The Best and the Worst of the 2021 GRAMMY Awards

It is arguably the biggest night for music during the year. The 2021 GRAMMY Awards were held for the 63rd time on Sunday night in Los Angeles. The awards look to honor the best that is in the music industry over a wide array of genres – rock, pop, rap, Americana, even classical – and offer a view as to what was the best of the year. In the very-COVID inspired show – the nominees were arranged in very spaced out (physically) tables while the performers were sequestered on a special five stage circle for performances – the Recording Academy arguably came out and put on one of the best shows of the past decade or so.

But that doesn’t mean that there weren’t downsides.

I’ve remarked on this before, but there certainly wasn’t enough “rock” oriented acts that performed during the program. But that is to be expected; rock music does not drive the needle (no pun intended) for music in the 21st century. It has become very much a pop and rap dominated show because that is what the people want to see (AKA those that have the disposable income to spend on streams, streaming services and the occasional CD). This does not mean that the GRAMMY Awards show is “trash” because these are the predominance of the acts that perform – it just means that is what is driving the industry nowadays.

Furthermore, if people did not watch the program, then they shouldn’t have a view on the show itself. You usually have to see something before you make any commentary on it – not five minutes, not a half-hour, WATCHED THE ENTIRE SHOW. It went slightly over three and a half hours (think it was closer to 3:45, if my memory is correct) and there were some moments that were exceptionally good…and very bad.

Without further ado, here’s The Best and The Worst of the 2021 GRAMMY Awards!

BEST

HAIM absolutely came out in the first half-hour of the program and blew away the competition. The sisters were nominated for Album of the Year for their work Women in Music, Pt. III and, with a very subdued set, proceeded to NAIL their tune “The Steps.” When the musicians and singers that were gathered on the stage are watching your performance and jamming just as hard as the band is, you have done your job. HAIM certainly carried the banner well for rock-oriented music and it was great to have them as the representative for the genre – there were not many more that graced the stage on Sunday night.

BEST

The partnership between Anderson .Paak and Bruno Mars bears watching. They came out with a very 70s R&B style (including matching leisure suits!) under the moniker “Silk Sonic.” It was good to see Mars back on stage again; it had been quite some time since he had been on the musical scene and he seemed to be in impeccable form. The duo also came out later in the show and delivered a scorching tribute to Little Richard during the “In Memoriam” segment that was outstanding.

BEST

It has been getting trashed elsewhere, but I thought that the “In Memoriam” tribute to the late Eddie Van Halen was perfect. There were many directions that they could have gone with this, but the GRAMMY producers decided that a minimalistic approach was the best one. Thus, we got a sweeping shot of Van Halen’s “Frankenhalen” guitar, on a perch in a spotlight by itself, while a video played Eddie utilizing his finger-tapping technique on a video screen behind it. It was a perfect tribute to someone who made his complicated work look oh, so simple…and it was a hell of a lot better than having Machine Gun Kelly butcher “Eruption” onstage.

BEST

I would listen to Brittany Howard, the bombastic vocalist/guitarist of Alabama Shakes, sing the damn phone book. Her take on “You’ll Never Walk Alone” during the “In Memoriam” was a soul-stirring performance. Chris Martin of Coldplay provided accompaniment on piano for the segment and the two absolutely made the song their own – exceedingly difficult to do for a song that has been made famous by a British soccer team (Liverpool FC) and as the closing song to comedian Jerry Lewis’ Labor Day Muscular Dystrophy telethon for decades.

WORST

I usually like Trevor Noah, the host of Comedy Central’s The Daily Show. He is extremely funny, has a great pulse on pop culture and, hey, let’s be honest…he is young, energetic and handsome. But he, on a couple of occasions, fawned a bit too much over the winners. He was nearly orgasmic when Beyonce won her first Grammy of the night, which tied her with Alison Krauss for the most Grammys won in a career. He was nearly beside himself when she broke the record later in the night.

Look, I am all for fandom. But, when you are hired to do the emcee job for a major awards show, you are supposed to put that fandom to the side and do the job. Noah failed on this account on a couple of occasions. If he hosts again next year, I certainly hope he tempers the “enthusiasm” and shows an equal appreciation to all the award winners.

WORST

While I did like the stage arrangement for the performances – five stages were arranged in a circle, with cameras in the center of that circle that could be directed at any stage chosen – you could still note the lack of audience excitement. Sure, watching Harry Styles jam to HAIM was cool, but the fans are a part of the experience. Seeing them enjoy it is more important than the artists themselves tapping their feet.

WORST

I am all for artistic expression. Having said that, I normally don’t like to see a reenactment of Thee Dollhouse in Tampa when I watch an awards show. Thus, Megan Thee Stallion and Cardi B’s performance of “WAP” wasn’t exactly a highlight of the show for me. I understand that the song was a MONSTER hit for the duo, but their interpretation of the song for the GRAMMY stage was a bit over the top. Like I said, if I wanted to go to Tattletales in Atlanta, I’ll go to Tattletales in Atlanta.

WORST

In a stark contrast with 2020, it seemed that the GRAMMY voters were not quite sure who to get behind this year. The four major awards were won by four different artists – Megan Thee Stallion for Best New Artist, Taylor Swift for Album of the Year, H.E.R. for Song of the Year and Billie Eilish for Record of the Year for “everything i wanted” – and it really did not seem that the voters had a clear favorite in mind. It was also painfully apparent that the best record didn’t receive any attention from the Academy at all – The Weeknd’s “Blinding Lights” and album After Hours would have dominated the show.

Overall, when the good outweigh the bad, you’ve done rather good. There was much more about the 2021 GRAMMY Awards show that was enjoyable than was not. Still, would like to see a rock award actually given out during the three-plus hours of programming – maybe that’s something they will get to in 2022!

Ranking the Nominees for the Rock & Roll Hall of Fame: It’s a BIG Tent…

After a year like we’ve never seen, the Rock & Roll Hall of Fame is trying to get back to business…somewhat. The COVID pandemic that wreaked havoc on last year’s system is beginning to subside, which allows the Rock Hall to move forward with its activities. Along with those changes, however, the Rock Hall is showing that they’re spreading a BIG tent to cover their activities.

First, those changes. In 2019, the Class of 2020 was named and they would have been inducted in ceremonies in April of that year. Because of the pandemic, however, their induction was delayed until November, when it became a virtual party held on HBO. The Rock Hall used this delay to finally get all activities for a given year under a “calendar year” setting – nominations in February, name the class in May, induct in November – that should help in the future.

The changes aren’t just in the timing of certain mileposts on the way to naming the Class of 2021, either. This will be the first year that John Sykes, the former founder of MTV and current executive at iHeart Radio, will serve as the chairman of the Rock Hall. The original chairman and founder of the Rock Hall, Jann Wenner of Rolling Stone fame, resigned from the lead of the organization in January of last year. So, it is now Sykes’ ship to sail and, if the list of nominees for 2021 is any indication, he’s already putting his mark on the building.

For 2021, there are 16 nominees under consideration by the 1000-member strong Voting Committee, made up of the living members of the Rock Hall and a contingent of knowledgeable music veterans – musicians, label executives, historians, journalists, DJs, managers and the Fan Vote, who adds in one vote with the Top Five vote getters from their polling. These votes will be tabulated and, in May, the Rock Hall will announce five or six of these artists as the Class of 2021. They will also probably add at least one more inductee from their non-voting wings of the Rock Hall – the Ahmet Ertegun Award for non-musical industry influencers, the Award for Musical Excellence (formerly the Sidemen category) and the Early Influencers. The AME hasn’t been awarded since 2017, so it is probably due for an inductee.

Without further ado, I present my ranking of the nominees for this year’s honors, but I do have a caveat. My personal feeling on the artist DOES NOT impact whether they will get in or not. In some cases, they will probably get in despite my personal thoughts!

