the top.

My biggest criticism would be with Shakur, however. Yes, Tupac was one of the first voices for “gangsta rap,” but we’ve already inducted the originator of that field in N.W.A. Additionally, if you induct Shakur, why aren’t you inducting Biggie Smalls (just as powerful a performer and rapper) or Sean “Puff Daddy/P-Diddy (or whatever the hell he calls himself these days)” Combs for their work? Shakur is one of those performers that, in many people’s eyes, an early (and violent) death made them a musical martyr. As such, he must be revered in their opinion…reverence because of near-deification is not what I would call Hall worthy.

When it comes to “non-rock” entities, you’ve got to have blown the doors off things to be considered for entry inside the gates. A Madonna, a Johnny Cash, a Grandmaster Flash and the Furious Five…THESE are the types of performers who, by their music and by their styles, personified the “rock attitude” despite the fact they weren’t performing traditional “rock” music. Every one of the persons or bands nominated this year don’t fit that category for enshrinement.

Of course, I couldn’t end this without my own “WHY AREN’T THESE GUYS NOMINATED” choices, and this is just a sample of those that should have already been in the Hall. Pat Benatar, Warren Zevon, Jimmy Buffett, Dolly Parton (one hell of a songwriter who has had an impact on music overall, what the Hall is supposed to venerate), Kate Bush, Roxy Music, Iron Maiden, Dead Kennedys, Black Flag, X, Duran Duran and Kool and the Gang (all never nominated) and the New York Dolls, the Wailers and Afrika Bambaataa all should be in the Rock & Roll Hall of Fame RIGHT NOW as they have arguably done more for “rock” music than those under consideration for 2017.

But I digress, at least for now. We’ve got the list of nominees and, for this year, we’ll have to deal with them. But if the Rock & Roll Hall of Fame doesn’t want to continue down that road of becoming a joke of itself, a parody of what it is supposed to represent, it would behoove them to start considering the actual ROCK artists (and those “non-rock” performers who truly had an impact) that they are bypassing.