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“Timeless” A New Television Show That Will Work Your Mind

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If it’s fall, then it is time for the new programs to hit the television screen from not only the traditional networks but also cable and streaming services. Most of the time the programs presented – especially by the traditional network outlets – are simply retreads of past programs that do little to engage the audience or test their thinking capabilities. But there are some programs that have come out that might be worth checking out. We’ll take a look at a few of them over the next couple of weeks, but let’s start with the best of the lot.

NBC has been the purveyor of some excellent programs over the past few years. It’s been three years since The Blacklist premiered on the Peacock Channel and, just last year, NBC put on another fine action-drama with Blindspot. They may have topped themselves, however, with their most recent entry, Timeless.

Timeless is the story of Lucy Preston (actor Abigail Spencer), a college professor with an ailing, bedridden mother and her stay at home sister, Amy, who takes care of her while Lucy attempts to gain tenure and follow in her mother’s footsteps. Things take a turn, however, when the college she teaches at (and where her mother was quite famous) refuses to grant her tenure, leaving her in a difficult spot. That changes when Homeland Security calls Lucy in for a project.

Coming into a warehouse, Lucy is dumbfounded to meet Connor Mason (Paterson Joseph), a brilliant scientist who has been working on undisclosed “experiments” for the government. According to Homeland Security agent Denise Christopher (Sakina Jaffrey), one of Mason’s projects was a time machine that, after a raid by terrorists led by Garcia Flynn (Goran Visnjic, who has been making an excellent living playing bad guys of late…or is he…well, not yet), has been stolen. Flynn and his cohorts have taken the time machine back to May 6, 1937.

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As a historian, Lucy knows the significance of the date. It is the day the Hindenburg exploded upon landing in Lakehurst, NJ, but she still doesn’t understand why she’s there to help Mason and the government. Mason explains that, with her knowledge and background in history, she is the best person to send to make sure that history doesn’t change, lest something happens and the “future” from 1937 is altered. Mason explains that there is a creaky prototype of the “Mothership” (the time capsule stolen by Flynn), but it only holds three riders; going along with Lucy on the trip are Wyatt Logan (Matt Lanter), a military man (probably Navy Seal from his apparent expertise) who has recently lost his wife and will provide the muscle for the team, and Rufus Carlin (Malcolm Barrett), a computer wizard and engineer on the creation of the “Mothership” who can handle the prototype and get it to and from whatever period of time they have to enter and return.

Upon reaching the flight line where the Hindenburg is landing, the threesome notice that the ground crew (the men catching the lines dropped by the dirigible to anchor the ship) are keeping the ropes off the ground, long thought to have been a theory as the cause for the grounding of the ship and the subsequent spark that set off the hydrogen gas in the blimp. The trio also see Flynn among the ground crew (having told them to keep the lines off the ground) and make chase, but are unable to catch him. Thus they have failed in their mission – keeping history the way it is known – and now must figure out why Flynn wanted to change it.

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Doing some research, Lucy learns that many noteworthy people – bankers, politicians, royalty and the elite – will be on the return flight of the Hindenburg to attend the coronation of King George VI and Queen Elizabeth in England (which actually was supposed to happen in “our” history) and that Flynn is potentially looking to destroy the ship at that time to have the maximum impact on the future. Meanwhile, Wyatt hooks up with a reporter who reminds him of his deceased wife (and who was supposed to be one of the people killed on the ground in the original history of the crash), who doesn’t quite believe their story but does help them on their trek.

Our set of adventurers eventually end up in jail after killing one of Flynn’s associates (and finding a detonator in his pocket) and, in an attempt to escape to stop Flynn from destroying the Hindenburg, Rufus – who had previously stated to Mason that he didn’t want to go on the mission because as a black man “there isn’t a time in history that was good for me” – causes enough of a ruckus that the police come in, billy clubs brandished, ready to beat him senseless. This gives Wyatt enough time to pick the lock and, with Rufus’ help, immobilize the guards to stop Flynn.

The threesome board the Hindenburg and find the bomb, but are unable to stop it from exploding. They do, however, save everyone on board after forcibly taking over the ship and making it land, thus giving the passengers the quickest way off. During the resulting hubbub, Lucy comes face-to-face with Flynn and, to be honest, this is where it gets a bit interesting.

Flynn tells Lucy that he is looking to preserve history for the better, not destroy it, and tells her to ask Christopher about a certain group known only as “Rittenhouse.” He also shows her a diary that, to Lucy’s horror, is in her handwriting and apparently talks about the trips that are in the future. Wyatt comes upon them and tries to shoot Flynn, but he returns fire and misses Wyatt but hits the female reporter behind Wyatt after he jumps out of the way and kills her. With the Hindenburg now destroyed, the adventurers return to present time not knowing what they’ll find when they get there.