Let’s begin, from the bottom to the top!

16. Dionne Warwick – For the life of me, I’ve been trying to figure out how and why Warwick merited nomination to the Rock Hall. Yes, she’s had an excellent career that dates to the 60s. Yes, she’s recorded a couple of nice songs. But NONE of what she did was what you might call “groundbreaking” or “innovative.” She has a pleasant but not outstanding voice…hell, she doesn’t even have the best voice in her family (that honor would go to her cousin, Whitney Houston). And her best work was in collaborations and rarely on her own talent. This just reeks of “industry insider” BS, and that is not a reason to put someone in the Rock Hall.

15. Fela Kuti – To be brutally honest, I actually said “Who?” when he was announced, then zipped over to Wikipedia to learn more about him. He is a truly amazing individual who took on human rights and political abuses in Nigeria and created his own style of music – Afrobeat. If he is inducted, he would be the first African inductee into the Rock Hall.

With this said, I don’t see it. He had some influence on Talking Heads and Peter Gabriel, among others, but to say he was a seminal part of rock history would be an incredible stretch. Once again, with this said, he is probably going to be inducted. The Roots’ ?uestlove, who is on the Nomination Committee, has long been an advocate for Fela to be honored. Someone with the power of ?uestlove does not use his power to get you nominated unless he is going to use that same power to get you inducted.

14. Mary J. Blige – Definitely one of the preeminent female vocalists in R&B, but I tried to think of one song that she did that just blew me away. I came up with blanks. If they had used this nomination on Queen Latifah, then it would be much higher on the list. Blige seems like a “OK, she got a nomination – that’s enough” selection.

13. Chaka Khan – There have been several attempts to get Khan in with the band she was a part of, Rufus, and those efforts to this point have failed. This is wrong because the band, including Khan, deserves induction. Taken by itself, Khan’s solo career isn’t filled with material that stops you in your tracks.

12. Devo – The Rock Hall has an exceedingly difficult time with several genres. Funk, hard rock/metal and singer/songwriters are a few, but another would be electronic music. To this day, Kraftwerk is still waiting for the call to join in the Rock Hall (outside of Rick Wakeman and maybe Keith Emerson, has anyone used keyboards better?), and I do not expect there to be more love for Devo’s approach. The recently retired Daft Punk is sitting in the shadows watching this one.

11. Carole King – I personally think this is a more sentimental choice by the Rock Hall than a quality one. King’s masterful work, Tapestry, is celebrating its 50th anniversary in 2021 and King is therefore getting more attention. But what did King do outside of Tapestry that made her a monumental figure in the history of rock? She’s already in the Rock Hall, a recipient of the Ahmet Ertegun Award with her songwriting partner Gerry Goffin, some would say that should be the extent of her recognition. Alas, don’t be surprised if she is voted in as a performer come May.

10. Tina Turner – If Turner wasn’t already in the Rock Hall with Ike, then I would be wholeheartedly behind this and it would be ranked much higher. But the tumultuous relationship between Ike and Tina is one that she would probably like to forget, and the Rock Hall would not be at all upset to get away from. Her 80s stylings were a complete departure from her previous heyday, so perhaps a second induction is appropriate for Turner.

9. LL Cool J – Someone who should have been in a lot sooner than this. The man known as James Smith has got another issue that he is going to have to deal with, however. There’s another rapper on the list who is all but a shoo-in to be inducted (more on that in a moment). But LL Cool J is being considered before a whole host of influential rappers that arguably should have been chosen first, including Eric B. & Rakim, Afrika Bambaataa, DJ Kool Herc and Coke La Rock. That’s going to hurt his chances too.

8. Todd Rundgren – There’s a reason that Rundgren is this low on the totem pole. In recent interviews, the multimedia wizard has basically given The Bird to the Rock Hall, stating that it meant nothing to him to be inducted. The Rock Hall has absolutely no problem in abiding by the wishes of those that it is looking to honor – several years ago, Chubby Checker put a full-page ad in many trade magazines, talking about how the Rock Hall “wouldn’t define him.” They’ve never nominated the originator of “The Twist” (although the song was one of the first included in the Singles category at the Rock Hall) and Rundgren faces the same fate if this is truly his sentiment.

7. Iron Maiden – Much like LL Cool J, Iron Maiden is getting the nom over a litany of people who should have already been inducted – Judas Priest, Thin Lizzy, and Motorhead, among others. They have also been quite loud in their distaste for the Rock Hall, so this may be a “one and done” nomination either way – either they’ll get in or they will be cast to the scrapheap because of their protestations. It’s too bad because they are more than deserving to be inducted.

6. Kate Bush – If the Rock Hall were in London, this would have been a no-brainer induction probably 15 years ago. Bush is arguably the most creative force in music from the 70s and 80s and has contributed heavily to the musical culture. Tori Amos, Fiona Apple and Jewel owe her a debt of gratitude for blazing the trail.

5. The Go-Go’s – Flat out, this is the easiest bio to argue of these nominees. The Go-Go’s were the first female band to write their music, play their instruments and go to #1 on the charts with their first album, Beauty and the Beat. They also served as a link between the punk rock of the late 70s to the more “pop” version that was found in The Bangles. A more solid inductee would be hard to find.

4. New York Dolls – Along with 2020 Rock & Roll Hall of Fame inductees Marc Bolan and T. Rex, the New York Dolls carried the banner for glam rock in the early 70s. They have been cited as influential in U. S. punk rock and its hard rock/metal movement. Guns N’ Roses owes a huge debt to the groundbreaking that the Dolls did on the scene.

3. Rage Against the Machine – Merging the worlds of rap, hard rock and political activism together, Rage Against the Machine did more in four albums than most bands do in a lifetime of work. They took the lead from bands like Mr. Bungle and Faith No More and put their political edge to work, bringing a great deal of attention to several causes. Their influence can also be seen in bands in the 21st century, including Papa Roach, Hollywood Undead, and Fever 333.

2. Jay-Z – If there is a reason that LL Cool J will not get inducted in 2021, it would be Mr. Shawn Carter. Jay-Z had an astronomical amount of success and influence in the rap world (my personal favorites are “99 Problems” and “Empire State of Mind” with Alicia Keys), but that wasn’t enough. He became a billionaire through his business acumen. Either one of those would be enough to get him inducted but, when you add in the factor of him performing at the Rock Hall Induction Ceremonies with special guest Beyonce (his wife), the Rock Hall is salivating at the possibilities.

1. Foo Fighters – If there has been any rock band that has carried the genre over the past 25 years, it would be Foo Fighters. Dave Grohl and Company have compiled a resume that hasn’t been equaled, although you can sometimes say that they play it way too safe. Grohl himself could have packed it in after Kurt Cobain’s death and Nirvana’s induction into the Rock Hall, but he chose to blaze his own path further into rock history. If he is inducted with Foos, Grohl would become the 24th person to earn double inductions (to this date, only Eric Clapton has been inducted three times, for his work with The Yardbirds, Cream and his solo career).

Who Is Going to Be Inducted?

The Rock Hall is looking to diversify their membership. That was something that Sykes stated when he took over the chairmanship of the Rock Hall last year. It isn’t an indictment of the Rock Hall’s previous work, but it is time that more women and more minorities were recognized for their contributions to rock history. That is going to be reflected by who is inducted this year.

If you listened to my show at Greater Manchester Rock Radio, I already laid out the list of who I believe will be inducted (and not my rankings above). Jay-Z and Foo Fighters are guaranteed inductees and, if there were two near-locks on the list, I would say that Carole King and Tina Turner will be joining the Rock Hall again. That leaves two more to consider (we will go with six inductees). The Go-Go’s will probably earn one of those two slots. Their history in the industry is just too influential to overlook – but that never stopped the Rock Hall from doing that! For the final slot, and just because I’d love to see what the band would do, I think that Iron Maiden will earn induction. But I wouldn’t at all be shocked if Fela Kuti wound up in somehow for the reasons I presented above.

