Protests Only Work When It Hurts…

It’s funny the things that will come up when you’re in the process of moving. During me and my wife’s latest move from the foothills of North Carolina to the Gulf Coast of Florida, I happened across probably one of the more disappointing moments from this year (at least until possibly the election in November)…

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Now, the seats weren’t fantastic – in fact, they were at the other end of the arena from where the stage was situated. But they were square on with the stage and would have offered a great opportunity to see much of the crowd enjoying the show from Bruce, one of the legendary performers in rock history (I could tell stories about seeing him in 1980 for a six-plus hour show, but we’ll save that for another time). My wife and I were eagerly anticipating the show as it had been many years since either of us had been able to see “The Boss” in action.

Then the North Carolina General Assembly and asswipe Governor Pat McCrory got their panties in a bunch.

In February, the Charlotte City Council passed an ordinance extending protections to the lesbian/bisexual/gay/transgender (LGBT) community. A part of this ordinance – and the issue that sparked the most controversy – was the provision for allowing people to use the restroom of their gender identity, rather than that of whichever sex they were born. In essence, the ordinance allowed those who were in the process of shifting from one sex to another to use the restroom of that other sex (male transgendered individuals could use female restrooms and vice versa).

The response by McCrory and the GOP-dominated North Carolina legislature (which has been gerrymandered to make it virtually impossible for a balanced legislature to occur – witness the THREE TIMES that the federal government has called the state’s legislative districts unconstitutional) was immediate. Convening a special session of the General Assembly (one outside the normal working times of the legislative body), McCrory and his henchmen pushed through HB2, a bill that was so overreaching in its aim it was destined for the “unconstitutional” bin almost from the start.

Not only did that bill immediately set that “all people” had to use the restroom of the birth sex, but it also removed the right for minorities and the LGBT community to sue through the state court system for discrimination. It included a provision that prevented individual cities from enacting their own laws that differentiated from state statutes. With many Democratic representatives protesting by leaving the voting floor, the statute passed through the General Assembly with only about 12 HOURS of overall discussion.

This was the end of March and, within days, the impact was felt. Several local productions in theaters around the Tar Heel State reported that the rights holders to significant stage productions (plays) were pulling their approval for performance over the bill. The streaming provider Hulu pulled the production of a program they had set for airing out of North Carolina over the bill and PayPal suspended expansion of its operations center in the state. This was but the tip of the iceberg, however.

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Many entertainment artists have also pulled out of shows that they were scheduled to perform, including “The Boss,” Pearl Jam, Boston, Bryan Adams, Ani DiFranco, Ringo Starr, Nick Jonas and Demi Lovato and Cirque du Soleil. The real thunder came down, however, over the past couple of months, first with the National Basketball Association’s removal of the 2017 NBA All-Star Game from Charlotte. Then, just yesterday, the National Collegiate Athletics Association (NCAA) removed SEVEN championship games or playoff sites from the state, citing the law as the reason. All totaled, the loss of business regarding all of these repercussions could total to as much as half a billion dollars by the year anniversary of HB2’s passage, with the NBA All-Star Game accounting for about $100 million of that total, and could even impact future business in the state.

The reason this came back to me was not only a result of the move. Finding that ticket stub for an unused concert was simply the catalyst for a reply to model Kate Upton’s Twitter hissy fit over athletes not standing for the National Anthem. Of course, over the weekend was the opening weekend of the National Football League season (and the 15th anniversary of 9/11, just coincidentally) and, following in the footsteps of San Francisco 49ers quarterback Colin Kaepernick’s continuing protest against inequality in the United States, some players either did not stand for, knelt in protest or displayed the “Black Power” salute as the National Anthem played. This bunched Upton’s panties, who stated, “This is unacceptable. You should be proud to be an American. Especially on 9/11 when we should support each other.”

The continued attention being drawn to what has now become a movement (hey, if a subject catches the nation’s attention for more than two years – yes, it’s been that long since the death of Michael Brown in Ferguson, widely considered the spur – it is a movement) is only done when a protest has an impact. Kaepernick has been vocal in the past regarding the issues of black people in the United States and their treatment at the hands of law enforcement, but no one was paying any attention to what he was saying. It wasn’t until his act of defiance of not standing for the National Anthem – and attention was drawn to the fact that he was doing it – that there became a national conversation (admittedly sometimes not about what Kaepernick wanted to talk about, as with Upton’s attempt at using her First Amendment rights by silencing Kaepernick’s, but still there was discussion).

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For a protest to have an impact, there are a couple of things that it should have. It has to have some financial teeth, some fiscal bite, that pushes some to reconsider their positions (it also has to have a side that understands those fiscal implications – apparently North Carolina Republicans are morons if they issue this response). Along with that, it should have some emotional impact on people. There were plenty that were upset over Springsteen’s decision to not perform in North Carolina, just as there are more than likely many upset that Demi Lovato didn’t come to North Carolina or that LeBron James won’t be making an appearance during the NBA All-Star Game in the state. A protest only works when it hurts, either physically or emotionally. That is what makes a protest enact the change that comes about (eventually) with issues.

I’m putting those unused Bruce Springsteen tickets back in the desk as a reminder to myself for a couple of reasons. One, something has to be lost (in some cases) for a protest to have its desired effect, and Two, there is the ability to protest at all levels, from the richest of us all to the poorest. It will be some time before the protests of the actions in North Carolina and the national discussion of inequality are adequately addressed, but hopefully it is sooner than later.

So There’s No Good Music Anymore? You’re Not Looking Hard Enough

I’ve heard the argument since I worked in the radio business (a career that spanned three decades and various formats, I have to add). In discussion with fans of particular genres of music – whether it was rock, country, metal, etc. – the refrain was often “They don’t make music like they used to.” I often thought about that statement and came up with some reasons why people make that statement and/or believe what they’re saying.

For many, there is no better era for music than when they grew up. For Baby Boomers, the 1960s and its wide variety of genres (seriously, on the radio back then you could hear almost ANYTHING and often on one station) and the 1970s is what they look at as the epitome of the history of music. For Generation X (born in the early 1960s), the sounds from the 1980s and some of the 1990s is what captures their ears. For the Millennials, the late 90s/early Aughts is where music was cooking. What Generation Z – those that are currently in grade school – will be listening to is a huge guess. And if you want to reach back further than 50-60 years ago, there are those that consider the “Big Band” Era the shit and so on.

Failing that, people will often look towards their wild and crazy “single years” as THE time when music was great. Whether you were dancing in a disco, moshing in the pit or line dancing at a honkytonk, people will often equate music with when they were having their most enjoyable times. Ask any person and they will probably be able to put a soundtrack together that would tell the story of their lives better than any book or documentary could ever hope to achieve and a predominance of the music is probably from their young adult days.

Finally, there IS some credence that has to be given that music isn’t as good anymore, but it is more about the talent of the performers rather than what music they are presenting. For some of the greatest music in the history of mankind, one person sat down and put together EVERYTHING. They served as the writer, producer, performer and, if you really want to go back in time, seller of the music (you think Beethoven did his music for free?). Nowadays, the list of co-writers on a song can be as many as 10 different people and producers can reach nearly the same number. Then there’s the fact that performers don’t exactly “perform” live anymore…

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With this said, there’s plenty of music that is out there nowadays, people just aren’t looking hard enough for such gems. Normally people will not pay as much attention to music as they get older because the “acts of life” (working, taking care of the bills, children, etc.) become more significant rather than the “frivolity” of listening to music. Unless you actually are working in the music business, then it becomes more background noise than something that you actually are tremendously invested…but that can change.

I personally try to keep up on the new music out there and, as I’ve previously stated, there’s some good stuff out in the stores and on the airwaves (or the internet). I’ve spoken plenty of times about how good Florence + The Machine are and Bruno Mars is an outstanding performer, one that I’d definitely pay to see. If you don’t think there’s any good music out there, here’s some choices that run the gamut from pleasant and quiet to hard, heavy and raucous that you’re missing.

Halestorm

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There’s just something about a loud, thundering guitar and crushing bass notes that gets the blood pumping. I’ve personally always enjoyed hard rock/heavy metal (what some people consider “metal” is far from it, to be honest) and still do to this day. Halestorm, led by Lzzy Hale, is a band that you’re missing on big time if you haven’t checked them out.

Hale seems to firmly embrace the “rock and roll attitude,” but she’s also got the vocal and musical chops to stand on her own in front of the band. “I Like It Heavy” simply comes out and slugs you in the mouth, catching your attention from the start. At the very end, Hale’s almost church-choir sounding coda (of the studio version of the song) simply surprises you with its impact. Finally, anyone that can cover Pat Benatar’s “Hell is for Children” and pretty much equal Benatar’s voice is worth the price of admission.

