I’ve heard the argument since I worked in the radio business (a career that spanned three decades and various formats, I have to add). In discussion with fans of particular genres of music – whether it was rock, country, metal, etc. – the refrain was often “They don’t make music like they used to.” I often thought about that statement and came up with some reasons why people make that statement and/or believe what they’re saying.
For many, there is no better era for music than when they grew up. For Baby Boomers, the 1960s and its wide variety of genres (seriously, on the radio back then you could hear almost ANYTHING and often on one station) and the 1970s is what they look at as the epitome of the history of music. For Generation X (born in the early 1960s), the sounds from the 1980s and some of the 1990s is what captures their ears. For the Millennials, the late 90s/early Aughts is where music was cooking. What Generation Z – those that are currently in grade school – will be listening to is a huge guess. And if you want to reach back further than 50-60 years ago, there are those that consider the “Big Band” Era the shit and so on.
Failing that, people will often look towards their wild and crazy “single years” as THE time when music was great. Whether you were dancing in a disco, moshing in the pit or line dancing at a honkytonk, people will often equate music with when they were having their most enjoyable times. Ask any person and they will probably be able to put a soundtrack together that would tell the story of their lives better than any book or documentary could ever hope to achieve and a predominance of the music is probably from their young adult days.
Finally, there IS some credence that has to be given that music isn’t as good anymore, but it is more about the talent of the performers rather than what music they are presenting. For some of the greatest music in the history of mankind, one person sat down and put together EVERYTHING. They served as the writer, producer, performer and, if you really want to go back in time, seller of the music (you think Beethoven did his music for free?). Nowadays, the list of co-writers on a song can be as many as 10 different people and producers can reach nearly the same number. Then there’s the fact that performers don’t exactly “perform” live anymore…
With this said, there’s plenty of music that is out there nowadays, people just aren’t looking hard enough for such gems. Normally people will not pay as much attention to music as they get older because the “acts of life” (working, taking care of the bills, children, etc.) become more significant rather than the “frivolity” of listening to music. Unless you actually are working in the music business, then it becomes more background noise than something that you actually are tremendously invested…but that can change.
I personally try to keep up on the new music out there and, as I’ve previously stated, there’s some good stuff out in the stores and on the airwaves (or the internet). I’ve spoken plenty of times about how good Florence + The Machine are and Bruno Mars is an outstanding performer, one that I’d definitely pay to see. If you don’t think there’s any good music out there, here’s some choices that run the gamut from pleasant and quiet to hard, heavy and raucous that you’re missing.
There’s just something about a loud, thundering guitar and crushing bass notes that gets the blood pumping. I’ve personally always enjoyed hard rock/heavy metal (what some people consider “metal” is far from it, to be honest) and still do to this day. Halestorm, led by Lzzy Hale, is a band that you’re missing on big time if you haven’t checked them out.
Hale seems to firmly embrace the “rock and roll attitude,” but she’s also got the vocal and musical chops to stand on her own in front of the band. “I Like It Heavy” simply comes out and slugs you in the mouth, catching your attention from the start. At the very end, Hale’s almost church-choir sounding coda (of the studio version of the song) simply surprises you with its impact. Finally, anyone that can cover Pat Benatar’s “Hell is for Children” and pretty much equal Benatar’s voice is worth the price of admission.
(And, for a bonus, here’s Lzzy Hale wiping the stage with Eric Church at the CMT Music Awards.)
Flanagan is an Australian artist that received a great deal of support (re: playing her music) on SiriusXM Radio Margaritaville (quite honestly, SiriusXM is a great spot to find new music that isn’t getting played on terrestrial radio) for her album Nirvana Nights and the tune “September Song.” Flanagan’s music is quite an eclectic mix of genres, all pulled together by her voice and lyrics. To my knowledge, she’s never has toured in the United States, a pity to be honest; she would bring a different style to the U. S. music scene.
She may not be an artist that is hidden from the world, but Musgraves is one of the best country artists – hell, let’s go for it, overall artists – out there today (and that comes from someone who isn’t necessarily a country fan). A two-time Grammy winner, it just seems that nobody wants to give Musgraves the proper attention that someone of her talent deserves. Her album Same Trailer Different Park ran the gamut of musical stylings (my personal favorite, “Blowin’ Smoke,” had a definitive blues styling to it), which might keep her from being pigeonholed into the country genre.
Beyond that, Musgraves isn’t afraid to touch some sensitive issues with her music, something that country music isn’t known for. Questioning religion, acceptance and tolerance of gays and lesbians and drug usage are all subjects she’s touched on, rare in today’s music industry that prefers its artists to be sanitized (like the waste of space known as Taylor Swift) so little Suzie doesn’t get any wild ideas.
If you prefer your rock n’ roll with a bit of a Southern flair, then this is the band for you. They do harken back to those 70s powerhouses like Lynyrd Skynyrd, Molly Hatchet and Blackfoot and they will get you tapping your foot. My personal favorite is the song, “Leave a Scar,” but also noteworthy are “Wish in One Hand” and “Six Ways to Sunday.”
For those of you who like your music instrumental, Trombone Shorty is someone to check out. From the melting pot that is New Orleans, Trombone Shorty combines musical styles like a delicious gumbo and the only thing that might stop your listening pleasure is getting too full of the funkiness. His biggest commercial success to this mark in his career is the song “Hurricane Season,” but there is plenty of other work that make him worth a listen. Like Musgraves, he’s young – only 30 (Musgraves is 27) – so we should be hearing from him for some time.
Rodrigo y Gabriela
Acoustic guitar never sounded as good as when this Mexican duo pick them up. While Rodrigo Sanchez and Gabriela Quintero did stay pretty close to their Mexican roots with their breakthrough hit “The Soundmaker,” they will stretch out and incorporate other musical styles into their music. Of late, they have also been expanding to a full band outside of just their own guitars, so the future could be bright for this duo.
Gary Clark, Jr.
Finally, if you have the desire to hear someone simply shred a guitar, Austin, TX’s Gary Clark, Jr., is the man. Long a mainstay of one of the most competitive music scenes in the world (Austin is PACKED with people that are or could easily have been the best in their respective fields of music), Clark broke through with his album Blak and Blu and the song “Ain’t Messin’ ‘Round” that demonstrated the screaming power and skill of his guitar work. He also is an accomplished blues player, as recognized by his Grammy win in 2014 for Best Traditional R&B Performance.
Will these performers be recognized 25 years from now? Will they be forever ensconced in the hallowed halls of the Rock & Roll Hall of Fame in Cleveland? Hell, nobody knows and that’s part of the fun. It is a thrill to simply enjoy the music and the ride and see where it takes us. So the next time you think that there’s “no good music” anymore, either take a listen to these artists or get out there and look for some on your own…the journey is definitely worth it!