Who will get in? If it is those artists who have trashed the Rock Hall previously, will they show up? Would it be another farce, such as Steve Miller’s induction in 2016? It would provide a spark to what is the 25th anniversary (the first induction ceremony was 1986) of inductions into the Rock & Roll Hall of Fame in 2021!

My Choices for the Nominees for the 2021 Rock & Roll Hall of Fame

The Rock & Roll Hall of Fame is like no other Hall in existence. It is one of the few Halls that basically has only one criteria – that your first commercial release be done no later than 25 years prior (for 2021, that means artists whose first release was in 1996 or earlier are eligible). Most other Halls base their entry on the number of wins you’ve had (World Golf Hall of Fame), mystical statistical performance (any sports Hall) or that you were from a certain area (self-explanatory). Not the Rock & Roll Hall of Fame – if you’re good enough, if you had an impact on the shaping of popular culture and music over the last 70 years (or so) and you can get the votes, you get in.

This fact in itself makes the discussion over not only those elected to but also those who are nominated of great interest to many music fans. With the COVID-19 outbreak, it pretty much fucked up the entirety of the 2020 schedule for the Rock Hall, delaying and then canceling the 2020 Induction Ceremony for a very good list of artists (Whitney Houston, the Notorious B.I.G., The Doobie Brothers, Nine Inch Nails, Depeche Mode and T. Rex – Jon Landau and Irving Azoff were Ahmet Ertegun Award winners and named to the Rock Hall) before they were “virtually” inducted in November. Because of the late induction, the announcement of the 2021 Nominees is being pushed off as well, to probably February 2021.

You can lament this, but I think it is a great idea. It stretches the entirety of the process by the Rock Hall to cover a whole year instead of parts of two. With the naming of the nominees in February, that means the new Inductees won’t be announced until more than likely around May or June. Then they can induct them (hopefully in a live ceremony) in November. This works much better than announcing the Inductees in December and holding the Induction Ceremony in April or May (how it has worked in the past).

The delay also allows pundits, historians, fans, and critics to come up with their selections for who will be in the Nomination Class for the 2021 Rock & Roll Hall of Fame. I’ve studied over the last few years of nominations, who has gotten in, what kind of “buzz” is going around in the music world, and other intangibles to come up with a list of 15 artists and groups that should be nominated come February. Those in BOLD print are going to be the five choices I would make for entry and I’ve also tried to include some reasoning for the nomination.

Without further ado, here’s who I believe will earn nomination in 2021:

Jay-Z – Not only will Jay-Z earn a first year eligible (FYE) nomination, but he will also earn a FYE induction into the Rock Hall. It is a tough decision as to which part of the industry that Jay-Z has had more of an impact on – the rap world, where he has been a force for 25 years, or the recording industry itself through his ownership of Tidal and forays into label ownership and artist development. And, since the Rock Hall enjoys a great show, imagine Jay-Z trotting the boards with Beyonce? The Rock Hall is salivating at that thought.

Foo Fighters – If there’s been anyone to carry the banner for rock music in the past 25 years, it would be Foo Fighters. Dave Grohl could have easily packed up shop after the death of Kurt Cobain and Nirvana and just made guest appearances on records for the rest of his career. Instead, he forged on with his own sound and added to the legend of rock. Add in the factor that Grohl is a hell of a music historian himself and that he is on the Nomination Committee (he will have to abstain from voting for himself, likely), it would be odd if they aren’t a FYE nominee but also a FYE inductee.

Pat Benatar – Benatar has been snubbed by the Rock Hall for far too long. Her nomination last year was her first after 15 years of eligibility and it was considered that she was a “lock” for entry. Then they took the vote…Benatar was not only a choice by many but she was the runner-up in the Fan Vote from 2019 (hold on, we’ll get to that) and the Rock Hall has caught hell over bypassing her. With a chance to redeem themselves, I don’t expect the Rock Hall to get it wrong twice (then again, the Rock Hall does have a way to surprise you).

Dave Matthews Band – The top vote getter from the Fan Vote, which has been around for at least six years previous (I could be wrong), usually had been inducted by the Rock Hall. That included such entries as Bon Jovi, Rush and KISS, among others. DMB were the top vote-getters in 2019, but that and $1.50 got them a cup of coffee at McDonald’s – they were bypassed for entry into the Rock Hall, the first time that it had happened. I personally don’t see where DMB has earned entry – I’ve never been a jam band fan – but, since the Rock Hall caught shit for not inducting them with the 2020 class, I can’t see them keeping them out twice.

Judas Priest – This is one that the time is ticking on. The Priest has only been the driving force behind heavy metal for 50 years and, eligible since 1999, they’ve only received two nominations. I would hate to see them fall by the wayside like Kraftwerk (who, after being nominated six times, might have run out of chances), MC5 (nominated five times) or even Chic (nominated 11 TIMES), but it is a realistic possibility.

Rage Against the Machine – The practitioners of the hybrid rap/rock scene of the 90s, RATM combined their aggressive stylings with a socio-political bend that enraptured their fans. Or…maybe not so much. As they prepared for a since-postponed tour in 2020, some RATM fans became outraged at the political stances of guitarist Tom Morello and the band. In one of the funniest exchanges on Twitter, Morello, who holds a political science degree from Harvard, responded to an upset follower who said “I used to be a fan until your political opinions come (sic) out,” “What music of mine were you a fan of that DIDN’T contain “political BS”?” Gotta love that!

Kate Bush – Ah, to have more than five votes (then again, I might have used it on RATM)! Bush is one of the long-overlooked female vocalists from the 80s who should be recognized for her achievements. Her work with Peter Gabriel preceded an excellent solo career in the 80s, but she’s never gotten the acclaim that she deserves (Cyndi Lauper, Annie Lennox and others fall in this category). I’d love to give her a vote, but with some of the others that are on down the list, it makes it difficult.

Eurythmics – Falls into the same category as Bush. One of the many 80s acts that we should start inducting into the Rock Hall. In many cases, these artists have been eligible for 15 years and they’ve never even received a nomination, let alone induction. Time to start fixing this situation and quit bleeding the rock dry from the 1960s/70s.

The Go-Go’s – They came thisclose to getting one of my five picks. The first all-female band to have a #1 album on the Billboard charts, The Go-Go’s were groundbreakers for women in rock. Although they have a litany of women that they owe a huge amount of credit to (Fanny, The Runaways, Suzi Quatro), The Go-Go’s got there and inspired many others. Add in the recent documentary on Showtime and it is quite conceivable that The Go-Go’s earn an induction seat in 2021.

Duran Duran – Anyone who was alive during the 1980s was impacted by Duran Duran. They helped to shape the musical landscape of the 80s, not only with their music but also with their videos on MTV, and had a hand in fashion also, among other things. This is a band that has NEVER been nominated previously – that should be corrected this year and they should take a seat in the Rock Hall.

Alice in Chains – This is a group that may sneak into the Nominations because of recent buzz regarding the group. Seattle’s Museum of Pop Culture (MoPOP) inducted the band this fall into their rolls and, since there are only Nirvana and Pearl Jam currently carrying the banner for the Grunge Era of rock, a third would be nice (Soundgarden could fit in this category too). Unfortunately, grunge looks like it is going to get the same treatment that hard rock/metal has gotten over the years from the Rock Hall.

Todd Rundgren – Personally, I would love to see Rundgren get in. He’s more than deserving of it for his performing career, his usage of multimedia (witness his upcoming virtual concert tour) and his producing credits. Perhaps the only way to get this man in may be through the Award for Musical Excellence, which hasn’t been awarded since 2017 (to Chic’s Nile Rodgers).