(And, for a bonus, here’s Lzzy Hale wiping the stage with Eric Church at the CMT Music Awards.)

Leah Flanagan

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Flanagan is an Australian artist that received a great deal of support (re:  playing her music) on SiriusXM Radio Margaritaville (quite honestly, SiriusXM is a great spot to find new music that isn’t getting played on terrestrial radio) for her album Nirvana Nights and the tune “September Song.” Flanagan’s music is quite an eclectic mix of genres, all pulled together by her voice and lyrics. To my knowledge, she’s never has toured in the United States, a pity to be honest; she would bring a different style to the U. S. music scene.

Kacey Musgraves

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She may not be an artist that is hidden from the world, but Musgraves is one of the best country artists – hell, let’s go for it, overall artists – out there today (and that comes from someone who isn’t necessarily a country fan). A two-time Grammy winner, it just seems that nobody wants to give Musgraves the proper attention that someone of her talent deserves. Her album Same Trailer Different Park ran the gamut of musical stylings (my personal favorite, “Blowin’ Smoke,” had a definitive blues styling to it), which might keep her from being pigeonholed into the country genre.

Beyond that, Musgraves isn’t afraid to touch some sensitive issues with her music, something that country music isn’t known for. Questioning religion, acceptance and tolerance of gays and lesbians and drug usage are all subjects she’s touched on, rare in today’s music industry that prefers its artists to be sanitized (like the waste of space known as Taylor Swift) so little Suzie doesn’t get any wild ideas.

Blackberry Smoke

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If you prefer your rock n’ roll with a bit of a Southern flair, then this is the band for you. They do harken back to those 70s powerhouses like Lynyrd Skynyrd, Molly Hatchet and Blackfoot and they will get you tapping your foot. My personal favorite is the song, “Leave a Scar,” but also noteworthy are “Wish in One Hand” and “Six Ways to Sunday.”

Trombone Shorty

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For those of you who like your music instrumental, Trombone Shorty is someone to check out. From the melting pot that is New Orleans, Trombone Shorty combines musical styles like a delicious gumbo and the only thing that might stop your listening pleasure is getting too full of the funkiness. His biggest commercial success to this mark in his career is the song “Hurricane Season,” but there is plenty of other work that make him worth a listen. Like Musgraves, he’s young – only 30 (Musgraves is 27) – so we should be hearing from him for some time.

Rodrigo y Gabriela

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Acoustic guitar never sounded as good as when this Mexican duo pick them up. While Rodrigo Sanchez and Gabriela Quintero did stay pretty close to their Mexican roots with their breakthrough hit “The Soundmaker,” they will stretch out and incorporate other musical styles into their music. Of late, they have also been expanding to a full band outside of just their own guitars, so the future could be bright for this duo.

Gary Clark, Jr.

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Finally, if you have the desire to hear someone simply shred a guitar, Austin, TX’s Gary Clark, Jr., is the man. Long a mainstay of one of the most competitive music scenes in the world (Austin is PACKED with people that are or could easily have been the best in their respective fields of music), Clark broke through with his album Blak and Blu and the song “Ain’t Messin’ ‘Round” that demonstrated the screaming power and skill of his guitar work. He also is an accomplished blues player, as recognized by his Grammy win in 2014 for Best Traditional R&B Performance.

Will these performers be recognized 25 years from now? Will they be forever ensconced in the hallowed halls of the Rock & Roll Hall of Fame in Cleveland? Hell, nobody knows and that’s part of the fun. It is a thrill to simply enjoy the music and the ride and see where it takes us. So the next time you think that there’s “no good music” anymore, either take a listen to these artists or get out there and look for some on your own…the journey is definitely worth it!

Leicester City – The Greatest Sports Achievement Ever?

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It may not have gotten much attention here in the United States, but I certainly was keeping an eye on it over the weekend. For those that don’t know anything about football – soccer to the U. S. fan – the English Premier League’s championship was decided over the weekend. In a shocking occurrence, Leicester City – who was on the verge of relegation (re:  being sent down to a lower division of professional football in England because they finished in the bottom three of the Premier League) with seven games to go last season – completed one of the most remarkable turnarounds in sports history in winning the Premiership this season.

How big of a turnaround was this? Here’s some stats to give you an idea. The British bookmaker William Hill had Leicester City as a 5000 to 1 shot to win the Premiership at the beginning of the season last fall (and was still around 100-1 in January when Leicester City was leading the league) and many felt that relegation was more likely for the team in 2016 than anything else. They had to make a late run last year to finish in 14th place and started this year with a new manager, Claudio Ranieri, who wasn’t exactly loved by the Foxes fandom. Additionally, in the 30-plus years of the Premier League (and in going back to 1888 with English football), Leicester City had NEVER won the top-tier football league championship; in fact, in the Premier League, no team not named Arsenal, Chelsea, Manchester City or Manchester United had won the title since 1995 (Blackburn Rovers).

The stunning turnaround by the Foxes has brought up the question by many if it is the greatest sporting achievement of all-time. While the achievements of Leicester City are up there on the ladder, there’s a whole world of instances like this to choose from.

There are plenty of individual acts that you can put up as the greatest sports achievement ever. If you look at the sport of baseball, we can go back to the legendary Cy Young’s record for most wins by a pitcher of 511. The next closest pitcher to that mark is another member of the Baseball Hall of Fame, Walter Johnson, who is nearly 100 wins behind Young with his 417 victories. To get to someone from the “modern era” (let’s be kind and call that 1950), you have to go down to Warren Spahn in sixth place with his 363 wins; even Greg Maddux (355) and Roger Clemens (354), legends from my lifetime, aren’t even close (the active pitcher with the most wins? I didn’t believe it myself…Bartolo Colon with 220!).

Then there are the hitting achievements. Nobody thought that Ty Cobb’s 4191 all-time hit record would ever be touched, but then Pete Rose came along and stroked 4256 hits (best active player? Alex Rodriguez, 3082). The home run record is a bit tainted with the Steroid Era of baseball (I personally still consider Hank Aaron’s 755 the record), but thoughts of anyone touching Barry Bonds’ 762 is a fantasy (even A-Rod – or A-Roid – can’t reach it at 692). The ONE record that might stand the test of time is Joe DiMaggio’s 56-game hitting streak; nobody’s come close to that since 1978, when Rose went for 44 games (most recently, Jimmy Rollins went for 38 between two seasons in 2005-06).

NBA: Toronto Raptors at Golden State Warriors

Basketball has its share of great sports achievements and, this time, there are some team acts that come into the mix. This season in the National Basketball Association, the defending champion Golden State Warriors broke the record for most wins in a season (73) that had been held by Michael Jordan’s Chicago Bulls. The Boston Celtics’ string of eight consecutive NBA championships will never be equaled (neither will their nine titles in twelve years) and the dominance of John Wooden’s UCLA teams in the NCAA Men’s Collegiate Basketball Tournament (champions for seven consecutive seasons, ten in twelve years) is unmistakable.

Still, arguably the biggest achievements in basketball were done by individuals. Back in 1962, the legendary Wilt Chamberlain went off in an NBA game against the New York Knicks, scoring 100 points in a game that was played not in the (then) Philadelphia Warriors’ home in the “City of Brotherly Love” but in Hershey, PA. If that wasn’t good enough, that 1962 season Chamberlain AVERAGED 50.4 points per game and a stunning 25.7 rebounds per contest. It makes the recently retired Kobe Bryant’s 81-point game against the Toronto Raptors in 2006 dim a little in recollection.

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There are potentially only two things that could approach what Leicester City did this season. Once comes from the National Football League and the other comes from the Olympics.

Back in 1969, the New York Jets were a huge underdog to the Baltimore Colts in Super Bowl III. An 18-point underdog (the second largest point spread in the history of the Super Bowl, second only to Super Bowl XXIX, where San Francisco was favored by 18.5 points over San Diego), quarterback Joe Namath not only guaranteed that his Jets were going to win the game but then went out and dominated the event, with a late touchdown by the Colts saving them from a shutout. But were the Jets even close to a 5000-1 shot to win Super Bowl III at the start of the season? Even with a similar number of teams in the NFL/AFL at that time as the Premier League has (18 for the NFL/AFL, 20 for the EPL), probably not.

The ONLY thing that might be comparable to the achievement of Leicester City is the Team USA “Miracle on Ice,” the defeat of the Soviet Union’s Red Army team in the 1980 Winter Olympics. It isn’t that the 4-3 match in the semifinals of the Olympic hockey tournament that stands out so much – albeit it was a stunning occurrence – but in looking back at the history between the teams and the overwhelming dominance of the Soviet hockey machine, there are parallels that can be drawn with Leicester City.