At first glance, there doesn’t appear to be much wrong other than some altering affected by the crew’s forcible crash landing of the blimp. The team has learned that Flynn is there to alter U. S. history but, even though the history of the Hindenburg has been slightly altered and the passengers who were killed in the original history survived (while none perished in the new historical trek), there doesn’t appear to be much out of line. Christopher sends the team home, at which point the show takes another stunning turn for one of the characters.

Lucy returns home and calls out for her sister but, to her utter amazement, her mother calls for her and comes out of the kitchen. A flabbergasted Lucy breaks down in tears at the sight of her mother in vigorous health (remember, she departed with her mother bedridden), but she still wants to know where Amy is. Her mother doesn’t know what or who she’s talking about and, to Lucy’s horror, she picks up a photo that used to feature the three Preston women that now just features Lucy and her mother. As the pilot ends, Lucy is called back by Christopher as Flynn has taken off to another point in history in the “Mothership.”

The second episode – which dealt with the assassination of Abraham Lincoln – is pretty much along the same lines, but a couple more twists are tossed in. Rufus and Mason now seem to be in cahoots as Mason has Rufus recording all the interactions between him, Wyatt and Lucy while they are on their missions, with those recordings going to the shadowy group that Flynn talked about with Lucy after the Hindenburg crash. Second, upon returning from the Lincoln mission, Lucy learns that her father in her original history met and married one of the survivors of the Hindenburg disaster and that is the reason why Amy doesn’t exist. This also leads Lucy to wonder about her OWN background (logically) and, lacking an answer on that front and returning home, finds another change in her history as her mother is throwing a party for her wedding engagement (imagine if you walked in and your mother was doing THAT for you!).

Personally, I’ve always held a fascination with alternative history (if you’ll remember, I was also big on The Man in the High Castle last year) and this show definitely taps into that vein. It goes back to the conundrum about a variation of the Grandfather Paradox known as the Hitler Paradox – if you could go back in history and kill Hitler before he begins World War II, would you do it? The problem with these types of questions – and something that is done well in Timeless (albeit only to Lucy right now – it is supposed to also affect Wyatt and Rufus at some point) – is that changing any point in past history would have an effect on what occurs in the future.

HighCastle

Without Hitler and let’s just add in World War II also, would the United States have achieved all it did as a world superpower? Would there have been the Korean War, the attempts to stop the Russians and the Domino Theory? Maybe someone who died in WWII would go on to commit worse atrocities than Hitler? Would nuclear weapons have been developed? There’s plenty to think about there (and it does apply to everyone’s life – change one thing in your past and it would alter who you are today).

Timeless taps into this uncertainty and, while Lucy, Wyatt and Rufus are attempting to keep history as they know it correct, there are just enough things that they don’t or can’t prevent that it still has an impact on the present day world (Lucy’s sister disappearing, her mother healthy, etc.). What happens, for example, if they come back from a mission and Wyatt’s wife is suddenly alive? Does he quit? And what about Rufus? What is his purpose and why is he recording the crew?

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The possibilities are endless with this show. Future episodes are looking (and this is from my own knowledge of history and the titles of each episode) at the Manhattan Project, the siege of the Alamo and the Watergate burglary, but there is a wealth of situations that could be investigated. The characters are what keep you interested, critical for any drama, as you try to figure out if Lucy goes mad at some point from all the changes in her personal history, which in some way causes Flynn to start his criminal (hey, we’ve yet to figure out if it is criminal or not, remember) actions, can Wyatt overcome the loss of his wife and the mystery of Rufus (not to mention Morgan, Christopher and this mysterious organization).

Airing at 10PM on Mondays after The Voice, Timeless is a way to test your mind and expand your thinking while being entertained at the same time, making it a fresh show amidst the mindless banter out there (really, do we have to see Kevin James doing a new version of King of Queens? He really isn’t that funny to begin with!).

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Which Side Are You On? “Star Wars” vs. “Star Trek”

WarsVersusTrek

There are many great conundrums in life. “Less Filling” versus “Tastes Great”; Ginger versus Mary Ann; and, since we just completed Thanksgiving, white meat versus dark meat. But there is potentially no greater debate than that of two of the greatest followings of the late 20th/early 21st century:  are you Star Wars or Star Trek?

Ever since the time of Jules Verne – hell, if we are serious, we’ve wondered since we drew images on the caves 35,000 years ago – man has tried to figure out what was beyond our earthly bounds. Leonardo da Vinci is alleged to have created blueprints for rockets and their flight; H. G. Wells used his imagination towards the subject to pen some of the great science fiction of the early 20th century and Albert Einstein actually did the math that would lead to our voyages to the stars. It wasn’t until other German scientists, led by Werner von Braun, actually harnessed the power of rocketry that those dreams became reality.