The Smiths – Politics aside, The Smiths are more than worthy of nomination for their career’s labors. However, Morrissey’s tirades seem to have tarnished the potential induction of the band into the Rock Hall, and that’s unfortunate. They get on my list because they are one of the artists from the 2016 Nomination Class that hasn’t been inducted yet.

Beck – I’ve personally never been a huge Beck fan, but I can recognize his artistic creativity and the impact he’s had on other artists. The devotion from his fans are hard to ignore too. He was a FYE nominee, but he failed to go that extra step – he will get in, but will it be this year or in the future?

Daft Punk – A driver of the synth rock/electronic rock scene since the 90s, Daft Punk should be a slam dunk nominee/entry. But Kraftwerk…well, let’s just say that people would like to see them get in first rather than Daft Punk. It isn’t out of the question for the Rock Hall to commemorate those that have achieved great success over the originators, however – just look at how rap’s forefathers have languished behind some of those that have been inducted.

Alanis Morrissette – Another one who could sneak in and get a nomination, if not inducted. Morrissette’s been white hot of late, with a Broadway show (you know, when Broadway was actually performing) and a critically acclaimed album in 2020. She was first eligible in 2019 but was bypassed…the Rock Hall might want to correct that oversight.

Guess we’ll find out in 2021 just how close to right I am!

The “Go The Fuck AWAY” Club

GTFA

Recently one of my close friends, comrades, and “brother in arms” Nolan Dalla, penned a list of people that he wished, to be frank, would just go the fuck away (I even stole his doormat for this article!). Because he has a penchant for politics (as befitting someone who was in the diplomatic service corps for the States of America in the 1980s) and in tribute to the current virtual Democratic National Convention, he came up with a list of right- and left-wing politicians that he bestowed his inaugural class honors on. With such an impetus, how could I avoid not doing the same thing.

I chose several right- and left-wing politicians (and celebrities too) that have certainly overstayed their welcomes. Their schtick has gotten tiresome and, either for that reason or for the fact they’ve been around too goddamn long, they need to head to the exits. Thus, without further ado, here’s my choices for the “Go the Fuck AWAY” Club.

The Right

Ted Nugent & Kid Rock: I decided to start with these two because they are trying to stay relevant in their careers and they’ve chosen fuckwit politics as the way to do it. Nugent wasn’t this bad back in the 80s, it’s a persona that he has festered into the worm he is today. Robert Ritchie (AKA Kid Rock) is a white boy who glammed onto a gimmick and is waiting for Nugent to die to take over the “white racist redneck” market. While I enjoy their musical contributions (and I’ve written about that before), they’ve both gotten a bit tiresome with the routine.

LahrenCoulterConway

Tomi Lahren, Ann Coulter and Kellyanne Conway: The three stages of a crack whore who sells their soul to promote a dying conservative agenda. Willing to say anything for a dollar, even though Coulter recently is trying to redeem herself with an “anti-Orange Foolius” stance so she can stay relevant in the party after he’s gone. And Kayleigh McEnany is moving up on this list.

Louie Gohmert, Ted Cruz & Tom Cotton: If there were any other better examples of “ignorant fucking redneck racist,” I haven’t seen them yet. They have absolutely NO scruples other than “what’s the party line” while they try to sell their “good ol’ boy” bullshit with their Ivy League diplomas (OK, Gohmert gets a pass here as far as Ivy League). If you told these three that a Democratic idea would bring back Jesus, they’d want to arrest Christ on immigration charges.

The Left:

Nancy Pelosi and Chuck Schumer: The very example of what is wrong with the Democratic Party. There is some great faces and knowledge coming up from the grassroots, yet these two think that the ideas they’ve tried for decades to put through is the ONLY way to go? I’ve never been one of those for an “age cap” on being in Congress – Pelosi (at over 80) and Schumer (70) this year aren’t the future of the Democrats, they are the past and they should realize this and GTFA.

Democratic Presidential Candidate Hillary Clinton Campaigns In Las Vegas

The Clintons: Yes, Bill…you were arguably one of the best Presidents of the 20th century for the eight years of your office. But your peccadilloes and dalliances thoroughly damaged everything you did and even trashed Hillary’s (arguably the most qualified person to even run for President) chances at the office. And this doesn’t even touch on the facetious and duplicitous manner that you (and Hillary, for her political career) handled some of those cases. Do like Jimmy Carter…find a charitable cause to get behind and go do it…just stay the fuck out of the operations of the Democrats.

Late night talk show hosts: There’s a handful I toss in here – Samantha Bee, Bill Maher, John Oliver, a couple of others – that, while I enjoy them very much, have pretty much ruined their futures in any other pursuit. Political comedy is best handled in short doses, much like what George Carlin did or Lewis Black does today, not as a weekly bitchfest for the left. It also locks you in a box, as Maher is learning, that the extreme left can turn on you when you actually show that you’re not the uber-lefty that they thought you were. (To be fair, Oliver does sometimes branch out from politics into trying to help his fellow man, so he has moments of redemption.)

This won’t be the last time we deal with this subject. In fact, we may come back with either weekly or monthly nominees. Who would you put on the list?

Time to Make Systemic Changes to a Damaged Law Enforcement System

PoliceOfficers

The job of a police officer, county sheriff deputy or other member of the law enforcement community is not an easy nor a thankless job. Day in and day out, the men and women who stand the “Thin Blue Line” subject themselves to the scorn of criminals, politicians, and sometimes even the everyday person, all for a pretty small payday (the starting pay for a police officer in New York City is around $41,000; by comparison, the starting salary for a schoolteacher in New York City is around $57,000). To be honest, any job that you do that you might not return home from in the evening (or the morning) deserves to have some level of respect given to it.

The problem is that Law Enforcement Officers (LEOs) have pretty much pissed this goodwill away through their actions. Dating back to the days of Prohibition, when cops pretty much turned a blind eye to the wrongdoings of organized crime and bootleggers because they got a piece of the action, LEOs have frequently straddled the line between criminality and following their credo of “to protect and to serve.” While some might think it is a recent occurrence, a look back at history shows that “bad cops” have long been a problem in U. S. society.

Smithsonian Magazine looked at this ugly history and, in many instances, some of the examples they came up with could be transposed to today’s environment without much effort. The well-done article cites a 1929 study of the Chicago police force and found that, although blacks made up only 5% of the population of the Second City, they accounted for 30% of the police killings between 1927 and 1929. Further study by the administration of President Herbert Hoover acknowledged the plague of police brutality, summed up in a report in 1932 from the Wickersham Committee called “Report on Lawlessness in Law Enforcement.”

John Lewis

The advent of the civil rights movement only accentuated and accelerated the abuses by police against those they are supposed to protect. Violent race riots across the South and the usage of weapons, police canine units and fire hoses – because they didn’t have military style rifles, armored vehicles and tactical gear back in those days – became the norm as blacks sought equality, looked for the civil rights, the basic rights of humanity that were granted by President Abraham Lincoln 100 years earlier. These actions always seemed to have one note of difference – these actions weren’t taken against white offenders, usually just minorities.

It has only gotten worse since these days. It seems today that we can’t go but a few months without some sort of police shooting because a cop “feared for his life” (one of the most ludicrous things that I’ve ever heard – you don’t walk into a war expecting to find cotton candy waiting for you). The lineage of people who have died at the hands of inappropriate police shootings is a long one – Tamir Rice, a 12-year old BOY with a toy pistol; Philandro Castile, who was a licensed gun owner and TOLD cops he had a weapon in the car; Eric Gardner, choked out because he was selling singular cigarettes; and, most recently, George Floyd joined this list of infamy, having his larynx crushed because he MIGHT have passed a counterfeit $20 bill. In most of these cases, LEOs walked away with no punishment and those involved in the Floyd case are just beginning to answer for their actions.