The Red Machine stormed through an exhibition tour against National Hockey League teams in 1980, going 5-3-1 before crushing an NHL All-Star team 6-0 to win the Challenge Cup. Team USA, on the other hand, had a 61-game exhibition schedule against European and U. S. teams not nearly as talented as NHL squads before meeting the Red Machine on February 9, 1980. To call that match competitive would be a joke; the Soviets crushed Team USA, 10-3, and went to the Olympics as the overwhelming favorite, while Team USA was thought to have no chance of even reaching the medal round (the semifinals).

Of course, we know now how history played out. Team USA and the Soviet Union would reach the semifinals and be paired together, with the college boys from the lakes and ice rinks of northern U. S. cities and towns giving the vaunted Red Machine – technically soldiers in the Soviet Red Army but professional hockey players all – the toughest game they would receive during the Olympics. After Mike Eruzione gave Team USA the lead with 10 minutes remaining, no one in the crowd of 8500 could believe what they were seeing (believe it or not, the game was not being shown live in the U. S.). As the partisan crowd counted down the seconds – and as announcer Al Michaels would say over the tape-delayed commentary later, “Do you believe in miracles? YES!!” – Team USA would defeat the Soviet Union and, two days later, defeated Finland to win the gold medal.

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When you have to go back more than 30 years – and back to something that was geopolitically charged as well as nationalistically inspired – to find something that is even CLOSE to what you’ve done, then it is pretty special. Let’s not start worrying about how Leicester City will do in defending their championship in the Premiership next season, nor worrying about how the Foxes will do in the 2016-17 UEFA Champions League that they have qualified for. Bask in the warming glow of what is arguably the greatest sporting achievement in the history of team sports, whether it is English, European or internationally.

When U R Gone, What 2 Do with Ur Legacy

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It’s taken me a few days to come to grips with the death of the legend that is known as Prince and, to be honest, there aren’t words that can express the depths of the impact of his death. Barely older than myself at 57, Prince Rogers Nelson stepped into his elevator on Thursday last week at his sprawling Paisley Park recording studios/home in Minneapolis and, with no one else around, passed away inside the car. In one moment, another icon of the music industry had been stolen from the world.

2016 has been a particularly difficult year for iconic musical legends. The one most applicable to Prince was David Bowie (who also had a seismic impact on myself) and the two, if not cut from the same cloth, at least were in the same skein of fabric. Both were innovators in the music they created; they followed the path of their own choosing and, upon their death, it was automatically known that there would be no one else like either of them. Add in other legends like B. B. King, Merle Haggard, Paul Kantner, Glenn Frey, Lemmy Kilmister and Maurice White (just to name a few) and, if there’s a Heaven, then the joint is rocking pretty hard lately.

Perhaps the Grim Reaper can leave musicians alone for a while…

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There are several other legendary performers that Prince has a great deal in common with, however. One of the big issues that has come out is that Prince was notoriously known to keep a humongous stash of his own recorded materials on the grounds of the Paisley Park studios. A past studio musician who worked with Prince in the 1990s stated that, at that time, there were at least 50 albums of unreleased material that were in basically a bank vault inside the home. Now that Prince has passed away, will there be similar comparisons to Jimi Hendrix, Tupac Shakur and Michael Jackson as to their posthumous activities?

Hendrix only released three albums of original material prior to his death in 1970 but, following his passing, it seems there were tracks just laying around that he had worked on. Between 1971 and just last year, 59 total albums have been released bearing Hendrix’s name (12 studio, 25 live and 22 compilations) and this isn’t even counting Extended Play (EPs), singles or “official bootlegs” of Hendrix performances. The same is true in the case of Shakur; he released four albums prior to his death in 1996 and seven albums after his demise. Hell, Shakur even came back as a hologram at Coachella in 2012 to “perform” for the crowd.

Jackson didn’t escape this type of action either. While he was a bit more prolific with his career prior to his death in 2009 (ten solo albums plus his work with his brothers as the Jackson 5 or the Jacksons), he – or, better yet, the Jackson estate – has released two albums of work posthumously, Michael and Xscape. There was also a documentary movie released, This Is It, that detailed out the preparations for the World Tour that Jackson was set to embark upon before his death.

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Estimates on Prince’s entire estate at the time of his passing have been put at $250 million (probably much better off than any of the men whom we’ve discussed previously when they left this mortal coil) and it is conservatively thought that, over the next five years through just what is in the marketplace currently, another $100 million could be earned by the Prince estate. The question becomes what do you do with that wealth of material that Prince put in the vault.

If there were 50 albums of material in the mid-90s, with someone like Prince there are probably a couple of hundred albums of FINISHED product there now, waiting for eager fans to hear. There’s probably another couple of hundred of albums consisting of bits and pieces that could be cobbled together into some form of functional music. The question becomes do you just keep it locked away? Or do you go ahead, realize the potential goldmine that you have and release it?

There are plenty of cases where a writer or musician will leave a piece unfinished because it just doesn’t feel right for a particular mood that they are working on at that moment. In other cases, they lose the momentum that drove them to write the piece in the first place or they simply forget that they were working on it in its entirety and move onto other things they feel are more challenging. These things really happen – you ought to see the number of things I start writing that either never reach fruition or fizzle out…if I revisit them today, they move forward hesitatingly again until that fateful moment that they get forgotten about.

Since I am in no manner as productive as Prince, as musically talented or as in demand as to my product (I’d like to think I can turn a phrase or two sometimes, however), the dilemma becomes whether he left explicit instructions for his family members following his passing. It is possible that he detailed out what to do with this vault of recordings down to the T and his family will follow them faithfully. It is possible that he dictated that those recordings never reach the ears of the civilized world, which would be a true tragedy. Then again, the family may go against any of Prince’s postmortem wishes (or a court might) and just release things as they need the money and it will seem as if Prince never left us.

The worst thing that could happen is that Prince’s family sells the rights to Prince’s legacy to either a record company or another artist. This is what happened in the 80s when Jackson bought the rights to The Beatles catalog (and destroyed the friendship he had with Sir Paul McCartney, who encouraged him to get into music rights ownership, over the issue). Simply the material that is in public today should be enough for Prince’s family to be able to not only live well but be able to erect some sort of appropriate way to memorialize their loved one who left far too soon. To sell off his legacy in such a manner would be heresy to his memory.

I personally hope that we do get some more QUALITY Prince material – in my opinion, there’s a reason that Prince put those recordings in a vault…he didn’t feel that they were of the standard that he wanted his audience to hear. But if his family were to deem those recordings should stay unheard by the public – or if Prince himself explicitly dictated that they weren’t to be released (the worst thing to hear would be that they would be destroyed – it would seem like another fire at the Library of Alexandria for music lovers), then those wishes would have to be respected. There is one thing that is clear – we’d love to not be thinking about this issue and instead wondering when Prince would either perform next or what would be the general groove of his next album.

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Freedom of Speech Only Goes So Far…

CurtSchilling

Earlier this week, former Boston Red Sox pitcher and ESPN baseball commentator Curt Schilling offered up on his Facebook account an anti-transgender meme that has been making its rounds on the internet. In this particular meme (I’ll refrain from putting it on here because…UGH!), a rather unattractive man is wearing female clothing with the quotation beside him, “LET HIM IN! To the restroom with your daughter or else you’re a narrow minded, judgmental, unloving, racist bigot who needs to die!!!” Schilling shared the meme and, after a moment’s thought, deleted it, but not until after some people had screen-captured what he’d done.

To take it a step further, Schilling then stepped to his personal blog and tossed more gasoline on the raging fire. To give him credit, Schilling didn’t shy away from his personal beliefs (“There are things I have deeply held beliefs in, things that are core to who I am, things I am passionate about…whether you like that…or not is completely up to you.”), but he also had to know what was coming (more on this in a moment). That “other shoe” that Schilling might have been expecting came on Wednesday night when his employer, ESPN, terminated his contract, stating simply “ESPN is an inclusive company. Curt Schilling has been advised that his conduct was unacceptable and his employment with ESPN has been terminated.”

This wasn’t the first time that Schilling had stepped down this path. He was suspended after first Tweeting a meme that compared Muslims to the 1930s Nazis and, once ESPN kicked him off the broadcasts of the Little League World Series, followed up with a defensive post to another blogger that cost him the remainder of the Major League Baseball season (despite the factor that the post also defended the person who replaced him, former U. S. Olympic softball star Jessica Mendoza, against comments the blogger made). And this doesn’t count what other memes that Schilling shared over his Facebook feed.

Opinion over what Schilling has shared over his social media – this week and previously – takes an interesting course, one that requires some thought before making a statement. Plenty of people believe that Schilling was simply “saying what a lot of us are thinking. Apparently you can’t have an opinion at ESPN if that opinion isn’t a liberal opinion.” Others believe that Schilling will be quite happy on the unemployment line (probably not; Schilling’s video game company, 38 Studios, filed for bankruptcy protection in 2012 and Schilling has sold off personal memorabilia to cover his expenses), saying, “Who would want to work for a company that would punish you for telling the truth?”