Since that time, mankind has achieved tremendous feats in the weightlessness beyond our Earth. There were the Apollo landings by NASA in the 1960s/70s, but the then-U. S. S. R. achieved longevity records for time in space and actually built the first long-term space station, Mir, in the 1980s (Skylab, for all of its exploits in the 1970s, only had three missions total with the longest lasting 84 days). Today, the International Space Station stands as perhaps the closest thing to mankind, regardless of nationality, joining together in our best efforts in space and its exploration.

The reach beyond the moon, however, has been limited to unmanned probes and satellites chocked full of cameras and data recorders that can capture the base information of the bodies it passes. These devices, however, lack the human capability of viewing the universe surrounding us and its wonder, of transmitting this astonishment back to a ravenous audience who wants to know what is out in the heavens beyond. Thus, we have to depend on the visionaries who have crafted a universe that soothes our curiosity somewhat but lights the fire of that same curiosity on another hand.

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The visionary Gene Roddenberry was the first to take a crack at this difficult task. Star Trek, created by Roddenberry in 1966, showed a Planet Earth that didn’t recognize national boundaries anymore but organized under the “United Federation of Planets.” The flagship of the Federation was the starship Enterprise, captained by James Kirk (and later Jean-Luc Picard) and replete with all nationalities from Planet Earth on board.  There was even an alien, Mr. Spock, who hailed from the planet Vulcan. Their “five year mission” was to explore the galaxies and discover new situations, something that has been a human trait since crawling out of the primordial ooze.

The show wasn’t initially popular as people had a difficult time wrapping their minds around Roddenberry’s concept. Roddenberry was trying to detail the difficulties of society at that time in an arena where such discussion could be possible. While it may seem that Kirk’s machismo and swashbuckling style was the rule, examinations of race relations, destruction of the environment and the devastating effects of war were the overarching storylines that appeared. These themes (as well as many others) were the true staple of Roddenberry’s work on the program and over the wealth of Star Trek-related spinoffs over the past 50 years.

StarWars

In 1977, another entry came into the view of what the galaxy looked like. Envisioned by George Lucas and nearly as dear to him as Star Trek had been to Roddenberry, the movie Star Wars premiered on May 25, 1977. Initially not thought to be much by the studios (Star Wars was a toss-in with American Graffiti by Universal Studios to sign Lucas to a contract), the film would turn out to be one of the biggest movies of 1977, earning over $775 million ($1.3 billion today) worldwide in box office receipts (all totaled, the Star Wars franchise has earned over $4.4 billion in its existence). The film would go on to have five sequels/prequels, with the sixth – Star Wars:  The Force Awakens – set for release on December 18.

Since Star Wars joined into the “vision of space race” with Star Trek, however, there has been a battle between the franchises for the minds of fans. Many involved in this battle believe that a person may accept one of the franchises but cannot accept the other, forcing many to choose sides in this epic battle. My question would be…why? The two shows come at the subject of the universe from two completely different angles and, through combination, offer an excellent approach.

When he first conceived Star Trek, Roddenberry envisioned the “perfect” state of humanity – perhaps most importantly peace among the Planet Earth’s nations – that continued to thirst for adventure, knowledge and exploration of the interplanetary universe that surrounded their ship. They would achieve those goals in a state-of-the-art vessel that included the scientific devices that might be found in any assortment of satellites along with the eyes that could relate the wonder of what was being seen.

Star Trek came at the questions regarding the universe from a purely scientific standpoint. There was the philosophical contemplation about man’s (or any species’) place in the galaxies, the dilemma over how to handle a race or species that wasn’t as scientifically advanced and many other conundrums that we face even today. The devices used during the run of the Star Trek franchise have also become scientific items that are commonly used such as cellphones, medical scanners and the like. The Star Trek universe is continuing to expand despite turning 50 next year… a new television/web series is set to premiere on CBS in 2017.

Instead of an array of devices (although some of them were quite impressive…who doesn’t want a lightsaber?), Star Wars chose to tell the story of space as an opera, a Shakespearean play, rather than as a scientific endeavor. The clash of good versus evil, father versus son and even the collision of worlds and their destruction formed the basis for what essentially was a soap opera for geeks (and we can say that proudly, by the way). Each new incarnation of the film extended the story and it isn’t over yet; over the next few years, there are two more Star Wars-specific films in the works and several movie projects on characters – providing “background” to the stories being told – that make up the Star Wars universe.

Being able to accept both Star Trek and Star Wars as a future existence would be perhaps the way it was meant to be. While we have the technological amazement and advancements that would make such a journey a true adventure, there is also the potential for the dramatic and even perhaps violent turns that such journeys can take. In a perfect world, an interdependency between the two franchises and their theories would also prove to be the best approach to the potential problems of intergalactic travel, with each side providing the answer to the questions that are presented.

Thus, as both franchises continue on their individual courses, perhaps they are more alike than they realize. Perhaps they look to achieve the best that the human being – and aliens – can achieve in the myriad of parts that make us whole. Perhaps, just perhaps, Star Wars and Star Trek are the epitome of what we can be rather than the “one side or another” proposition that is offered.