George Floyd's Brother Holds Prayer Vigil At Memorial Site

It is time that there is change to the way that police, that law enforcement officers of ALL uniforms and organizations, perform their duties.

Some people have suggested that we require that anyone who joins a police or sheriff’s department has equivalent military experience before being considered. The problem there is that is where the “power issues” begin, in many cases. Handing a badge and a gun to a person barely eligible to drink, in most cases, isn’t the answer because they haven’t had adequate training. Others have thought that a college degree should be required, but we already have that in “Criminal Justice” majors that do not teach law enforcement.

No, it is time that there were some changes to the oversight of Law Enforcement Officers, monumental changes that are stringently held to and are completely and thoroughly implemented. First, the entirety of a police department must go through psychological exam YEARLY, from the Chief down to the newest rookie. Second, all LEO must report all their online social accounts and club memberships, both online and in their normal lives. Third, they would be subjected to a YEARLY review of their conduct professionally – arrest history, commendations, both the good and bad – and with the general public. If any LEO has a problem with these things, they are immediately dismissed from the force and not allowed to be licensed as a LEO, detective or security personnel anywhere in the U. S.

Additionally, each community, city and town would create a Citizens Review Board, a seven-member board with three people chosen by law enforcement officials, three people chosen by the people of the city and overseen by the mayor of each city. This board would have subpoena powers and could, if they deem so, force the District Attorney to file charges against those who have been determined to have done wrong. They would be a sitting Grand Jury that never recesses and holds the equivalent powers of such an organization.

Finally, there would be MANDATORY usage of body cameras by Law Enforcement Officers, and those cameras would be on 24/7. If, for any reason short of the camera being broke, that it is manually shut off (and these cameras are smart enough that they can tell when they are shut off through human action), the LEO is immediately fired. There would also be a disbandment of police unions who, although advocating for fair wages and treatment of their members, has devolved into a roadblock that tarnishes the “Thin Blue Line” into what the Mafia called omerta.

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People are angry, and justifiably so. Law enforcement officers like the 57 pansies in Buffalo who resigned their positions on the Buffalo Emergency Deployment Force after two of their members were charged with assault for shoving a 75-year old man to the ground and cracking his skull open to the point he was bleeding on the concrete (and, to be honest, they should have turned over their badges right there instead of this pussy-ass demonstration) need to clean up their act. These suggestions aren’t as extreme as “defunding” police departments and LEOs across the nation and maybe even around the world should be smart enough to figure out that their shit isn’t going to be taken anymore.

Why the Rock & Roll Hall of Fame Needs a Veteran’s Committee

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The Rock & Roll Hall of Fame has been around for almost 40 years now. It was established in 1983 by 2020 Rock Hall inductee Ahmet Ertegun and the first class was inducted in 1986. There was not an actual physical Rock Hall until it was built and opened in Cleveland back in 1995. It has served to be the pantheon of rock history, honoring the artists that have contributed to rock (and other) forms of music – truly the crème de la crème of music history.

There are something along the lines of 235 artists, groups and assorted industry insiders that have been inducted by the Rock Hall over the years, so you would justly be correct in that the truly immortal have been inducted into the hallowed shrine already. Still, there are those that have complained that “(insert your personal favorite artist here) hasn’t been inducted into the Rock Hall!” While there is some credence to some of these arguments, overall the Rock Hall, its Nominating Committee and the Voting Committee (a roughly 1000-strong contingent that is made up of the living members of the Rock Hall and select industry executives, music historians, DJs, music journalists and others) have gotten it right.

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One thing that could be done better – and would put an end to some of the complaints – is a way to handle those from the past that some think should be in. The Baseball Hall of Fame has (or used to have) a Veteran’s Committee – a group whose sole raison d’etre is to look at the distant past and see if there are any credible entries for the Hall that have been overlooked. The Rock Hall would be well served in looking at creating such an entity like this, but there would have to be some significant parameters set on what this Veteran’s Committee would look like and how they would come to their decisions.

With that said, here are the initial parameters that should be set.

1) The Veteran’s Committee will consist of a 100-member panel, of which 10 members will nominate 15 artists, groups, early influences, industry executives or “insiders” (DJs, normally, or producers/managers) for induction. This Veteran’s Committee would be much like the Voting Committee that chooses the inductees for the Rock Hall – a group of artists from more than 50 years ago (more on this in a minute), DJs, industry executives, music historians and the like.

The nominations will have had to have made their first actions in the industry – a record release, entry into the business, something like that – no more recently than 50 years prior to the current calendar year. For example, if the Veteran’s Committee were to come to life this year, eligible artists for the first ballot cannot have had their first impact after 1970 – anyone who had their first interactions in the business prior to 1970 would be eligible for consideration.

Under the current rules for consideration, a candidate must have made their first release more than 25 years ago. That gives current candidates a 25-year period for consideration by the Nomination Committee of the Rock Hall and, if they are nominated, by the Voting Committee. It doesn’t infringe on their work and can truly be said to be reexamining what the two Committees might have missed. Thus, the 50-year guideline is an important one.

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2) The Veteran’s Committee is allowed ONE (1) inductee per year. That inductee will have had to have earned 80% of the 100-member Committee’s votes (80). If no candidate gets 80% of the vote, then the Veteran’s Committee does not get an induction slot that year. If there are more than one candidate that gets the 80% voting margin, then the one who gets the most votes will be inducted – the runner up is going to have to wait until next year.

This is done to ensure that there is an overwhelming consensus of quality of the inductee. It would not be right for someone to simply get a majority of the vote from the 100-member Veteran’s Committee – that isn’t a hugely significant number (51). There has to be a slam dunk majority to signify that there is nearly a unanimous agreement to bypass both the Nomination Committee and the Voting Committee to induct someone they passed over.

3) If an artist, group, early influence or industry executive or “insider” is on the nominee list and receives under 10% of the vote from the Committee (10), that person is removed from consideration for the Rock Hall forever.

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This is arguably the biggest criteria and the one that would put an end to some discussions of “they should be in the Hall.” Once again using the Baseball Hall of Fame as an example, if you can’t get a certain percentage of the vote once you become eligible (in baseball it is five years after your retirement), then you are stricken from future ballots. The same criteria should be used by the Rock Hall…if you cannot get 10 people to vouch for you in a 100-member group, you are not a viable candidate and should be removed from overall consideration.

This part of the criteria will upset some who back fringe artists (not saying that Gordon Lightfoot, pictured above, is a “fringe artist,” – in fact, he should already be in the Rock Hall…wait, that’s why this essay exists!) that they believe should be inducted. Those who are this vehement on a particular artist, group or other person are the true definition of “fan,” which is a shortened version of “fanatic,” or someone who has an unnatural support for a cause or person. “Fanatics” should not be allowed to overwhelm the vote of any organization that looks to honor those that were truly immortals.

There are probably some other rules that could be put into place, but these would be the baseline that a Rock Hall Veteran’s Committee should be founded under. The above rules will maintain the integrity of the Rock Hall vote because the threshold of induction is high, would allow for consideration of artists from the past that some might believe have been overlooked and will eliminate those who aren’t able to garner support to warrant induction. If the Veteran’s Committee were something along these lines, I could support it. Anything less would be an insult to the Rock Hall and its inductees who actually earned the honor the first time around.

Views from the Coronavirus, Part Two: What Will Happen to Sporting Events and Concerts?

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Anyone who knows me knows that I love sports and music. Sporting events and concerts are major parts of my life (and enjoying them with my lovely wife is one of the things we like to do together), but that all changed when the COVID-19 pandemic broke out. Now, we’re facing a strange new world – just what will sporting events and concerts be like after a sense of “normalcy” has returned to the world.

With sporting events and concerts, people will be screened before they can enter the arena. If someone even has an elevated body temperature, they will be forbidden from entering the arena (I am sure (HAHA!!) that they will refund the ticket price). And there will be several instances of violence when security has to physically remove someone from the gate.