There are those that take the other side. “Schilling’s freedom to say what he wants hasn’t been denied; the government has not punished Schilling for what he said,” one person stated. “ESPN, however, has the right terminate his employment.”

That is the key point that many are missing with this situation. Schilling has all the “freedom of speech” rights in the world. The government cannot come after him and tell him “you can’t say that, Mr. Schilling, otherwise we will have to put you in jail.” It is one of the tenets of the First Amendment that allows everyone the right to speak out about…well, whatever they feel are the injustices of the world.

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What many seem to forget, however, is that with the freedom of speech also comes the consequences of that freedom. For example, it is allowable to be able to burn the U. S. flag in protest (and to dispose of it, but that’s another story), encoded by the U. S. Supreme Court decision Texas v. Johnson (1989). While you can go ahead and burn the flag, you also have to accept the consequences of what might happen if you do that; in some cases, there may be a major league ass-kicking that comes along with it…not condoning physical violence, but it is a potential consequence. In Schilling’s case, he perfectly has the right to freedom of speech, what he forgot was the consequences part.

ESPN is a part of the massive Disney empire, which is the target of boycotts by one organization or another probably several times a day, 365 days per year. They try to minimize those issues by offending as few people as possible with the multitude of entertainment options that they provide (this is probably why they chuck the Disney girls who come up through their shows out before they go wild…look at the recent arrests of Debby Ryan and Kelli Berglund and let’s not even get into Christina Aguilera and Britney Spears). Thus, when someone continually chafes their audiences through poking the proverbial bear with their social media actions (as Schilling has done here and in the past), there comes a point when ESPN can decide enough is enough and remove the problem by dismissing the person.

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It isn’t the first time that ESPN has done something along these lines. After a profanity-laced tirade at a roast for Mike and Mike hosts Mike Greenberg and Mike Golic in which she went off on Golic’s alma mater Notre Dame by saying “Fuck Notre Dame, fuck Touchdown Jesus…and fuck Jesus,” former ESPN anchor Dana Jacobson was suspended for a week from the ESPN airwaves after irritating the Catholic League. Commentator Stephen A. Smith was suspended for his comments on domestic violence and SportsNation host Max Kellerman earned a suspension for his comments on the same matter. These barely even broach the suspensions and/or firings that have been handed out by ESPN in its history for “freedom of speech” violations.

Freedom of speech is a guaranteed right under the U. S. Constitution, but it is only guaranteed when you are speaking about the government. You can criticize the President, Congress, our military actions (or lack thereof), our political directions and decisions or an array of other things and there isn’t a thing that the government can do about it. They cannot come to the street corner where you might be ranting about these things, they cannot censor what you write on the subject and they certainly cannot arrest you for what you’ve said (within reason, of course…advocating for armed treason is one of those areas that they might have actionable cause).

When it comes into the private arena, however, the game completely changes. A company can (and does) look into your personal background, your social media (some companies nowadays ask for your social media names, at the minimum; state and federal legislatures are trying to prevent this) and monitor for where their employees might discuss the company. If this is a surprise to you, I’ve got a story that will emphasize the point for you from more than 15 years ago.

While working in the public sector, I worked with a gentleman who went into an online chatroom and discussed the company we worked for at great length. Needless to say, he wasn’t exactly glowing in what he said about our company as he detailed out what he felt were problems that the organization had. Although he thought he had an online ‘handle’ (screenname) that would prevent him from being identified (they could trace ISP addresses, even back then), the company found out who it was and terminated him immediately, despite his protests of “freedom of speech” (this is an old refrain).

Fired

How many of us would be willing to lay our social media accounts in front of our employer and let them have a look at what we think and say? How many of us would be able to pass the scrutiny of such an examination that our employer wouldn’t have to dismiss us out of protection of their organization? I’ll be the first to say I’m probably not perfect as to some of what I’ve written on social media; I wonder how many people who read this can be that honest.

So it isn’t the factor that Schilling’s freedom of speech is being violated. It is a factor that Schilling didn’t consider the consequences of what his freedom of speech might bring onto the company he represents. For those who contend that a “liberal company” is “silencing” a “conservative” thought, it isn’t that at all; it is a business looking to protect its bottom line by eliminating a loose cannon that could cost it money, plain and simple.

“Cutting the Cord” If Only for A Day

CuttingCord

I thought it would be an interesting experiment. I’ve read quite a bit lately about people who have been ditching their cable or satellite companies – “cutting the cord” as it is called – and just going with what can be found on their computer or other streaming services. For the last couple of years, I’ve owned a Roku 3 (a great Christmas gift from my lovely wife) and use it quite frequently, especially during the baseball season. As an experiment, I thought I would give it a day’s trial, just to see if I could “cut the cord” for a simple 24-hour period. You might be surprised about a couple of things that occurred.

It is something that is happening more than you think across the United States and around the world. Estimates are that as many as 10% of U. S. homes are disconnected from traditional cable or satellite service. A 2014 survey by Mike Vorhaus of Frank N. Magid Associates for a trade conference estimated that 59% of U. S. households paid for a subscription video-on-demand (VOD) service and Netflix was 43% of that group. Finally, that same survey from Vorhaus noted that, among 18-34 year olds, television as the primary medium for entertainment was down to only 21%. Two years later, imagine where those numbers are…

My experiment, however, didn’t get off to a great start. First of all, getting up in the morning and turning on the television was distinctly out. As I prepared my son’s lunch for school, I absentmindedly hit the television in the kitchen for CNN. Just as quickly, I shut it off as I reminded myself what today’s experiment was to be about. After I returned home, it was fortunate that I had some work to do and a doctor’s appointment because I wasn’t concerned about what was either on the television or what I was missing from the news. This was good and bad, in my opinion.

Being able to get your work done – especially for someone like myself who works from home – takes a great deal of discipline. Sure, part of the reason we do it is for the flexibility of the situation (my wife and I also save a great deal on child care), but to be able to look at what you have to complete from a work status and be able to achieve those goals while sitting in your abode is something that all people enjoy. The down side is that, yes, we do work from home so we can have a few extra niceties, such as the television on in the background; I especially like CNN because it isn’t something that you have to concentrate heavily on and, in the cases of “BREAKING NEWS,” it allows you to keep on top of what’s going on in the world.

After the doctor’s appointment, I tried to use one of the new features from CNN, CNNGo, which brings their live broadcast to your computer screen. As I halfway listened to the news that Speaker of the House Paul Ryan was “absolutely, positively NOT” going to be the GOP’s savior at their convention in Cleveland (sure, Paul…just like you “DIDN’T WANT” the Speakership), it suddenly cut off and I brought up the window. Sure enough, I reached a situation that many do when they try to break away from their cable service.

To be able to access CNNGo (and, as I was to find out later with my son, to be able to access Disney Junior), you had to have an active cable service account. While CNNGo asked for several of the prominent carriers in the business – names such as Charter, Xfinity, DISH Network and others – they didn’t come up with mine:  Time Warner Cable. As such, I couldn’t WATCH CNNGo on my computer – and my son could not watch Disney Junior through the Roku 3 later in the day – because the companies cannot come to a financial agreement so that CNNGo or Disney Junior can be offered on the computer or Roku (you can, however, access them through the Time Warner app that is available through the Roku…figure that one out). This is one of the reasons that pisses off many with the whole “cutting the cord” thing; in reality, you’re not cutting the cord because, at the minimum, you have to at least have minimal cable service to be allowed access to certain channels, whether it is on the computer or through such a streaming device as a Roku.

Roku4After this revelation, the next problem arose as to the “break away” from the cable company. I sat back and watched, through Poker Central, some of the action from the Global Poker League on the Roku 3 during the afternoon and got a bit restless. Taking a look around, there were very few free streaming channels that you could find to actually watch any type of substantive programming (PBS is good for this and free, but fun isn’t the first thing you think of with PBS). To be able to have any selection to be able to choose from, you had to have access to something like Netflix, Amazon Prime Video or Hulu Plus, each of which charge a monthly fee for access.

These three are the “power brokers” in the new streaming world (“streaming” being whether you watch on your cellphone, your computer or through a device like the Roku) and could have a seismic impact on the shape of the television world in the future. They have already had an impact on programming, beginning to offer their own scripted television shows that have garnered critical acclaim (at the expense of the traditional television networks). But would people actually move to a piecemeal system like this over the traditional cable system?