The arena itself will have something very much like what Walgreens or grocery stores are doing – there will be little dots on the floor to indicate how close people should be standing together in the concession lines. Once again, if someone is to violate those rules, they will be removed from the arena. Bathrooms will be the same way and you’ll probably have some sort of monitor to ensure that people wash up afterwards.

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Finally, the actual arena themselves. You will have one seat in between each fan – in essence, you’re cutting the crowd in half. There will no longer be the “fan lines” where the kids can high-five the athletes before they enter the field/court/rink, they will probably back the fans up about 10 feet from the playing field and they will NOT be sitting close to the teams. And say goodbye to the T-shirt cannon and the cheerleaders going around the stands to do giveaways during timeouts.

Are ticket prices going to go up? Damn straight they will. The owners aren’t going to eat those profits from half the crowd being prevented from entering the arena, so more $$ will be charged for the individual tickets. Also expect to see the concessions/souveniers prices will go up too…just another way for the owners to pull in the money they’re losing from not being able to put the butts in the seat.

Outdoor sports may be slightly different, but you’ll probably see some similarities (distancing at concessions, seats left open) and concerts will be the same. We’re going to enter a brand new world and, for some, it is going to suck. But if it prevents outbreaks like we’ve just gone through, do you think it is worth it?

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Views From the Coronavirus, Part One

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Something I’ve been thinking about after getting “out and about” for essentials yesterday.

 
1) Our commerce system is NOT set up to allow for separation between people. Whether it is a grocery store, pharmacy, or other retail outlet, the aisles are set up so that you basically HAVE to have people close to each other. There’s barely room to pass people if you’re walking down the aisle and, with “social distancing,” you’re going to violate that within moments of walking into a store.
 
This will require a complete redesign of retail outlets, allowing more for a freedom of movement. It will also further reduce the ability of stores to carry merchandise, something that will significantly harm grocery stores. (I haven’t even considered dressing rooms in clothing outlets…think about that while I go on.)
 
2) We may see a permanent limit placed on “essential” purchases. Even to yesterday, there are outages in what some would call “essential” goods – paper products, eggs, meats, breads, etc. Even once we’ve returned to “normal,” we may see limits placed on what people can buy – and what people can return.
 
3) We are more concerned with how business is going to come out of this than how people are going to come out of it. I was discussing this issue with a friend and we’ve both decided that it is OK for businesses to continue to ravage people with interest payments on their mortgages and credit cards, but it is EVIL for people to have to pay this and maybe forced into bankruptcy. (And if you fail to see it, that’s sarcasm.)
 
The problem is that, if financial institutions, credit card companies and the like were forced to suspend collections, the entire economy would tank. Not sure whether that would be a good thing or what at this point, but we are (as my friend said) putting more burden on people who make $500 a week versus the billion dollar companies (we’re also bailing them out more than we are the people, but that’s another discussion).
 
4) Finally, people are fucking idiots. Everything should be shut down, outside of grocery stores, gas stations and pharmacies. But people who want to “go live their lives” have got to realize that, if they don’t follow the guidelines stated (and this means YOU, you idiotic charlatans running these “churches” that you say must be open), you MAY NOT HAVE A LIFE. It’s that simple…and the people not adhering to the guidelines are extending this current situation rather than helping it.
 
OK, rant over. I feel better…how about you?

Artists That SHOULD Be in the Rock & Roll Hall of Fame: The 1980s

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We’re only a few days from the announcement of the latest artists and groups that will be named to the Rock & Roll Hall of Fame for 2020. For those that don’t make it in this year, they might be soothed by the idea that they should have many more shots at the brass ring. But who from the past may be running out of chances at getting into the Rock Hall?

Many might say that the truly immortal have already been enshrined and it is tough to nitpick this fact. Over the span of several essays, however, beginning with the 1950s and continuing in examining the 1960s and the 1970s, I’ve pointed out some artists and groups that have been overlooked for the honor of being inducted into the Rock Hall. In this, the final segment of our journey (we’d go on into the 90s, but only artists from 1990-1995 are currently eligible, so we don’t have a full decade to choose from), we’re going to take on a time when the music industry arguably made its biggest changes – the 1980s.

With the death of disco, the rise of New Wave, the “New Wave of British Heavy Metal,” the “popification” of country music and a little thing called Music Television (or MTV), the 80s would arguably be the most artistic time in the history of music (sorry, 70s fans). This decade also challenges what exactly is “rock & roll.” In the past, it could be said that it was defined as a hard guitar and three chords; with the advent of the 1980s, there were so many mashups of genres and different sounds being employed that the lines between genres began to blur. It is part of the reason that there are potentially so many candidates from the decade – and perhaps so many disappointments for fans.

I literally put together a list of artists and groups that, while great, I couldn’t decide whether they should be inducted or not. What do you do with Culture Club? How about X or Siouxsie and The Banshees? Living Colour? The Smithereens? I once again make the statement – this by NO means is a comprehensive list of those who have at the minimum an argument for being inducted. And this doesn’t consider those that have been nominated this year for induction, such as Nine Inch Nails and Depeche Mode. This is a look at arguably the most notable oversights by the Rock Hall to date – and they’ve got some time to change it, but not much.

Duran Duran

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Any list of 1980s artists or groups that should be inducted into the Rock Hall that doesn’t have Duran Duran somewhere near the top should be immediately ignored. The band exemplified the “New Wave” sound that echoed across the ocean from Europe, incorporating the dancier, synthesized “rock” that was becoming very popular at the start of the 80s. Along with other groups like Depeche Mode (nominated the last two years for induction), they were the backbone of the playlist on the burgeoning MTV through the 80s.

They would suffer a bit of a lull as the Grunge Era took over in the early 90s, but Duran Duran – named after a character from the Jane Fonda sci-fi film Barbarella – would reinvent themselves and come back better than ever. A career resurgence in the 90s and early Aughts saw them return as balladeers, with such songs as “Ordinary World” and “Come Undone” showing that the group was willing to change their sound with the times.

While they have been a darling of the fans over the years, the critics have been the shortcoming that possibly keeps Duran Duran out of the Rock Hall. 100 million albums sold in a career should say something, not to mention 21 Billboard Hot 100 hits over a 40-year timespan. But, perhaps showing the power that critical acclaim holds, the group has NEVER been nominated for the Rock Hall – perhaps it is time that fact was changed.

Iron Maiden

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For all the acclaim that Judas Priest has gotten as one of the members of the “New Wave of British Heavy Metal,” and for all the clamor to induct Def Leppard (who weren’t even the BEST example of the NWOBHM roster) last year, there is another band that has been greatly ignored from the discussion. Iron Maiden has arguably been just as influential (if not more so) than Def Leppard and right on the heels of the Priest (who were lumped in with the NWOBHM despite coming out a decade before the term existed) as to the power of their influence. Despite this fact, Iron Maiden has never even sniffed the nomination list for the Rock Hall, and that’s a travesty.

Prior to 1980, hard rock/metal was stuck in a sludge-like monotony and bands like Metallica (inducted LONG ago) and Iron Maiden took a decidedly different direction from their predecessors. Instead of miring in the muck, Iron Maiden picked up the speed and added a virtuosity that wasn’t always evident in hard rock/metal music. With their mascot “Eddie” dominating their album covers and, usually, their stage performances, the Maiden have dominated hard rock/metal for nearly 40 years.

In addition to that touring, Maiden has also shown their power with their fandom. Sixteen studio albums and twelve live albums have sold more than 100 million albums and critics have adored the band, especially most of their early work. The potential downside is that Iron Maiden has never been very “radio friendly” and, thusly, hasn’t achieved a great deal of chart success. This isn’t indicative of how great the band is and why it should be in and arguably should have been inducted long ago.