Some studies suggest that the bundled channel system that cable companies use actually save customers money rather than cost them more, and there’s some evidence to suggest that they may be right. If your cable company offers a basic cable package for $20 per month (and that’s about as base as it gets in many areas, pretty much offering the local channels and a few other stations like the Weather Channel, CNN, ESPN and others), that is normally what people will watch; where people get irritated is when they have 300 channels and nothing is on. With the streaming outlets, you pay somewhere along the lines of $9 a month for Netflix or Hulu (Amazon Prime is $99 per year), but you might have to pay $4.99 for this station to get access over your streaming device and another $4.99 to access another station…it begins to mount up if you have several access points.

Then there is the factor of live sports. Pretty much every sports league has some sort of live package where you can watch every game from the league (except the National Football League; at this time, the NFL Sunday Ticket package is still the domain of DirecTV, although you can pay to be able to watch, on a tape-delayed basis, the NFL games the next day). These packages can range in cost up to $129…if you put that together for baseball, basketball, hockey and hell, let’s say the NFL comes around and does it too, it’s over $500 per year. That’s not counting any NCAA collegiate games, NASCAR, Formula 1, Indy Car, Major League Soccer, Premier League…you might be getting my point by now.

ESPN Plaza - Bristol CT

Then there’s the monolith known as ESPN. Losing money left and right nowadays (as much due to the competition from outlets like Fox Sports, the CBS Sports Network, the NBC Sports Network and insane fees to the sports leagues for broadcasting rights), ESPN has been considering taking the route of Netflix into an “a la carte” service. According to a 2015 article from The Motley Fool, 40% of people would be willing to pay $10 per month for a “Netflix” version of ESPN. The problem is, the Fool states, that ESPN would need at least $15 per month from subscribers AT THIS TIME to maintain its current standard of performance revenues. This isn’t even looking into the future, when the marketplace is further crowded and the bidding wars for rights fees for athletic events gets even more bloodthirsty.

By the time the Yankees game against the Toronto Blue Jays ended tonight on the Roku, it was time to end the “cut the cord” experiment. I had proved I could do it – there’s enough out there and there is the capability to still watch what the television networks provide, if you’re willing to wait in some cases – for at least a day, but any longer might be a stretch. Perhaps in a few years, when the streaming networks have become more like the cable companies and are actually offering “channel packages” and the cable companies have gone truly “a la carte” to allow their customers to choose ONLY the channels they want, then it would be good to try it again. Right now, I’ll dance between the two worlds quite happily – and enjoy them both immensely.

If I Were the President of the Rock & Roll Hall of Fame…

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Next weekend, the Rock & Roll Hall of Fame will open up the doors of its enclave for the 31st time to induct new members into its midst. Holding their ceremonies at the Barclays Center in Brooklyn, NY, this Friday (April 8), this year’s inductees are quite eclectic, with some of them well deserved and overdue – such as Chicago and Deep Purple – some riding a wave of popularity due to recent attention – the gangsta rap pioneers N.W.A. – and two choices that were a bit surprising – Cheap Trick and Steve Miller. As with many of the ceremonies past, there is a bit of drama as to the festivities.

When it comes to Deep Purple, which incarnation of the band will be inducted? Much of the attention has been given to the late 1960s/early 1970s incarnations – the Mark 1 through Mark 3 versions of the band that featured musicians such as Jon Lord on keyboards, Ian Gillian on vocals, Ritchie Blackmore on guitar, Roger Glover on bass and Ian Paice on drums. Not so much attention has been given to the later renditions of the band that featured future Whitesnake vocalist David Coverdale, so we can pretty much count on the factor that the group of men who gave us milestone classics like “Space Truckin’,” “Smoke on the Water” and “Highway Star” are the ones that the Hall will be inducting.

The second story is will the entirety of Cheap Trick reunite for the show? In 2010, drummer Bun E. Carlos had a rather acrimonious split with singer Robin Zander, guitarist Rick Nielsen and bassist Tom Petersson, one that actually ended up in a courtroom (apparently the three men tried to cut Carlos out of his rightful piece of royalties from the band’s work…the trio lost the case). Since then, the men haven’t spoken, but they will apparently put aside the animosity and play for one night only. According to Nielsen, Carlos “is going to play the inductions because they’re inducting the people who made the records…he deserves it.”

I always get a little reflective when the Rock & Roll Hall of Fame ceremonies come up, mostly because I think there are several people there that shouldn’t be inside the walls without a ticket. Over the 31 years that the voters have put people into this hallowed sanctum, they have besmirched the walls with some who haven’t earned the right to be there. If, for one day, I were the President of the Rock & Roll Hall of Fame, I would remove these five members forever, correcting the wrongs of the past:

The Beach Boys (1988)

Probably one of the most overrated acts ever in the annals of U. S. music history, all the Beach Boys were is a doo-wop group who moved off the street corner and onto the beach. Their sound had already been created (unless you forgot Dick Dale, another erroneous non-entry into the Rock & Roll Hall of Fame) and they very rarely deviated from a set pattern:  beach, surf, multiple girls (you might throw a car in there on a rare occasion). Lather, rinse, repeat. There was nothing that was groundbreaking about them at all; even their supposed masterpiece, Pet Sounds, was Brian Wilson looking to duplicate what producer Phil Spector had done with his “Wall of Sound.”

Madonna (2008)

Madonna

By far the most egregious error in the voting annals of the Rock & Roll Hall of Fame committee. That Madonna got in the Hall before such people as Alice Cooper, Dr. John, The Crickets (Buddy Holly’s backing band), Heart, Rush and Albert King (just to name a few) is a miscarriage of justice beyond measure. Furthermore, there is no way that you can tell me with a straight face that Madonna had ANY impact on the development of rock music – if the category was POP music, then yes, Madonna’s fingerprints are all over it (hello there, Lady Gaga!). But this is the Rock & Roll Hall of Fame and, last I checked, nobody is naming her as a significant influence.

Donovan (2012), Bill Withers (2015) and Steve Miller (2016)

Unfortunately, all of these men fall into the same category:  they all are pretty good at what they did. The problem is we are not electing people into the “Hall of Pretty Good.” This is the Rock & Roll Hall of Fame, people!

I know this might sound sacrilegious, but while Withers’ works were memorable (“Ain’t No Sunshine,” “Lean on Me” and “Just the Two of Us” are all outstanding songs), he just didn’t have enough of them. This also could be said for Donovan; name me another song he did outside of “Sunshine Superman” and “Mellow Yellow?” You might be able to sway my thoughts on Miller, but I believe that he’s getting more of a vote on his pedigree (studying at the feet of the legendary Les Paul and Mary Ford as a child will get you those types of votes) than on any outstanding works he wrote or performed. These three men just don’t meet the criteria for what I would call “Hall of Fame material.”

Now that five places in the Rock & Roll Hall of Fame have opened up, who should be inducted into those slots? I’m glad you asked. As the President of the Rock & Roll Hall of Fame, these five artists/bands will be the ones who will take over their rightful places. I’m completely blown away that they aren’t there already, to be honest:

The Runaways

Although Joan Jett is in the Rock & Roll Hall of Fame along with her band The Blackhearts, they needed to go back a bit further to actually encapsulate the first band that broke Jett onto the rock scene. The Runaways were the first female hard rock band to enter the scene, led by vocalist Cherie Currie and the dual guitar attack of Lita Ford and Jett (little known fact is that Mikki Steele, who was a member of The Bangles, was originally the bassist for the group). Svengali Kim Fowley pushed the group as a “teenage jailbait” band, but their music was actually pretty damn good. Most known for their hit “Cherry Bomb,” The Runaways were huge stars in Japan and did pretty well in Europe. In the United States, they were before their time, but their members would go on to bigger success as solo artists.

Pat Benatar

Are you fucking kidding me? One of the most successful female rock artists of all-time, definitely one of the Top 50 artists of the 1980s, isn’t in the Hall of Fame yet?

Pat Benatar (who, to the best of my knowledge, has NEVER EVEN BEEN NOMINATED) followed up on the heels of The Runaways, carrying the banner for women in rock with an unapologetic, no-nonsense approach to the genre. Where Benatar took it a step further was she was the one in charge of her career – she didn’t bow to the dictates of a manager and she definitely didn’t kowtow to the record companies. On her VH1Behind the Music,” the story is famously told about the record executives that Benatar famously took down because they tried to sexualize her style early in her career. Perhaps that is why she hasn’t gotten the kudos she’s due…the record industry is still holding a grudge against her. And name me another hard rock singer who has a four-octave range and is classically trained?

Warren Zevon and Jimmy Buffett

You might be saying, “What makes these two guys different than those three you threw out above?” There’s plenty that makes them different!