(On a final note here, this is the time when there is a true test of whether the Rock Hall is going to ever give hard rock/heavy metal its due. Judas Priest and Motörhead have been nominated in 2020 and are fighting to get in. Only ONE of the “Big Four” of the 80s metal scene – Metallica, Megadeth, Anthrax and Slayer – is inducted into the Rock Hall and the odds of the other three getting in are slim and none, with slim heading for the door. Could inductions of some of these artists indicate that the Rock Hall still cares about “rock?”)

The Smiths

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This was one that I had to debate for quite some time. I’ve never been a huge fan of the mopey, “goth” sound, simply because it is so morose, depressing and utterly void of an emotion outside “woe is me.” While I can understand where such writing comes from, that doesn’t necessarily mean that I want to wallow around in it. Thus, I really had to give The Smiths a hard look, especially since there are many others who swear by their work.

They’ve always been a critical darling and, for many fans, The Smiths’ spoke to something inside of them. That is one of the things that rock music is supposed to do – reach in and touch something inside of you. In the case of fans of The Smiths, it helped them through difficult times, told them that someone was experiencing the same issues that they were, and helped them avoid worse outcomes than if they hadn’t heard the band’s music. And honestly, in what universe does The Cure exist in the Rock Hall without their brethren in The Smiths?

Now, Morrissey may not have helped the band’s case with some of the statements he’s made in the past. And it is quite true that someone’s political and personal beliefs and/or actions have kept some nominees out (hi there, Ted Nugent!) or held up their nomination or election. In a perfect world, we’d separate those things away from the artistic side of the equation. In the case of The Smiths, it would be necessary to do to see them get the honor that they do deserve – even though I still don’t care for their music!

Kate Bush

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Before there was Lady Gaga, before there was Sarah McLachlan, before there was Tori Amos or Enya and even before an ingenue by the name of Madonna was making some noise, there was the ethereal voice of Kate Bush. Beginning in the mid-70s, Bush would provide voice work for Peter Gabriel before striking out on her own. Bush would break through with the angelic “Running Up That Hill” and “Wuthering Heights,” one of the rare instances of classic literature influencing someone’s rock musical stylings (a theme throughout Bush’s catalog). But Bush would also prove to be a groundbreaker in other areas, including synthesizer usage and, well, her being a female voice in a very male dominated business (it could be argued that she is the British equivalent of Pat Benatar, an artist who refused to let the record industry “sex up” her image to sell records).

Highly praised critically, Bush languished on the charts in the States, however. Other than the two songs mentioned previously, Bush had a hard time cracking the Billboard rankings. Still, Bush had huge success in Britain and Europe and continues to be a successful artist to this day. She was nominated for the Rock Hall in 2018 but, as with several other artists that earned only one nomination before being ignored, it seems that the membership of the Rock Hall are more interested in moving on to other more “accessible” artists and groups rather than honor eclectic and creative work from the past in Bush and other artists and groups.

The Go-Go’s/The Bangles

Let’s get beyond the fact that The Runaways should have been inducted and get right to the 80s, shall we?

Women were coming to the fore in the 80s, taking control of their own careers and playing the instruments instead of allowing the men to have all the fun (Ann and Nancy Wilson of Heart have to be added in that category, too, but I digress). And there were two acts that definitely rate getting into the Rock Hall. But if you could have only one of them, which one would it be?

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In my opinion, that would have to be the no-brainer induction of The Go-Go’s. Although their career was relatively short (only five years) and their catalog relatively limited (only four records, three of which were actually impactful), The Go-Go’s were groundbreakers in putting all-female bands into the musical discussion. They were very good musicians, especially guitarist Charlotte Caffey and drummer Gina Schock (what a drummer name!) and, powered by the force of nature that was vocalist Belinda Carlisle, the group was destined for greatness. If they would have stayed together longer (they already had the creative, influential and critical boxes check marked), they arguably would have already been inducted into the Rock Hall.

If you don’t like The Go-Go’s, there’s always The Bangles. From out of the gate with their initial releases of “Hero Takes A Fall” and “Going Down to Liverpool” in 1981, the melodic harmonies and tight musicianship masked a creative and critically successful group of women who were self-assured and didn’t rely on their sexuality to get across. Having said that, they did have singer/guitarist Susanna Hoffs on the mic, which didn’t hurt in getting them attention either. If you were going to have a downside for the group, it would be that they didn’t write their biggest hit “Manic Monday” (a song penned by the then-named “Christopher,” who turned out to be huge Bangles fan Prince).

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Looking back at the first three decades (roughly) of the history of rock and those still wrongly on the outside looking in, it is obvious that the Rock & Roll Hall of Fame has gotten it right more often than not. But, as more artists from the 90s and, in only five years, the Aughts start coming eligible, it is going to be tougher and tougher for those in the pre-50s to 80s eras to earn their seat in the Rock Hall. Furthermore, it is going to be tougher and tougher to discern just what is “rock & roll” as the genre lines blur even further. Then again, there is that argument that it is the Hall of FAME and not the Hall of PRETTY GOOD…and perhaps those from those earlier eras fall into the category of “pretty good” rather than the truly immortal.

Artists That SHOULD Be in the Rock & Roll Hall of Fame: The 1970s

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The current crop of artists and bands vying for entry into the Rock & Roll Hall of Fame is a very impressive lists. Cutting across all genres, including rap, pop, rock, metal and alternative music (it is arguable that folk isn’t included, but that’s a rarity instead of the norm), the potential inductees in 2020 will have many more shots at the brass ring. But who from the past may be running out of chances at getting into the Rock Hall?

There are 221 artists and/or groups in the Rock & Roll Hall of Fame, and many might say that the truly immortal have already been enshrined. It is tough to nitpick this fact but, in this first part of a series of essays on this subject, I was able to come up with five artists from the 1950s who have yet to be inducted for their influences on the world of rock music. In the second part of a multi-part essay series, the 1960s were covered with a selection of artists that covered genres that have contributed to the world of rock music. Now, it’s time for one of the most difficult decades to critique – the 1970s.

Before you think that all the greats from the 70s have been nominated, you’ve got to remember some that I’ve advocated for and for many years. In another article, I talked about artists such as Warren Zevon and Jimmy Buffett, who have never even been nominated. There’s also a corps of solid 70s rock bands – Boston, Styx and Kansas leading the way – that haven’t even been nominated. These artists and groups are a given, so let’s delve a little deeper and take a look at some artists who might not be on the top of the list but should be in the Rock Hall for their contributions to the genre (not saying those mentioned haven’t, but they’ve got their longtime advocates!). As a reminder, we’re not including those that have been nominated this year. And this by no means is a comprehensive list of those who should be inducted – they are arguably the most notable oversights, however.

New York Dolls

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While they may sound like they are a women’s professional football team, the New York Dolls were actually the genesis for several formats of rock in the States of America. Led by David Johansen (who would go on to arguably greater success as a character he created, “Buster Poindexter”) and backed by guitarists Johnny Thunders and Sylvain Sylvain, the group came out around the same time as 2020 Rock Hall nominee T. Rex. Much like T. Rex did in England, the Dolls embraced the glam style of rock and opened up some minds while expanding the musical landscape.

The Dolls are credited with having an influence on punk rock, glam rock, and even metal to a degree, while their style of androgynous dress – dressing like the opposite sex to the point where you couldn’t determine if they were women or men – became a staple of bands from the 70s through today. Their music impacted such diverse bands as the Sex Pistols, Guns ‘N’ Roses and the Smiths, with their lead singer Morrissey a proclaimed acolyte of the band.

What works against the New York Dolls is something that works against many bright, shining lights that burn out on the battleground of rock music – they weren’t around very long. Founded in 1971, by 1976 the band had broken up (by the time the band broke up, Thunders had quit the group and Blackie Lawless, who would go on to front his own band W.A.S.P., was doing the axe work for the group). As previously mentioned, Johansen would go on to do “Hot! Hot! Hot!” and front a full orchestra called “The Banshees of Blue,” which was a FAR cry from what he did during his days with the Dolls. The group would reunite in the 2000s, but the magic was gone. A fitting end for the New York Dolls would be to reach the ultimate goal – the Rock & Roll Hall of Fame.

KC and the Sunshine Band

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Although many don’t like to mention it, the disco era was a part of rock and roll. Many top rock acts of the day, including KISS (“I Was Made for Loving You”), The Rolling Stones (“Miss You”), Rod Stewart (“Da Ya Think I’m Sexy”), The Kinks (“Superman”) and many others all did a “disco” song, partially so that they would remain relevant during the disco era. As such, the Rock Hall should recognize the era and induct the best from that genre, starting with KC and the Sunshine Band.

Founded in 1973, the band would quickly find success in the discotheques of the U. S., first with “Get Down Tonight” in 1975 and followed by a litany of hit songs like “That’s The Way (I Like It),” “I’m Your Boogie Man” (covered by White Zombie is a genre mashup for the ages), and “(Shake, Shake, Shake) Shake Your Booty.” Of their six Top Ten singles, five of those went to #1 and the other went to #2…a pretty good track record.

There are many out there who would say that Chic, featuring the late drummer Tony Thompson and vocalist/producer/songwriter Nile Rodgers, would be a better choice, but why limit it to just one? Chic has been nominated on a few occasions and, honestly, should have already been inducted (Rodgers was inducted in 2017 via the “Award for Musical Excellence”). There’s no reason why both groups can’t be inducted, and it would bring the crème of the disco world into the Rock Hall.

War

WarBand

This was one that I had to really research before I came down for inducting the group. War was a groundbreaking funk act that not only pushed musical boundaries but also pushed the norms of the era. A multicultural ensemble, they were fronted for a time by Eric Burdon, who would ride with the group until he decided to go solo in the mid-70s. Whether with Burdon or without him, the group would put together a string of solid music.

Originally formed in 1969, War seemed to tap into the militancy of the time, when organizations and political elements felt they had to take stronger stances to make their points known. Beyond being multi-race, the music of War blended several different styles of music – Latin, jazz, blues and R&B – into a fusion that became a very recognizable sound. “Spill the Wine,” “Why Can’t We Be Friends,” and the classic “Low Rider” were the recognizable tunes from the band, only a sampling of the 14 songs that hit the Billboard Hot 100.

There might be others with a better chart history, but War delivered outside of simply the musical realm. They were groundbreakers in musical styling, they were groundbreakers in getting the best musicians for the band, regardless of race (much like 2020 Rock Hall nominee The Doobie Brothers), and they were able to maintain an excellence even after losing what many thought was the only thing driving them to success (Burdon). For these things, they do deserve induction.

Carole King and Gordon Lightfoot

As stated previously, I’ve been a longtime proponent of both Warren Zevon and Jimmy Buffett being inducted into the Rock & Roll Hall of Fame. They have both been at the forefront of their genres – Zevon in the creation of the “California sound” of country rock (along with another potential nominee, Gram Parsons) and Buffett in the creation of “trop rock.” But there’s a couple of other singer/songwriters that should also be inducted.

CaroleKing

Carole King’s contributions to the rock world are nearly too numerous to mention. Teaming up with Gerry Goffin in 1958, she would write 118 songs that hit the Billboard Hot 100, including such tunes as “Up on the Roof” (The Drifters), “One Fine Day” (The Chiffons), “(You Make Me Feel Like) A Natural Woman” (Aretha Franklin) and many others. When she finally got around to doing her own material, King only came up with Tapestry, considered one of the greatest albums not only of the 1970s but of all time. She’s technically in the Rock Hall as a “contributor” with Goffin, but she deserves her own place in the building as a performer and songwriter.

Lightfoot is one of those artists that many say, “he’s not in there already?” The Canadian is one of the people who helped move folk music into the mainstream with such tunes as “If You Could Read My Mind’ and “Sundown.” It is his epic tour de force on “The Wreck of the Edmund Fitzgerald” that most people remember him for, however. He’s been covered by such diverse artists as Johnny Cash, Herb Alpert, The Tragically Hip and Paul Weller.

GordonLightfoot

None other than Billy Joel has said that he intentionally wrote songs to “sound” like Lightfoot, all the way down to the vocals. This can be heard in Joel’s classic album The Stranger, with the song “She’s Always a Woman” being perhaps the best example of the Lightfoot influence. Lightfoot continues to perform, and strongly it must be added (usually when you see an 81-year old onstage, it isn’t their best work – Lightfoot is the exception); it would be fitting for the man to receive recognition for his life’s work.

Nick Lowe and Dave Edmunds

LoweEdmunds

This is arguably one of the more controversial choices because many people would say “who?” when these names are mentioned. But both men have been a key linchpin in the evolution of the British music scene, even today.

Lowe got his start in the early 70s with Brinsley Schwartz, a country and blues-based group, but his quirky approach and songwriting style didn’t lend itself to the staider sound that the band wanted. But it also allowed Lowe to pen songs that the band didn’t use that became staples of the rock world later on, songs such as “(What’s So Funny ‘Bout) Peace, Love and Understanding” (a massive hit for Hall of Famer Elvis Costello) and the song that would become his biggest solo hit “Cruel To Be Kind.”

Lowe’s greatest contribution in stride with his songwriting was his producing. Not only did he produce Costello for many years, Lowe would be at the production board for the eclectic lot of Carlene Carter (his now ex-wife), The Damned, Paul Carrack, The Pretenders, John Hiatt, the Fabulous Thunderbirds and even the late Johnny Cash. His nickname ‘Basher’ came about because of his “bash it out” style in the studio, simply playing the songs and waiting until getting in the editing room to sweeten any sounds.

Edmunds followed a very similar path to Lowe. Playing the bar scene around the U. K., Edmunds demonstrated his virtuosity on the guitar, mostly concentrating on the blues and rockabilly. One of his big hits was in 1970 with a version of “I Hear You Knocking” that became a huge success. In the 80s, he would have some dabbling success as he tried to ride the MTV wave with “Slipping Away,” but he would be most remembered for his partnership with Lowe.

The Lowe/Edmunds duo partnered on arguably one of the iconic albums of the early 80s with their group Rockpile. Seconds of Pleasure was the only “official” Rockpile album (with Edmunds and Lowe sharing vocals alongside guitarist Billy Bremner and drummer Terry Williams), but the lineup basically served as the band for albums from Edmunds (Repeat When Necessary), Lowe (Labour of Lust) and Carter (Musical Shapes and Blue Nun). The Rockpile Years were the fusion of their love for the past in rock history while trying to move it forward in their own way.

While their chart legacy isn’t anything remarkable, the Edmunds/Lowe combination was one that brought the British music scene from the rockabilly sounds of the 1950s to the Beatles to the New Wave of the early 80s and onto this century. Their partnership, while fraught with infighting and disagreements, arguably brought out the best creatively between the duo. Like Lennon and McCartney or Jagger and Richards, the duo of Edmunds and Lowe (and there would probably be complaints from Lowe that it should be Lowe and Edmunds) need to be recognized for their contributions.

Next up is a decade that is going to provide even more arguments between rock aficionados. The 1980s are going to start the blurring of the lines between what traditionalists call “rock & roll” and what some call “pop” or other genres that aren’t as readily recognizable as “rock.” As I’ve stated before, it’s a big umbrella when you’re talking about “rock & roll” and there’s going to be some artists in our next part of this series that aren’t going to be your traditional “rock & roll” artists or groups. But we’ll cross that bridge when we come to it…in the next part of this series!