In the case of Buffett, he literally created a genre of music that didn’t exist before he came along – tropical rock, or “trop rock,” a fusion of so many musical stylings that it is literally impossible to list them all (if you haven’t listened to a Buffett album or been to a Buffett concert and heard at least six musical styles, you must expand your musical knowledge) – and still is at the top of his game more than 40 years after hitting the road. He has a catalog of music that has inspired a host of entertainers today, such as Kenny Chesney, the Zac Brown Band and others from the U. S. and around the world. Finally, he’s a shrewd businessman, turning his biggest song – “Margaritaville” – into a mega-empire that includes restaurants, casinos, a clothing line and a Sirius XM radio station. That “empire” is now a private company that is thought to make hundreds of millions of dollars per year – that’s a nice nest egg to sit back on!

Zevon, who unfortunately passed away in 2003, probably did more for others’ careers than he did his own. He wrote songs that were hits for Linda Ronstadt and worked closely with Jackson Browne and The Eagles before finding some acclaim on his own. Always more of a critical darling, Zevon’s album Excitable Boy (his most commercial effort) brought Zevon’s biggest hit, “Werewolves of London,” while the remainder of his works on the album (including “Roland the Headless Thompson Gunner” and “Lawyers, Guns and Money”) showed his eclectic side. The remainder of his catalog presented an extremely diverse and talented artist who entertained and challenged his audience. Overall, he is highly respected in the music industry for his artistry, his passion and his individuality, things that the Rock & Roll Hall of Fame is supposed to honor.

Judas Priest

With both Chicago and Deep Purple going in this year and with KISS entering in 2014, you might think that there wouldn’t be any more “fan outrage” over artists not being in the Hall. That would be inaccurate, however, until the omission of Judas Priest is corrected.

Judas Priest has, for almost 40 years, been at the forefront of the hard rock/heavy metal genre, carrying the baton from the Led Zeppelin/Deep Purple/Jimi Hendrix/Black Sabbath early days of the game. With singer Rob Halford (or without, as the days of Tim “Ripper” Owens didn’t slow them down any) and the dual guitar attack of Glenn Tipton and K. K. Downing, the definitive style of Judas Priest is recognizable anywhere. They also have been heavily influential in the genre, with such bands as Pantera, Metallica and the New Wave of British Heavy Metal (NWBHM) of the 80s citing them as heroes.

There’s a whole litany of artists and groups I could get into that deserve a place in the pantheon of rock, but my day as President of the Rock & Roll Hall of Fame is done. I’ll be watching the induction ceremonies on Friday night (or whenever the hell they’ll be on – thanks HBO!) and celebrating the music of the inductees for 2016. Then it will be time to consider who will be inducted for 2017 and the madness will begin again.

The Paradox of Ted Nugent

TedNugent1970s

There are occasions in our lives when we regret some of the things we’ve enjoyed. Everyone has that particular hair cut that, if there are photos still in existence, they cringe when the Polaroids come out. There are clothes that have been – or, in many cases, still are – in our closets that are so far out of style that they might be coming back into favor any day now. But what happens when it is some of your favorite music, actors or other performers who have gone so far off the rails that you’re in a paradox of how to justify supporting them anymore?

The man that is known as Ted Nugent has worn many a hat in his nearly 70 years on planet Earth. First known as a guitar virtuoso with the Amboy Dukes in the late 1960s, Nugent segued into a highly successful career as a solo artist through the 1970s and 1980s, the era of “Album Oriented Rock.” As the grunge movement of the 1990s began, however, the “Motor City Madman” suddenly fell out of favor, which ushered in the next, more controversial phase of his life.

Long an outdoorsman that talked about his connection with the “spiritual” nature of the world (AKA in relation to the Native American mode of thought and lifestyle), Nugent suddenly moved into more dangerous territory as a vehement supporter of the National Rifle Association and its vigilant (some might say dangerous) support for the Second Amendment. That was fine when there was a Republican in the White House, President George Bush (Bush II), but when President Barack Obama was elected in 2008, Nugent went off the deep end…in fact, it started before President Obama was even elected.

In 2007 during a concert appearance, Nugent allegedly said to the audience, “This country should be ashamed. I wanna throw up. Obama, he’s a piece of shit. I told him to suck on my machine gun.” When the elections came around again in 2012, Nugent piped up again in stating, “If Barack Obama becomes the president in November, again, I will be either dead or in jail by this time next year.” Nugent has also gone to the lengths of calling the President of the United States a “sub-human mongrel,” a term so vile and racism-laced that virtually no one supported him. Obama hasn’t been the only one who was the target of Nugent (no pun intended), in fact it seems that anyone with a “D” in front of their name has drawn the ire of Nugent’s political scat.

TedNugent2010s

Political viewpoints aside, Nugent has also gone after homosexuals, the poor, “foreigners” (“Foreigners are assholes, foreigners are scum.”) and feminists (“What’s a feminist? A fat pig who doesn’t get it often enough.”). But it seems that Nugent finally found a group that he couldn’t take on…or maybe it was a subject that he shouldn’t have broached.

In February, Nugent went on a rampage on his Facebook page, accusing prominent Jewish leaders of promoting the anti-gun agenda in the United States. In his screed, Nugent scathingly and derisively touched on their association with anti-gun activities in saying, “They hate freedom, they hate good over evil, they would deny us the basic human right (hey, Nugent’s words) to self-defense & to KEEP & BEAR ARMS while many of them have tax paid hired ARMED security!” While some of his fans tried to point out that he might have gone too far, Nugent instead ranted further, stating, “Never fucking again, assholes!”

The targets of Nugent’s rant? Such prominent Jewish leaders as former New York City mayor Michael Bloomberg (called “Mikey” on the rant, as many of the photos had some sort of derisive commentary that mentioned their ties to Israel), California Senator Dianne Feinstein, New York Senator Chuck Schumer, Chicago Mayor Rahm Emmanuel and prominent attorney Alan Dershowitz, among others. Naturally, the comments drew a huge amount of outrage, not only from those that disagree with Nugent but also those who support the NRA that went as far as calling for Nugent’s removal from the Board of Directors of the organization. Perhaps realizing that he’d finally stepped too far (and apparently the NRA was about to pull the trigger on his removal), Nugent issued an apology and said he “wasn’t anti-Semitic” (but that was after he had already said…well, here).

As a fan of hard rock music, I like Nugent’s work. While we’re not talking Beethoven or Mozart, some of his work is among the best classic rock and hard rock tracks in existence. When his solo career slowed in the 80s, he formed the powerhouse super group Damn Yankees with Tommy Shaw of Styx and Jack Blades of Night Ranger and put out a couple of albums of really good music. And Nugent puts on a great live show, if you can get by the political rants that he goes off on nowadays.

I’ve also had the chance to meet him on a couple of occasions through my days in radio. Both times were like a force of nature had swept through the room as Nugent – who says he has never had any drugs or alcohol – bounded through the fans with an energy that would rival that of a 20-year old. He also always seemed to have time for his fans before, during and after every show.

But that doesn’t negate his actions of today nor those of his past. When I was younger, I could overlook Nugent’s history due to that youthful ignorance. Today – and especially with the power of the internet – it is difficult to do that.

There are several questions regarding his proclivities with wanting his ladies to be – and I will put this as delicately as possible –a little on the younger side. Spin Magazine found that Nugent somehow persuaded the parents of a 17-year old girl to allow him to became her legal guardian, naming it the 63rd “sleaziest” moment in rock history (and that’s saying something). And there are legends that Courtney Love – yes, the widow of Nirvana’s Kurt Cobainonce performed a sex act on Nugent when she was 12.

Now, if that weren’t enough, there’s also the question regarding Nugent’s method for avoiding service in Vietnam. Of draft age when the war was at its apex in the late 1960s, Nugent was able to get a deferment, but just exactly how is the question. According to a 1977 High Times interview, Nugent supposedly let personal hygiene go for up to a month – including performing bathroom functions in his clothing – to get the military psychologists to give him the deferment. In 2006 – not surprisingly at the height of his paramilitary, right-wing rebirth – he told the British newspaper The Independent that he made that story up. Whether he is a draft dodger or not – he did actually get a 4F deferment, the question being was if for a worthy reason or not – is the big question.

FattyArbuckle

This is where the paradox takes place and it is something that we have seen in many of our pop culture icons throughout history. Arguably the first noted case of this type of situation (since we have a hard time going back before “yellow journalism” or the paparazzi) was popular) was in the case of actor Roscoe “Fatty” Arbuckle, who was a popular actor and performer in the 1920s. Despite his bulk, he was a noted dancer and his comedic timing was impeccable, leading many to admire him and Hollywood to pay him $1 million in 1920 for his talents.

That was before a highly publicized rape trial, however. From 1921 through the next year, Arbuckle was the defendant in the rape and manslaughter trial of actor Virginia Rappe. Two trials ended in hung juries and the third finally acquitted Arbuckle, but the damage was already done. Arbuckle would never again reach the level of success he previously found, passing in 1933 of a heart attack at the age of 46.

That type of situation – celebrities with public admiration tainted or destroyed by scandal – has been seen through the 20th century to present times. Henry Ford and Charles Lindbergh, the “Hollywood Blacklist” that ensnared Dalton Trumbo and the “Hollywood Ten,” to O. J. Simpson, Michael Jackson, Sinead O’Connor or Jared Fogle…all have seen or saw their careers either crippled or ended by scandal in their lives. But what do people who admire them do?

MichaelJackson

There is no easy answer for this situation. I can still enjoy listening to Nugent’s music, but there is a constantly nagging voice in the back of my head that will not silence some of the things he’s done. Others might be able to easily separate the juxtaposition – it seems that fans of Donald Drumpf find it far too easy to do that – but does that say more about their either pleasure of enjoying an artist or thinking that an egregious error is “OK” (sorry, there’s some things that just aren’t allowable)?

You might be able to put a different subject in its place and you might have a different answer for each different subject, but the paradox that is Ted Nugent is still something that I have to ponder and, unfortunately, I’ll probably never come up with an acceptable answer…either to myself or to anyone else.

2016 Grammys: Who Will Win? Who Should Win?

Grammys

By now, most of you might have learned something about my background. If not, for 20-odd years of my life I worked in the radio industry as a music director and DJ. I worked in pretty much every format that you could imagine and reached what was, at that time, one of the Top 75 markets in the United States in North Carolina, a pretty nice achievement. I was also reaching that age that, if you weren’t working as the program director, in other areas of station management or on the morning or afternoon drive teams, you weren’t going to be sticking around the industry for much longer. Thus came one day when I woke up and decided to move on rather than have the door hit me in the ass somewhere down the road.

The love affair that I’ve had with the Grammys dates back prior to my days in radio, back to my love for music overall (something else that I’ve written about here) in my youth. As I grew up, the artists that I saw on television or heard on the radio became the things that I looked for in the record stores and tried to learn about through other media. In doing this, I also learned to find out about new music and artists and try to figure out what would be the “next big thing” in music. When it became a career in radio, that love of music made it seem more fun than actually having a job could ever be.

Time has gone on and, even though I don’t have a radio job that requires that I know every intimate detail about an artist as I used to have to know, I still love the music industry. I’d go back on the radio – even satellite radio (a gig on Radio Margaritaville or some of the other channels on SiriusXM Radio would be nirvana) – in a heartbeat if someone offered me a gig. Thus, when Grammys Weekend rolls around, you know where I will be come Monday evening and the awards show.

The artists that are nominated this year aren’t necessarily my favorites – and one, Taylor Swift, I would rather listen to two cats fighting in a box made of chalkboards and filled with aluminum foil than listen to – but even now I am still knowledgeable about their work. Therefore, I’ve scanned the Crystal Ball to see who will win the Grammys for the biggest prizes of the night and I will also offer up who I believe should have won the Grammy. To be honest, sometimes the National Academy of Recording Arts and Sciences (NARAS) is completely off base, either going too artistic or not really honoring the best work from the year…more often, it’s not honoring the best work of the year!

Lamar

ALBUM OF THE YEAR

Sound & Color, Alabama Shakes
To Pimp a Butterfly, Kendrick Lamar
1989, Taylor Swift
Traveller, Chris Stapleton
Beauty Behind the Madness, The Weeknd

Who Should Win:  While I am partial to Alabama Shakes and Brittany Howard’s bluesy guitar and howling-wolf vocals, Lamar would be the best artistic choice out of this mix. Lamar’s album dominated the R&B charts for the year and “Alright” was an excellent tune. I could also go for Stapleton or The Weeknd…anyone but who will probably get it.

Who Will Win:  Swift was basically shut out of the Grammys last year as “Shake it Off” won her exactly ZERO awards. The problem here is that Alabama Shakes and Singleton are basically going to cut up one side of the vote – the “rocker” vote – and Lamar and The Weeknd are going to divvy up the R&B side of the equation. That leaves the lane wide open for Swift to slip through the cracks (and she can do that easy – I’ve seen more curves on a 2X4) and steal this award. It would also shut up her fan base that says the Grammys don’t “respect” her as an artist (there’s a reason for that…Swift ISN’T one!).

RECORD OF THE YEAR

“Really Love,” D’Angelo and the Vanguard
“Uptown Funk!” Mark Ronson featuring Bruno Mars
“Thinking Out Loud,” Ed Sheeran
“Blank Space,” Taylor Swift
“Can’t Feel My Face,” The Weeknd

Who Should Win:  I said it when it came out that “Uptown Funk!” was one of the catchiest pieces of music that I’ve ever heard; for the Grammy voters not to recognize Ronson and Mars for their work here would be unforgiveable.

Who Will Win:  I think the Grammy voters will agree with me here. The only problem is that the song may have been too far back in memory for some to recall how good it was. I could see The Weeknd possibly taking this or, in a real surprise, Sheeran for his ballad (the Grammy voters do like themselves a ballad to vote for).

SONG OF THE YEAR

“See You Again,” Wiz Khalifa featuring Charlie Puth
“Alright,” Kendrick Lamar
“Girl Crush,” Little Big Town
“Blank Space,” Taylor Swift
“Thinking Out Loud,” Ed Sheeran

Who Should Win:  The song that got me this year was the Khalifa/Puth duet from the movie Furious 7. The song’s usage, coupled with the death of actor Paul Walker, made it a tremendously poignant song and one that had an impact on many people. It was such a heart-wrencher that, during the People’s Choice Awards, actor Vin Diesel broke into song – and tears – singing this song to honor Walker as he accepted the award for Best Film.

Who Will Win:  If he is overlooked on the Album of the Year race, this is where Grammy voters will try to make it up to Lamar. It is also possible that this could be said to Sheeran, too, should he not win Record of the Year.

BEST NEW ARTIST

Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
Meghan Trainor

Who Should Win:  Tori Kelly has perhaps the richest voice that I’ve heard in quite some time. She’s probably going to be the artist that has the best career out of this bunch, but that doesn’t mean anything right now. This is a category that once honored A Taste of Honey over Elvis Costello and The Cars, remember that.

Who Will Win:  It’s Trainor’s award to lose. She’s by far had the most commercial success with “All About That Bass” and her debut album and she does bring that “doo wop meets hip hop” sound that Grammy voters think is so unique (sorry, my sarcasm monster escaped). There’s sometimes you shouldn’t combine musical genres and this is one of them.

BEST POP VOCAL ALBUM

Piece by Piece, Kelly Clarkson
How Big, How Blue, How Beautiful, Florence + The Machine
Uptown Special, Mark Ronson
1989, Taylor Swift
Before This World, James Taylor

Who Should Win:  Readers will know that I have a tremendous admiration for Florence +The Machine and they should win this award hands down. How Big…, from start to finish, was the most complete work that the band has ever done and should be recognized (also wonder why it isn’t nominated in the Alternative category, but I digress). I’ve also enjoyed Clarkson for years, but this last album wasn’t her best work.

Who Will Win: Once again, if Swift doesn’t get any of the “big” awards, this would fall to her as a consolation prize. I could also see the Grammy voters pulling a fast one here, though.

James Taylor getting nominated in this category would be prime for one of those idiotic moments in Grammy history when someone is honored WAY past their prime (don’t get me wrong, this isn’t to say Taylor’s latest album isn’t any good, it just isn’t his best work) for their career. Other examples of this would be Steely Dan’s 2001 Grammy win for Album of the Year for Two Against One (over more deserving subjects as Eminem, Paul Simon, Radiohead and Beck) and the inaugural Hard Rock/Metal Performance Vocal or Instrumental Grammy in 1989, which went to Jethro Tull over Metallica (still one of the greatest tragedies in Grammy voting).

BEST ROCK ALBUM

Chaos and the Calm, James Bay
Kintsugi, Death Cab for Cutie
Mister Asylum, Highly Suspect
Drones, Muse
.5:  The Gray Chapter, Slipknot

Who Should Win:  One of the breakout bands of 2016, Highly Suspect should be the ones who walk on the stage on Monday night to pick up this award. Other than Best New Artist, however, Grammy voters are wont to giving out accolades to newcomers (unless said newcomer just blows everyone out of the water); they are more apt to vote for those that have paid their dues in the business. Hence…

Who Will Win:  This is an easy one for Muse to take home. Although Drones is quite a distance from their best work (I’ve always been partial to The Resistance myself), Muse has put the required time in and it is their time to be rewarded. With only one Grammy win, Slipknot (2006 for Best Metal Performance for “Before I Forget”) might also be in the mix.

BEST ALTERNATIVE MUSIC ALBUM

Sound & Color, Alabama Shakes
Vulnicura, Bjork
The Waterfall, My Morning Jacket
Currents, Tame Impala
Star Wars, Wilco

Who Should Win:  I have to admit, I haven’t given this band much of a listen, but many in the industry say that Tame Impala is one of the big up and comers in the Alternative scene. Perhaps when I see them come up on Sirius XM I’ll give them a stronger listen because, at this point, they really have failed to grasp my attention – but, then again, I might not be the audience that they are targeting!

Who Will Win:  Once again, we come back to one of those “if you don’t…/then you will…” situations. If Alabama Shakes doesn’t garner Album of the Year, this is going to be their consolation prize.

KaseyMusgraves

BEST COUNTRY ALBUM

Montevallo, Sam Hunt
Pain Killer, Little Big Town
The Blade, Ashley Monroe
Pageant Material, Kacey Musgraves
Traveller, Chris Stapleton

Who Should Win:  In her sophomore effort, Musgraves has shown she is going to be a force to be reckoned with on the country music scene (and one of the few country artists that I like). She could have stuck close to what won her the Best Country Album Grammy in 2013 (for Same Trailer Different Park) but Musgraves instead chose to challenge herself by moving in a more artistic direction both lyrically and musically. In a genre that likes its artists to stay in their lanes, Musgraves is pretty refreshing.

Who Will Win:  Unfortunately for Musgraves, Stapleton is kind of unseating her in the “individuality” streak. A longtime bluegrass and country musician and writer who backed up such diverse artists as Adele and Brad Paisley and written songs with Peter Frampton, Sheryl Crow and Vince Gill, Stapleton finally decided to step out from the shadows and show himself. The resulting effort was Traveller which, if it doesn’t garner any big awards, should see the country side of the aisle recognize his efforts at the minimum.

ChrisStapleton

So what do you see as the big awards for the Grammys come Monday night? Or will you even be watching? Who knows, we may see Lady Gaga, during her tribute to late, legendary David Bowie, actually come out dressed as the Thin White Duke himself!

The Degradation of Sportsmanship in Athletics

CamNewton

I sat back and watched Super Bowl 50 on Sunday night – as did approximately 112 million other people – and, to be painfully honest, the game was a bit of a disappointment. Yes, I did pick the Panthers to win (more on that at the end of this essay), but it was more than that factor that caused the boredom. The game itself was more of a defensive struggle than most thought it would be. There were only two offensive touchdowns on the night (one by each team and both rushing TDs, surprisingly) and the defenses for both teams were the dominant forces. It was well deserved that the MVP for Super Bowl 50 went to Broncos LB Von Miller, who was a terror in sacking Panthers QB Cam Newton two and a half times and forcing two fumbles.

It was after the game that my appreciation for sportsmanship in athletics – at least here in the 21st century – took a further hit. In his post-game press conference, the Most Valuable Player for the National Football League, Newton, stepped to the podium to take questions regarding the game. Wait…perhaps it is better to say what he actually did. In every other game of the postseason prior to the Super Bowl, Newton had taken the time to dress splendidly following his wins, put a big smile on his face and entertain the reporters who peppered him with questions, of which he answered each with long answers that gave them and football fans additional insight into the game.

CamNewton2

Fast forward to Sunday night and it was like looking at another person – at least the NFL better hope so. Newton, clad in a black hoodie pulled up closely around his head instead of the splendid suits that he had worn, wasn’t standing proudly at the podium when he came to address the media following the Super Bowl loss. Slumped in a chair, gone was the glowing smile that Newton wore throughout the postseason, as were the lengthy answers for the reporters’ questions. Newton basically acted as a petulant child who, when not given what he thought he deserved, decided to pout his way through a requirement that he really didn’t want to do…and, in fact, he didn’t; Newton didn’t finish the post-game press conference, he got up and walked away while reporters continued to ask questions.

This is just the latest demonstration of the degradation of sportsmanship in athletics in the 21st century, and it also seems to be dipping down further into the amateur and even recreational ranks. Earlier this month, tennis champion Serena Williams – a living legend in a sport if there ever is one – acted as if there were about 1000 other places she would have rather been after losing the Australian Open to Angelique Kerber, where a victory for Williams would have tied her with Steffi Graf for second on the all-time list (and only two Grand Slam titles behind Margaret Court). She answered questions from journalists rather abruptly, only lengthening out her answers when it served her purposes, such as when she wanted to complain. “Everyone expects me to win every single match…as much as I would like to be a robot, I’m not,” Williams complained in the post-match news conference.

She was even worse at last year’s U. S. Open where, after being defeated by upstart Roberta Vinci and prevented from becoming the first woman to win the Grand Slam – winning all of tennis’ major titles in one season – since Graf in 1988, Williams basically slumped at the table during the post-match interview, scowling the entire time and actually said, “I don’t want to talk about how disappointing it is for me. If you have any other questions…” before storming out of the press conference early (perhaps we should call what Newton did “pulling a Serena”).

The general degradation of sportsmanship doesn’t stop there, however. Before the National Hockey League went on its All-Star break, defenseman Dennis Wideman of the Calgary Flames was knocked into the boards by a hit from a member of the Nashville Predators on January 27. As he arose and headed to the bench, he cross-checked (held his stick between his hands across his chest) linesman Don Henderson from behind in protest for a penalty not being called. Wideman attempted to say that he was “disoriented” and “never saw” the official until the last minute, but the video of him pulling back his hands and putting a little extra pop on the hit was hard to ignore. The NHL suspended Wideman for 20 games, which is currently under appeal.

This lack of sportsmanship isn’t just in the professional arena either. In September 2015 at the start of high school football season, two Texas high schoolers targeted an official – one knocking him to the ground while the other speared him in the kidneys with his helmet – for his supposed poor officiating and alleged racial remarks during the game. Investigation revealed that one of the coaches for the team ORDERED the players to go after the official; that coach resigned before any action could be taken and the players were suspended for the remainder of the season.

According to the Associated Press’ Paul Newberry, it can get worse. In 2013, a soccer referee in Utah was killed when a 17-year-old player didn’t like one of his calls and hit him with a punch; that player was sentenced to juvenile detention. Another player in an adult soccer game in Michigan killed a 44-year-old referee after receiving a red card in another altercation. That player now is serving 15 years in prison for manslaughter.

Sportsmanship is something that is critical to the conduct of sporting events and it extends to the requirements off the field, no matter how much you don’t like them or that the questions become repetitive. For interviews and dealing with fans, athletes have to be able to treat the press and their fans responsibly and with respect. To sit and act as if it is a burden to answer questions about your chosen profession – the job YOU chose to do, the one that has given you millions of dollars – or to be a complete bitch or bastard about having to be there, perhaps you should try to live among the “common people” for a bit and see how it is to live there.

An outstanding example of how to handle people and the media is tennis player Novak Djokovic. The video of him at the French Open during a rain delay with a ball boy has become famous and there are several other occurrences where “The Joker” has endeared himself to fans and the media alike. Other athletes such as Derek Jeter, Stephen Curry and others also treat the fans like gold, the media well and, win or lose, always try to respect the game.

And perhaps that is the problem with some of the athletes nowadays. They don’t respect the game that they play, they just came for the millions of dollars that it graces them with and screw any responsibility for having to actually do something you might not want to do. For some, they’re set in their ways and aren’t going to change. For Newton, he’s only 26…there’s perhaps time for him to have a change of attitude and become more of a sportsman than he showed on Sunday night.

WRAPPING UP THE NFL SEASON

Hey, at least I got the 24 points for the Broncos right! (To remind you, the prediction was Panthers 28, Broncos 24.)

There were three picks that I made for the actual game on Sunday night. The Broncos came through for me on the spread by winning outright, but the two teams didn’t even come close to going over the 44 O/U line. Add in that “straight up” pick of the Panthers and I went 1-2 to finish the season 56-39-5.

When it comes to the prop bets, I was pretty sharp there! I said to pass on the bet of whether there would be a missed extra point (there was a missed field goal but not an extra point); that the first touchdown would be something other than a passing TD (it was), the Golden State Warriors’ Stephen Curry (-4.5) would score more points on Saturday against the Oklahoma City Thunder than the Panthers would against the Broncos (he did, 26 points versus the Panthers’ 10);  that Lady Gaga would go UNDER 2:20 for the National Anthem (this was a cause of some argument…some sites say it is when she ends the note on “brave” and, the first time, it was under, when she did it the SECOND time, it did go over…as always, the House makes the rules); the Golden Gate Bridge WAS shown, Mike Carey missed a replay call and the Broncos dumped ORANGE Gatorade on head coach Gary Kubiak.

That means I got six prop bets versus one on the Super Bowl itself…perhaps next year I’ll just do prop bets!